Texts by Stephen G. Nichols, Jr.

Eddie Yeghiayan

COMMENTARY AS CULTURAL ARTIFACT

A Colloquium Sponsored by

The University of California Humanities Research Institute

June 1-3, 1990

Publications by the Participants

A Selected Bibliography

Eddie Yeghiayan

STEPHEN G. NICHOLS , Jr.

• "Amorous Imitation: Bakhtin, Augustine, and Le Roman d'Enéas." In Kevin Brownlee and Marina Scordilis Brownlee, eds., Romance: Generic Transformation from Chrétien de Troyes to Cervantes, pp. 47-73. Hanover, NH: University Press of New England for Dartmouth College, 1985.

• (with Cynthia Hoffman and David Pelizzari.) Translator. Bernard Cerquiglini's `The Syntax of Discursive Authority: the Example of Feminine Discourse." Yale French Studies (1986), 70:183-198.

• "The Book and the Author in the Middle Ages: Two Recent Studies." Medievalia et Humanistica (1986), 14:199-205.

• "Canso > Conso: Structures of Parodic Humor in Three Songs of Guilhem IX." L'Esprit Créateur (Spring 1976), 16(1):16-29.

• (with Richard B. Vowles.) Editor. Comparatists at Work: Studies in Comparative Literature. Waltham, Mass.: Blaisdell, 1968.

• "Critica Moralizante Y Literatura Medieval." Annuario de Estudios Medievales (1965), 2:119-123.

• "Croce, Benedetto." In Keonard S. Klein, ed., Encyclopedia of World Literature in the 20th Century. Rev. ed., Vol. 1, pp. 508-510. New York: Ungar, 1981.

• "Deeper into History." L'Esprit Créateur (Spring 1983), 23(1):91-102.

• "Discourse in Froissart's Chroniques." Speculum (April 1964), 39(2):279-287.

• "The Double Register of Time and Character in Manon Lescaut." Romance Notes (1966), 7:149-154.

• "Ekphrasis, Allegory, and Iconoclasm: Virgil and the Roman de la Rose." In Michael Riffaterre, ed., The Poetics of Ekphrasis. Baltimore, MD: Johns Hopkins Univerity Press, 1990. Forthcoming.

• "Eleanor of Aquitaine and the Beginning of Vernacular Lyric." The Waverly Consort Program Guide (1988), 4:2-10.

• "Ethical Criticism and Medieval Literature: Le Roman de Tristan." In William Matthews, ed., Medieval Secular Literature: Four Essays, pp. 68-88. UCLA Center for Medieval and Renaissance Studies, Contributions, 1. Berkeley: University of California Press, 1965.

• "Example vs. Historia: Montaigne's Disnarration of the Middle Ages." In Alexander Gelley, ed., The Uses and Abuses of Example. Forthcoming.

• "Ezra Pound: A la recherche d'une poétique." Les Cahiers de l'Herne (1966), 7:443-454.

• "Fission and Fusion: Meditations of Power in Medieval History and Literature." In Kevin Brownlee and Stephen G. Nichols, Jr., eds., Images of Power: Medieval History, Discourse, Literature, pp. 21-41. Yale French Studies (1986), 70. New Haven, Conn.; London: Yale University, 1986.

• Formulaic Diction and Thematic Composition in the Chanson de Roland. University of North CarolinaOA Studies in the Romance Languages and Literatures, 36. Chapel Hill: University of North Carolina Press, 1961.
  Excerpted under "La Chanson de Roland (The Song of Roland)." In Dennis Poupard and Jelena O. Krstovic, eds., Classical and Medieval Literature Criticism, Vol. 1, pp. 189-191. Detroit, MI: Gale Research, 1988.

• "François Villon (1431-ca.1465)." In William T.H. Jackson, ed., European Writers: The Middle Ages and the Renaissance, Vol. 2: Petrarch to Renaissance Short Fiction, pp. 535-570. New York: Scribner's, 1983.

• "From Passion to Pietà: Modes of Death in the Legend of Roland." In Joseph P. Strelka, ed., Literary Theory and Criticism: Festschrift Presented to René Wellek in Honor of His Eightieth Birthday. Part II: Criticism, pp. 1041-1073. Bern: Lang, 1984.

