Jean Cocteau and the Parisian Avant-Garde: A Symposium

Works by DORE ASHTON

Eddie Yeghiayan

• Ashton, Dore and D. Lavine. "10 Independents: An Artist Initiated Exhibition." New York: Solom R. Guggenheim Museum, (January 14-February 27, 1972).

• Ashton, Dore and Peter Selz. 2 Jahrzehnte amerikanische Malerei 1920-1940. Translated by A. Hurlimann Schuldt. Stadtische Kunsthalle Dusseldorf, 10. Juni bis 12. August 1979: Kunsthaus Zurich, 23. August bis 28. Oktober 1979: Palais des Beaux-Arts, Brussels, 10. November bis 30. Dezember 1979. Dusseldorf: Die Kunsthalle, 1979.

• Ashton, Dore. About Rothko. New York: Oxford University Press, 1983.

• Ashton, Dore. Abstract Art Before Columbus. New York: Andre Emmerich Gallery, 1957.

• Ashton, Dore. "Adami." New York: Marisa del Re Gallery, (February-14 March 17, 1984).

• Ashton, Dore. "Affirmation and Apocalypse in Karel Appel's Recent Painting." Arts Magazine (April 1983), 57: 68-69.

• Ashton, Dore. "Afro." Arts Digest (May 1, 1955), 29: 10-11.

• Ashton, Dore. "Agnes Martin: Paintings and Drawings 1955-1975." London: Hayward Gallery (March 6-April 24, 1977), Amsterdam: Stedelijk Museum (May 13-June 19, 1977). London: 1977.

• Ashton, Dore. "Al Held, New Spatial Experiences." Studio International (November 1964), 168: 210-213.

• Ashton, Dore. "Alechinsky at Large." Art International (March 1978), 22(3): 22-29.

• Ashton, Dore. "All Painting is Initiated in Paradox: The New Paintings of Paul Rotterdam." Arts Magazine (May 1982), 56: 77-79.

• Ashton, Dore. "Americans 1963 at the Museum of Modern Art. " Arts & Architecture (July 1963), 80: 45.

• Ashton, Dore. "American Sculpture in Paris." Studio International (November 1965), 170: 184-187.

• Ashton, Dore. "American Sculpture of the Sixties." Grand Rapids, MI: Grand Rapids Art Museum, (March 22-May 24, 1969).

• Ashton, Dore. "The American Landscape: Paintings by Allan D'Arangelo." Buffalo, NY: Burchfield Center, (May 6-August 31, 1979).

• Ashton, Dore. American Art Since 1945. New York; London: Oxford University Press; Thames and Hudson, 1982.

• Ashton, Dore. "Les Années heroiques au Musée de Houston." XXe Siècle (May 1966), 28: 41-43.

• Ashton, Dore. "Antonio Gaudi." Craft Horizons (November 1957), 17:35-41

• Ashton, Dore and Guido Ballo, eds. Antonio Sant'Elia. New York: Cooper Union for the Advancement of Science and Art, 1986.
  Translation of Antonio Sant'Elia. Milan: Mondadori, 1986.

• Ashton, Dore. "Armando Morales: Recent Paintings." New York: Claude Bernard Gallery, (November 19-December 19, 1987).

• Ashton, Dore. "Arshile Gorky, peintre romantique." XXe Siècle(June 1962), 24: 76-80.

• Ashton, Dore. "Arshile Gorky, peintre romantique." XXe Siècle(June 1973), 40: 87-91.

• Ashton, Dore. "Art." Arts & Architecture (December 1955), 72: 10; (January 1956), 73: 10-12; (February 1956), 73: 14-15; (March 1956), 73: 3; (April 1956), 73: 10-11; (June 1956), 73: 4; (September 1956), 73: 4; (November 1956), 73: 4; (January 1957), 74: 8-10; March 1957), 74: 10-11; (May 1957), 74: 8-10; (June 1957), 74: 4 (July 1957), 74: 10.

• Ashton, Dore. "Art and Social Change." In Mary Henle, ed., Vision and Artifact, pp. 175-186. New York: Springer, 1976.

• Ashton, Dore. "Art and Literature in America." Arts Magazine (March 1978), 52(7): 140-141.

• Ashton, Dore. "Art as Spectacle." Arts Magazine (March 1967), 41:44-46.

• Ashton, Dore. "L'Art européen à New York." XXe Siècle (June 1960), 22: 22.

• Ashton, Dore. "Art of Perpetual Crisis: Is Abstraction a School?" Arts Magazine (February 1968), 42: 39-41.

• Ashton, Dore. "The Art of Architectural Drawings: A Review of a Show of Architectural Drawings and Models." Artscanada (February-March 1978), 35(218-219): 34-38.

• Ashton, Dore. "Art of the Twenties." (Museum of Modern Art, New York: Exhibition Review) Artscanada (April-May 1980), 234-235: 41-42.

• Ashton, Dore. "Art USA 1962." Studio International (March 1962), 163: 84-95.

• Ashton, Dore. "L'Art Vivant aux Etats-Unis." Saint-Paul: Fondation Maeght, (July 16-September 30, 1970).

• Ashton, Dore. "Art: The New Realism." Arts & Architecture (October 1959), 76: 8-10.

• Ashton, Dore. "Artists Choose Artists." New York: CDS Gallery, (April 15-June 12, 1982).

• Ashton, Dore. "Artists Call: Freedom and the Freedom for Art in Central America: Excerpts from a Conversation." Arts Magazine (January 1984), 58: 80-82.

• Ashton, Dore. "The Arts of Joseph Cornell." One (January 1974), 2: 10-15.

• Ashton, Dore. "Avantgardia." Arts Digest (March 15, 1955), 29: 16-17.

• Ashton, Dore. "Barbara Hepworth `Conversations'." New York: Marlborough Gallery, March-April 1974.

• Ashton, Dore. "Beyond Literalism but not Beyond the Pale." Arts Magazine (November 1968), 43: 48-50.

• Ashton, Dore. "Beyond Max Ernst." Arts Magazine (April 1975), 49: 50-51.

• Ashton, Dore. "Bonevardi: Exhibition Tour, 1980-1981." New York: Center for Inter-American Relations, 1980.

• Ashton, Dore and Christopher Wilmarth. Breath: Inspired by Seven Poems of Stéphane Mallarmé. Translated by Frederick Morgan. New York: C. Wilmarth, 1982.

• Ashton, Dore. " British Art Now." (Solomon R. Guggenheim Museum, New York: Exhibition Review) Artscanada (April-May 1980), 234-235: 44.

• Ashton, Dore. "Brooklyn Reviews Today's American Print Techniques." Art Digest (September 1952), 26: 68.

• Ashton, Dore. "Canadian Art in Review: Marlborough Gallery, New York." Artscanada (December 1974), 31: 104-106.

• Ashton, Dore et al. "Carl Frederik Reuterswärd: 25 Years in the Branch." Berne: Benteli, 1978.

• Ashton, Dore. "Carl Frederik Reuterswärd." Arts Magazine (October 1978), 53: 4.

• Ashton, Dore et al. "Carte Blanche to Denise René: Geometric and Kinetic Adventure." Paris: Paris Art Center, (May 16-July 28, 1984).

• Ashton, Dore. Preface to Carl Fredrik Reuterswärd's Caviart: The Ultimate Selection from the Pratt-Muller Empire. (Exhibition held in Los Angeles, March-April 1983, at the Otis Art Institute and at the Koplin Gallery). Lausanne: Pratt-Muller University Press, 1983.

• Ashton, Dore. "Cezanne and His Temperament." Virginia Quarterly Review (Autumn 1979), 55(5): 596-612.

• Ashton, Dore. "Chambered Nautilus of Modern Art." Arts Magazine (March 1966), 40:37-39.