• "The Generative Function of Chant and Récit in Old French Epic." Olifant (Summer 1979), 6:305-325.

• "Georg Lukacs: The Problems of Dialectical Criticism." Contemporary Literature (Summer 1968), 9: 349-366.
  Reprinted in L.S. Dembo, ed., Criticism: Speculative and Analytical Essays, pp. 75-92. Madison: University of Wisconsin Press, 1968.

• Editor. Guillaume de Lorris' Le Roman de la Rose. Series in Medieval French Literature. New York: Appleton-Century-Crofts, 1967. The Romaunt of the Rose, Fragment A, a translation by Geoffrey Chaucer, pp. 153-197.

• Translator, with an Introduction. "Henri d'Andeli, The Lai of Aristotle." In Masterpieces of World Literature: The Medieval Age, pp. 320-330. New York: Dell, 1963.

• "Historical Illusion and Poetic Reality in the Chansons de Geste." French Review (1969), 43:23-33.

• "The Image as Textual Unconscious: Medieval Manuscripts." L'Esprit Créateur (1989), 29(1):7-23.

• "Images of Arthur." Humanities (June 1986), 7:3-5.

• (with Kevin Brownlee.) Editor. Images of Power: Medieval History, Discourse, Literature. Yale French Studies (1986), 70. New Haven, Conn.; London: Yale University Press, 1986.

• "Images of Prophecy: The Old Testament and Medieval Vernacular Poetry." In Bernard Levy, ed., The Bible in the Middle Ages. Binghampton: CMERS. Forthcoming.

• "The Interaction of Life and Literature in the Peregrinationes ad Loca Sancta and the Chansons de Geste." Speculum (January 1969), 44(1):51-77.

• "Les Interventions de l'auteur dans le Siège de Barbastre." Boletin de la Real Academia de Buenas Letras de Barcelona (1966), 31:243-250.

• "Introducing the Literature: A Modest Proposal." American Comparative Literature Association Newsletter (1978), 10:14-20.

• "Introduction: Philology in a Manuscript Culture." Speculum (January 1990), 65(1):1-10.

• "Lai du Cor, Le." Joseph R. Strayer, ed., Dictionary of the Middle Ages, Vol. 7, pp. 317-319. New York: Scribner's, 1986.

• Editor of "The Legitimacy of the Middle Ages" issue of Romanic Review (January 1988), 79(1).
  Includes "Editor's Preface," pp. 1-3.

• "The Light of the Word: Narrative, Image, and Truth." New Literary History (Spring 1980), 11(3):535-544.

• "Marot, Villon, and the Roman de la Rose: A Study in the Language of Creation and ReCreation." Studies in Philology (April 1966), 63(2):135-143; (January 1967), 64(1):25-43.

• (with Franklin W. Robinson.) Editor. The Meaning of Mannerism. Six papers read at the New England Renaissance Conference, sponsored by the New England Renaissance Society and held at Dartmouth College, October 3-4, 1970. Hanover, N.H.: University Press of New England, 1972.

• (with Nancy J. Vickers.) Editor, with an Introduction (pp. 451-459) of special issue on "Medieval and Renaissance Representation: New Reflections" Poetics Today (1984), 5(3).

• "The Medieval Lyric and Its Public." In Paul Maurice Clogan, ed., Medieval and Renaissance Studies in Review, pp. 133-153. Medievalia et Humanistica (1972), 3. Cleveland, OH: Press of Case Western Reserve University, 1971.

• "Medieval Women Writers: Aisthesis and the Powers of Marginality." Yale French Studies (1988), 75:77-94.

• (with John D. Lyons.) Editor, with an Introduction. Mimesis: From Mirror to Method, Augustine to Descartes. Hanover, NH & London: University Press of New England for Dartmouth College, 1982.
  "This series of essays grows out of contributions to the first colloquium, held in September 1981, by the Dartmouth Study Group in Medieval and Early Modern Romance Literatures."-Pref.

• "N.E.H. Summer Seminar: Interaction of Myth and Culture in Medieval Narrative Literature." Olifant (1975), 2:198-204.

• (with Kevin Brownlee and Marina Scordilis Brownlee.) Editor. The New Medievalism. Baltimore: Johns Hopkins University Press. Forthcoming.

• Editor of "The New Philology" issue of Speculum (January 1990), 65(1).

• "`The Old Provençal Lyric'. 1127: Death of William IX of Aquitaine, the First Troubadour." In Denis Hollier, ed., A New History of French Literature, pp. 30-36. Cambridge, Mass.: & London: Harvard University Press, 1989.

• "On the Sociology of Medieval Manuscript Annotation." In Stephen Barney, ed., Annotation and Its Texts. Papers from a Symposium Sponsored by the Humanities Research Institute, University of California. Oxford: Oxford University Press. Forthcoming.

• "Peire Cardenal." In Joseph R. Strayer, ed., Dictionary of the Middle Ages, Vol. 9. New York: Scribner's, 1987.

• "Periodization and the Politics of Perception: A Romanesque Example." Poetics Today (Spring 1989), 10(1):127-154.

• "A Poetics of Historicism? Recent Trends in Medieval Literary Study." Medievalia et Humanistica (1977), 8:77-101.

• "The Promise of Performance: Discourse and Desire in Early Troubadour Lyric." In John D. Lyons and Nancy J. Vickers, eds., The Dialectic of Discovery: Essays on the Teaching and Interpretation of Literature Presented to Lawrence E. Harvey, pp. 93-108. French Forum Monographs, 50. Lexington, KY: French Forum, 1984.

• "Realistic Perception in Twelfth Century French Literature." L'Esprit Créateur (Winter 1965), 5:119-133.

• "Remembrance of Things Recreated: Aspects of French New Criticism." Contemporary Literature (Spring 1970), 11(2):243-268.

• "Remodeling Models: Modernism and the Middle Ages." New Literary History. Forthcoming.

• Editor, with an Introduction. René Wellek's Concepts of Criticism. New Haven: Yale University Press, 1963.
  "Introduction," pp. ix-xv.

• "Response to Peter Haidu's 'Fragments in Search of Totalization'." New Literary History. Forthcoming.

• Reviews: Over 80 reviews in such journals as Speculum, MLN, Medievalia et Humanistica, Romance Philology, etc.
  A small sample:

• Review of Albero Vàrvaro's Letterature romanze del medioevo. Speculum (October 1987), 62(4):1002-1005.

• Review of Brian Stock's The Implications of Literacy: Written Language and Models of Interpretation in the Eleventh and Twelfth Centuries. Speculum (January 1986), 61(1):208-213.

• Review of John E. Keller's and Richard P. Kinkade's Iconography in Medieval Spanish Literature. Journal of Hispanic Philology (1985), 9(2):163-167.

• Review of Lucie Brind'Amour and Eugène Vance, eds., Archéologie de Signe. MLN (December 1984), 99(5):1185-1188.

• Review of John Brandt Corstius' Introduction to the Comparative Study of Literature. Yearbook of Comparative and General Literature (1968), 17:136-138.

• Review of René Wellek's The Attack on Literature and Other Essays. Canadian Review of Comparative Literature/Revue Canadienne de Littérature Comparée (September 1986), 13(3):465-469.

• "Rewriting Marriage in the Middle Ages." Romanic Review (January 1988), 79(1):42-60.

• "The Rhetoric of Recapitulation in the Chanson de Guillaume." In Josep M. Sola-Solé, Alessandros S. Crisafulli and Siegfried A. Schulz, eds., Studies in Honor of Tatiana Fotitch, pp. 79-92. Washington, DC: Catholic University of America Press, 1972.

• "Rhetorical Design and Creativity in the Chansons de Geste." Ph.D. Dissertation, Yale University, 1963.
  Abstract in Dissertation Abstracts International (1971), 31(7):3559-A.

• "The Rhetoric of Sincerity in the Roman de la Rose." In Urban T. Holmes, ed., Romance Studies in Memory of Edward Billings Ham, pp. 115-129. Hayward: California State College, 1967.

• "Rhetorical Metamorphosis in the Troubadour Lyric." In Jean Defournet and Daniel Poirion, eds., Mélanges de langue et de littérature médiévales offerts à Pierre Le Gentil, Professeur à la Sorboone, par ses collègues, ses élèves et ses amis, pp. 569-585. Paris: S.E.D.E.S. et C.D.U. Réunis, 1973.