• Ashton, Dore. "Charles Gagnon's Point of View." Artscanada (August-September 1979), 36(228-229): 9-16.

• Ashton, Dore. "Christopher Wilmarth's Gnomic Sculpture." Arts Magazine (December 1980), 55: 93-95.

• Ashton, Dore. "Christopher Wilmarth: Layers." Cimaise (March-April 1984), 31(169): 69-72.

• Ashton, Dore. "A Classic Modern: The Art of Jean Xceron." Arts Magazine (June 1984), 58: 131-133.

• Ashton, Dore. "A Closed, Infinitely Open Universe." (Bonnard Drawings Exhibited at Finch College, NY) Studio International (November 1972), 184: 189-191.

• Ashton, Dore. "`Clothes do not cheat and cousen us'." Arts Magazine (December 1967), 42: 40-42.

• Ashton, Dore. "Clyfford Still." (Metropolitan Museum of Art, New York : Exhibition Review) Artscanada (April-May 1980), 234-235: 43.

• Ashton, Dore. "Cobra in Context." Arts Magazine (February 1978), 52(6):106-109.

• Ashton, Dore. "Cocteau and His Times: An Intellectual Backdrop. " In Jean Cocteau and the French Scene, pp. 47-79. New York: Abbeville, 1984.

• Ashton, Dore. "Commentary from Houston and New York." Studio International (January 1966), 171: 40-42.

• Ashton, Dore. "Commentary from Washington and New York." Studio International (February 1966), 171: 78-81.

• Ashton, Dore. "Comments on Paintings of Morris Louis and Helen Frankenthaler." Honolulu Academy of the Arts Journal (1974), 1: 44-49.

• Ashton, Dore. "Contemporary American Drawing." Art Journal (Spring 1965), 24(3): 270.

• Ashton, Dore. "Contemporary American Drawing." Arts Magazine (April 1965), 39: 26-31.

• Ashton, Dore. "A Contemporary Collection of Painting and Sculpture." New London, CT: Lyman Allyn Museum, (May 16-September 16, 1965).

• Ashton, Dore. "Contrasts of Form: Geometric Abstract Art, 1910-1980." Arts Magazine (December 1985), 60: 18-20.

• Ashton, Dore. "Costantino Nivola." Craft Horizons (January 1959), 19: 38-41.

• Ashton, Dore. "Costantino Nivola." Arts & Architecture (March 1959), 76:10-11.

• Ashton, Dore. "Costantino Nivola." Aujourd'hui (December 1961), 6:18-25.

• Ashton, Dore. "Cultural Soundings in France, 1983-1984." Arts Magazine (January 1984), 58:116-120.

• Ashton, Dore. "Dallo studio di Isamu Noguchi." Domus (June 1964), 415:52-55.

• Ashton, Dore."David Smith, Robert Motherwell." Caracas: Museo de Arte Contemporaneo de Caracas (May 1979).

• Ashton, Dore."Deborah Remington: A 20-Year Survey." Newport Beach, CA: Newport Harbor Art Museum, (December 15, 1983-March 25, 1984).

• Ashton, Dore. "Dionysiac Dithyramb: The Work of Tosun Bayrak." Art & Artists (February 1972), 6:38-41.

• Ashton, Dore. "Distance from 1926 to 1966." Arts Magazine (December 1966), 41:28-33.

• Ashton, Dore. "Document of What?" Arts Magazine (September 1987), 62:17-20.

• Ashton, Dore."Drawings for Dante's Inferno." In Rauschenberg: XXIV Drawings for Dante's Inferno. New York: Abrams, 1964.

• Ashton, Dore."Drawings by New York Artists." Salt Lake City: Utah Museum of Fine Arts, 1972.

• Ashton, Dore. "Drawings: An Intimate Obbligato to the Paintings and Sculpture." Art News (October 1979), 78(8):92-95.

• Ashton, Dore. "Dry Season Notes." Arts & Architecture (February 1958), 75:4.

• Ashton, Dore. "Dubuffet and Anticulture." Arts Magazine (December 1969), 44:36-38.

• Ashton, Dore. "Earle Brown's Continuum." Arts Magazine (January 1982), 56:68-69.

• Ashton, Dore. "Early Modern Sculpture." Art Bulletin (December 1975), 57:599-600.

• Ashton, Dore and Suzanne Delehanty."Eight Abstract Painters." Philadelphia, PA: Institute of Contemporary Art, University of Pennsylvania, (March 19-May 2, 1978).

• Ashton, Dore. "El Greco of Toledo: The 1982-1983 Exhibition." Arts Magazine (June 1982), 56:88-91.

• Ashton, Dore. "The End and the Beginning of an Age: Epoch Making Shows at MOMA and the Brooklyn Museum." Arts Magazine (December 1968), 43:46-50.

• Ashton, Dore."End of an Age." In Gregory Battcock, ed., The New Art: A Critical Anthology. New York: Dutton, 1973.

• Ashton, Dore. Esempi recenti di pittura non oggettive negli Stati Uniti. Milan: Fratelli Fabbri editori, 1967.
  L'art moderna (1967), 13(111):81-120.
  Translation of: "Recent Examples of Non-Objective Painting in the U.S."

• Ashton, Dore et al. Estudios sobre Picasso. Edited by Victoria Combalia Dexeus. Translated by Homero Alsina Thevenet, et al. Barcelona: G. Gili, 1981.

• Ashton, Dore. "Eugene Brodsky: An Art of Process." Arts Magazine (May 1985), 59:98-99.

• Ashton, Dore. "European Art Press on American Art. " Arts & Architecture (August 1958), 75:7.

• Ashton, Dore. "Every Grain of Sand: Notes from a Visit to Nicaragua." Arts Magazine (April 1988), 62:37-39.

• Ashton, Dore. "Everything Should be as Simple as it is but not Simpler." Studio International (September 1972), 184:86-88.

• Ashton, Dore. "Exercises in Anti-Style: Six Ways of Regarding Un, In and Anti-Form." Arts Magazine (April 1969), 43:45-47.

• Ashton, Dore. "L'Exposition du futurisme à New York." XXe Siècle (December 1961), 23:46.

• Ashton, Dore. A Fable of Modern Art. London: Thames and Hudson, 1980.

• Ashton, Dore. "Forces in New York Painting 1950-1970." Artscanada (December 1979-January 1980), 232-233:23-25.

• Ashton, Dore. Fragonard in the Universe of Painting. Washington, DC: Smithsonian Institution Press, 1988.

• Ashton, Dore. "French Malaise: The State of French Polemics." Arts & Architecture (July 1955; 72:<-- PAGES-->10; August 1955), 72:11-12.

• Ashton, Dore."From Achilles' Shield to Junk." In Gyorgy Kekes, ed., The Man-Made Object, pp. 192-207. New York: Braziller, 1966.

• Ashton, Dore. "From Symbol to Symbolism." Arts Magazine (December 1980), 55:168-171.

• Ashton, Dore."Garth Evans: Sculpture & Drawings 1979-1987." New Haven, CT: Yale Center for British Art, (January 27-March 20, 1988).

• Ashton, Dore, et al. The Genius of American Painting. Edited by J. Wilmerding. London; Weidenfeld & Nicholson; New York: Morrow, 1973.

• Ashton, Dore. "Gerald van de Weile." Studio International (July 1964), 168:20-23.

• Ashton, Dore. "Giuseppe Capogrossi." Arts Digest (March 1, 1955), 29:10-11.

• Ashton, Dore. "Good and the Civilized: Problem of English Painting." Arts & Architecture (November 1955), 72:12.

• Ashton, Dore. "Gorky and Contemporary American Painting." Arts & Architecture (January 1958), 75:6.

• Ashton, Dore. "La Grande rétrospective de Kandinsky." XXe Siècle (May 1963), 25:15.