• "Roland Barthes and the Science of Literature." Contemporary Literature (Spring 1970), 11:243-268.

• "Roland's Echoing Horn." Romance Notes (1964), 5:78-84.

• "Romanesque Imitation or Imitating the Romans?" In John D. Lyons and Stephen G. Nichols, Jr., eds., Mimesis: From Mirror to Method, Augustine to Descartes, pp. 36-59. Hanover: University Press of New England for Dartmouth College, 1982.

• Romanesque Signs: Early Medieval Narrative and Iconography. New Haven: Yale University Press, 1983. Pbk. 1985.

• "Sign as (Hi)story in the Couronnement de Louis." Romanic Review (January 1980), 7(1):1-9.

• "Signs of Royal Beauty Bright: Word and Image in the Legend of Charlemagne." Olifant (1976), 4:21-47.

• (with John V. Fleming.) "Solomon's Wife: Deceit, Desire, and the Genealogy of Romance." In James A.W. Heffernan, ed., Space, Time, Image, Sign: Essays on Literature and the Visual Arts, pp. 19-40. Literature and the Visual Arts, 1. New York: Lang, 1987.

• (with others.) Editor. The Songs of Bernart de Ventadorn. Complete Texts, Translations, Notes, and Glossary. University of North Carolina Studies in the Romance Languages and Literatures, 39. Chapel Hill: University of North Carolina Press, 1962. Revised edition, 1965.

• "The Spirit of Truth: Epic Modes in Medieval Literature." New Literary History (Spring 1970), 1(3):365-386.

• "Style and Structure in Gromont et Isembart." Romania (1963), 84:500-535.

• (with Bernard Cerquiglini, Cynthia Hoffman, David Pelizzari.) "The Syntax of Discursive Authority: The Example of Feminine Discourse." Yale French Studies (1986), 70:183-198.

• "La Tension dramatique du Sponsus." OBRomance Notes (Spring 1962), 3(2):69-74.

• "Theosis and Kingship: Greek Ideals and Latin Narrative." In Vladimir P. Goss, ed., The Meeting of Two Worlds: Cultural Exchange Between East and West during the Period of the Crusades, pp. 259-275. Studies in Medieval Culture, 21. Kalamazoo, MI: Medieval Institute Publications, Western Michigan University, 1986.

• "Toward an Aesthetic of the Provencal Lyric II: Marcabru's `Dire vos vuoill ses doptansa' (BdT 293, 18)." In Giose Rimanelli and Kenneth John Atchity, eds., Italian Literature, Roots and Branches: Essays in Honor of Thomas Goddard Bergin, pp. 15-37. New Haven: Yale University Press, 1976.

• "Toward an Aesthetic of the Provençal Canso." In Peter Demetz, Thomas Greene and Lowry Nelson, Jr., eds., The Disciplines of Criticism: Essays in Literary Theory, Interpretation, and History, pp. 349-374. Essays in Honor of René Wellek on His 60th Birthday. New Haven: Yale University Press. 1968.

• (with Kevin Brownlee and Marinia Scordilis Brownless.) Editor of "Transgressions" issue of Stanford French Review (Winter 1990). Forthcoming.

• Editor of "The Troubadour Lyric: Texts and Contexts" issue of L'Esprit Créateur (1979), 19(4).

• "Undergraduate Comparative Literature: Profile 1974." American Comparative Literature Association Newsletter (Fall 1975), 7:1-32.

• "Vision and Tradition in Second Skin." In John Graham, ed., Studies in Second Skin, pp. 69-82. Columbus, Ohio: Merrill, 1971.

• "Voice and Writing in the Troubadour Lyric." In Alger N. Doan and Carol Pasternack, eds., Con-Texts: Orality, Textuality, and the Middle Ages. Madison: University of Wisconsin Press. Forthcoming.

• "Working Late: Marie de France and the Values of Poetry." In Michel Guggenheim, eds., Women in French Literature: A Collection of Essays, pp. 7-16. Stanford French and Italian Studies, 58. Saratoga, CA: Anma Libri, 1988.

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