• Ashton, Dore."Gustave Moreau." In John Rewald, ed., Odile Redon, Gustave Moreau, Rodolphe Bresdin, pp. 107-145. Garden City, NY: Doubleday, 1961.

• Ashton, Dore. "Gustave Moreau and the Questions of Abstraction." Marsyas (1979-80), 20:71-77.

• Ashton, Dore. "Havana, 1986." Arts Magazine (February 1987), 61:38-39.

• Ashton, Dore et al."Hedda Sterne: Forty Years." New York: Queen's Museum, (February 2-April 14, 1985).

• Ashton, Dore. "Helen Frankenthaler." Studio International (August 1965), 170:52-55.

• Ashton, Dore. "Holland, Belgium and Switzerland." Arts Digest (November 15, 1954), 29:20-21.

• Ashton, Dore. "Homage to Daniel-Henry Kahnweiler." Arts Magazine (March 1985), 59:140-141.

• Ashton, Dore. "Home-Made Process for Unravelling Meanings." Studio International (March 1973), 185:134-135.

• Ashton, Dore. "Hourlouping it on Wall Street." Studio International (January 1973), 185: 41-42.

• Ashton, Dore."In Praise of Illusion." In Gregory Battcock, ed., The New Art: A Critical Anthology, pp. 111-122. New York: Dutton, 1966.

• Ashton, Dore. "In the Last Analysis." Studio International (October 1968), 176:122-123.

• Ashton, Dore."The Incompatibility of Journalism and Art Criticism." (Sound recording. 1 cassette. ½ track. mono. Duration: 43 minutes.) Berkeley: Pacifica Tape Library, 1966.
  Speaking at the University of California, Berkeley in 1966, Dore Ashton discusses the problems journalists have as art critics. She speaks from five years experience as New York Times art critic.

• Ashton, Dore. "Intercultural Gaps on the Cote d'Azur: Maeght Foundation Shows American Art." Arts Magazine (September 1970), 45:38-41.

• Ashton, Dore. "Interview with Marcel Duchamp." Studio International (June 1966), 171:244-247.

• Ashton, Dore. "Isamu Noguchi." Arts & Architecture (August 1959), 76:14-15.

• Ashton, Dore."Isamu Noguchi, Bronze and Iron Sculpture." New York: Pace Gallery, (May 13-June 11, 1988).

• Ashton, Dore. "IX Bienal de Sao Paulo: Notes from an Innocent Abroad." Arts Magazine (November 1967), 42:24-29.

• Ashton, Dore et al. "J.F. Koenig." Cimaise (August-October 1984), 31(171-172):53-76.

• Ashton, Dore. "Jackson Pollock's Arabesque." Arts Magazine (March 1979), 53:142-143.

• Ashton, Dore. Jacobo Borges. Translated by Esdras Parra. Serie Artistas venezolanos. Caracas: Armitano, 1983.

• Ashton, Dore. "Jacques Villon, Father of Modern Printmaking." Art Digest (September 1953), 27:89.

• Ashton, Dore. "Jake Berthot Paints Quietness." Arts Magazine (November 1971), 46:32-35.

• Ashton, Dore. "Jake Berthot." Arts Magazine (June 1974), 48:33-34.

• Ashton, Dore. "Jake Berthot." Arts Magazine (January 1979), 53:2.

• Ashton, Dore."Jake Berthot: Paintings and Drawings, 1981." New York: David McKee Gallery, 1982.

• Ashton, Dore. "Jake Berthot's Order." Arts Magazine (March 1982), 56:97-99.

• Ashton, Dore. "James Ensor's ReEntries." Arts Magazine (March 1977), 51(7):136-138.

  Ashton, Dore. "James Rosati: World of Inner Rhythms." Studio International (May 1964), 167:196-199.

• Ashton, Dore. "James Rosati." (Marlborough Gallery, New York, September 10-October 10, 1970) Craft Horizons (December 1970), 30(6):58-59.

• Ashton, Dore. "Japanese Avantgardism at the Martha Jackson Gallery." Arts & Architecture (November 1958), 75:45.

  Ashton, Dore. "Jean Xcéron." XXe Siècle (May 1961), 23:5-7.

• Ashton, Dore. "Jeanne Reynal's Mosaics." Craft Horizons (December 1956), 16:23-27.

• Ashton, Dore. "Jeunes talents de la sculpture américaine." Aujourd'hui (January 1967), 10:158-160.

• Ashton, Dore. "John Walker." (Cunningham Ward, New York: Exhibition Review) Arts Magazine (December 1976), 51(4):6.

• Ashton, Dore. "John Walker." Flash Art (October-November 1981), 104:44-45.

  Ashton, Dore."John Walker: Paintings from the Alba and Oceania Series 1979-84." London: Arts Council of Great Britain, 1985.

• Ashton, Dore. "Jose de Rivera." Arts & Architecture (November 1952), 69:22-23.

• Ashton, Dore. Introduction to Joan M. Marter's Jose De Rivera: Constructions. Madrid: Taller Ediciones, 1980.

• Ashton, Dore. "Joseph Goto: Hawaiian Sculptor in Steel." Studio International (August 1964), 168:74-77.

• Ashton, Dore. A Joseph Cornell Album. With special contributions by John Ashbery and others, and assorted ephemera, readings, decorations, and reproductions of works by Joseph Cornell. New York: Viking Press, 1974.

• Ashton, Dore. "Kant & Cant." Arts Magazine (April 1967, 41:13. (May 1967, 41:13.

• Ashton, Dore. "Kenneth Martin in the Realm of Art." Arts Magazine (June 1979), 53:138-139.

• Ashton, Dore."Kunitz and the Painters." In A Celebration for Stanley Kunitz on His Eightieth Birthday, pp. 18-22. Riverdale-on-Hudson, NY: Sheep Meadow, 1986.

• Ashton, Dore. "Lanskoy." Arts (March 1956), 30:37-43.

  Ashton, Dore. "The Late Work: A Postscript." Artscanada (September-October 1980), 236-237:16-18.

• Ashton, Dore."A Lecture about American Art." Videorecording. 1 videocassette (53 min.), sd., col. 3/4 in. U-matic.
  The Art Museum, Florida International University critic's lecture series VI presents Dore Ashton. Lecture given at Florida International University, January 17, 1986.

• Ashton, Dore."Lester Johnson." New York: Martha Jackson Gallery,1963.
  Includes commentary by Dore Ashton, Arts & Architecture, Jan. 1963.

• Ashton, Dore. "Lester Johnson's Strolling Players." Arts Magazine (April 1982), 56:66-67.

• Ashton, Dore. "Letter from New York." Canadian Art (March-July 1963), 20:132-133, 188-190, 244-245.

• Ashton, Dore. "Letter from New York." Canadian Art (November 1963-July 1964), 20; 21; 21; 21; 21:358-359; 48; 104, 174; 242.

• Ashton, Dore. "Lewis Mumford." Boston University Journal (1975), 23(3):37.

• Ashton, Dore and Dean Swanson."Lindner." Berkeley: University Art Museum, University of California, (June 17-July 27, 1969).

• Ashton, Dore. "London: An Insular Psychology." Arts Digest (September 1954), 28:16-17.

• Ashton, Dore."Louise Nevelson." Paris: 1960.
  Published originally in Cimaise (April 1960), Art et Architecture (May 1960), Acuels (June 1960).

• Ashton, Dore. "Louise Bourgeois." (Xavier Fourcade, New York: Exhibition Review). Artscanada (April-May 1980), 234-235:43.

• Ashton, Dore. "Making Art Pay." Arts Magazine (Summer 1967), 41:9.

• Ashton, Dore. "Marcel Duchamp, bricoleur de génie." XXe Siècle (June 1965), 27:97-99, 127.

• Ashton, Dore. "Marcelo Bonevarde: A Flood of Childhood Memories." Américas (1982), 34:32-35.

• Ashton, Dore. "Mark Rothko." Arts & Architecture (August 1957), 74:8.

• Ashton, Dore and B. Clearwater."Mark Rothko: Works on Paper." Washington, DC: National Gallery of Art, (May 6-August 5, 1984).

• Ashton, Dore. "Mark Tobey et la rondeur parfaite." XXe Siècle (May 1959), 21:66-69.

• Ashton, Dore. "Martin Chirino." Arts Magazine (May 1979), 53:23.

  Ashton, Dore. "Matisse and Symbolism." Arts Magazine (May 1975), 49:70-71.

• Ashton, Dore. "The Mature Portraitist: Richard Avedon." Studio International (September 1974), 188(969):89-92.

• Ashton, Dore. "Matured Generation." Baltimore Museum of Art News (February 1959), 22:10-12.

• Ashton, Dore. "Mexican Art World." Arts & Architecture (October 1958), 75:4.

• Ashton, Dore. "Michael de Canio." Arts Magazine (October 1979), 54:13.

  Ashton, Dore. "Milton Avery: A Painter's Painter at Borgenicht." Arts Magazine (May 1968), 42:34-35.

• Ashton, Dore."Milton Avery-Mexico." New York: Grace Borgenicht Gallery, (February 5-March 3, 1983).

• Ashton, Dore. "Miro-Artigas--Their New Ceramics." Craft Horizons (January 1964), 24:24-33.

• Ashton, Dore. "Miro/Artigas New Ceramics." Craft Horizons (February 1957), 17: 16-20.

• Ashton, Dore. Modern American Sculpture. New York & London: Abrams, 1968; 1970.

• Ashton, Dore. Modern American Painting. A Mentor-Unesco Art Book. New York; New American Library; London: Collins for Unesco, 1970.

• Ashton, Dore. "Mondrian at the Guggenheim Museum." Artscanada (May-June 1979), 226-227:57-59.

• Ashton, Dore."Monuments for Nowhere or Anywhere." In Gregory Battcock, ed., Idea Art: A Critical Anthology. New York: Dutton, 1973.

• Ashton, Dore, et al."The Mosaics of Jeanne Reynal." New York: Wittenborn, 1964. New York: October House, 1969.

• Ashton, Dore et al."Multiplicity in Clay, Metal, Fiber." Saratoga Springs, NY: Skidmore College Art Center, (Skidmore College Craft Invitational, July 7-September 23, 1984).

• Ashton, Dore. "Mummery and Flummery in Venice." Arts Magazine (November 1985), 60:55-57.

• Ashton, Dore. "Museums, ParisNew York, and Other Things." Arts Magazine (October 1977), 52:120-121.

• Ashton, Dore. "Naissance d'un grand musée: Guggenheim." XXe Siècle (December 1968), 31:137-139.

• Ashton, Dore. "New Images of Man." Arts & Architecture (November 1959), 76:14-15.

• Ashton, Dore. "New Japanese Abstract Calligraphy." Arts Digest (August 1954), 28:24-25.

• Ashton, Dore. "New York Museums Stage Summer Shows." Art Digest (June 1951), 25:9.

• Ashton, Dore. "New York découvre Torrès Garcia." XXe Siècle (December 1960), 22:122-124.

• Ashton, Dore. "New York Times and Controversy." Art News (April 1961), 60:8.

• Ashton, Dore. "New York Report." Kuntswerk (October 1962), 16:26-34. (November 1962), 16:68-73. (January 1963), 16:31-36. April 1963), 16:31-32. (July 1963), 17:40-41.

• Ashton, Dore. "New York Report." Kuntswerk (August 1963), 17:59-60. December 1963), 17:23-24. (January 1964), 17:27-28.

• Ashton, Dore. "New York, New York. New." XXe Siècle (May 1966), 28:67-71.

• Ashton, Dore. "New York Gallery Notes." Art in America (January 1967), 55:90-95.

• Ashton, Dore. "New York Commentary: The Machine as Seen at the End of the Mechanical Age, Museum of Modern Art." Studio International (January 1969), 177:44.

• Ashton, Dore. "New York Commentary: Francis Bacon, Marlborough Gerson." Studio International (January 1969):45-46.

• Ashton, Dore. "New York Commentary: John McCracken at Robert Elkon." Studio International (February 1969), 177:93-94.

• Ashton, Dore. "New York Commentary: Whitney Annual." Studio International (March 1969), 177:136-137.

• Ashton, Dore. "New York Commentary: Poetry Events at the Centre for Inter-American Relations and the Architectural League at New York." Studio International (March 1969), 177:135-136.

• Ashton, Dore. "New York Commentary: Klapheck at Sidney Janis." Studio International (April 1969), 177:196-197.

• Ashton, Dore. "New York Commentary: Takis at Howard Wise." Studio International (April 1969), 177:195-196.

• Ashton, Dore. "New York Commentary: Pollock at Marlborough Gerson, De Kooning at the Museum of Modern Art and Knoedler." Studio International (May 1969), 177: 243-245.

• Ashton, Dore. "New York Commentary: Superlimited: Books, Boxes, and Things, at the Jewish Museum." Studio International (June 1969), 177:287-288.

• Ashton, Dore. "New York Commentary: Roy Lichtenstein at the Guggenheim." Studio International (November 1969), 178:176-177.

• Ashton, Dore. "New York Commentary (Robert Morris, Whitney)." Studio International (June 1970), 179:274-275.

• Ashton, Dore. "New York Commentary." Studio International (June 1970), 179:274-275. January 1971), 181:38-40.

• Ashton, Dore. New York. 150 illus. in colour and black and white. Special photography by Marie Carrieri. World Cultural Guides. New York; London: Holt, Rinehart and Winston; Thames and Hudson, 1972. Luzern: C.J. Bucher, 1973.

• Ashton, Dore. "New York Commentary: Abracadabrizing." Studio International (January 1972), 183:38-39.

• Ashton, Dore. "New York Commentary: Realism Again?" Studio International (March 1972), 183:126-127.

• Ashton, Dore. "New York Commentary." Studio International (June 1972), 183:270-271.

• Ashton, Dore. "New York." Coloquio Artes (October 1972), 14:12-17.

• Ashton, Dore. The New York School: A Cultural Reckoning. New York: Viking Press; Toronto: Macmillan, 1973. Harmondsworth & New York: Penguin Books, 1979.
  Published in England under the title: The Life and Times of the New York School: American Painting in the Twentieth Century. Bath: Adams and Dart, 1972.

• Ashton, Dore. "New York." Coloquio Artes (October 1973), 14:12-17.

• Ashton, Dore. "New York." Coloquio Artes (October 1974), 16(19):5-10.

• Ashton, Dore. "New York." Coloquio Artes (October 1975), 17(24):13-18.

• Ashton, Dore. "New York." Coloquio Artes (October 1976), 17(29):14-19.

• Ashton, Dore. "New York." Coloquio Artes (April 1977), 32:14-21, 85.

• Ashton, Dore et al. In Leonard Wallock, ed., New York: Cultural Capital of the World, 1940-1965. New York: Rizzoli, 1988.

• Ashton, Dore. "News from the Castle Behind the Iron Curtain." Art News (November 1960), 59:31.

• Ashton, Dore. "No More than an Accident?" Critical Inquiry (Winter 1976), 3(2):235-249.

• Ashton, Dore."Noguchi: New Sculpture." New York: Pace Gallery, (May 64 June 1983).

• Ashton, Dore. "Noguchi's Recent Sculpture." Art International (October 1972), 16:38-41.

• Ashton, Dore. "Notes from France and Spain." Arts & Architecture (November 1957), 74:4.

• Ashton, Dore. "Objects Worked by the Imagination for their Innerness: The Sculpture of Stephen De Staebler." Arts Magazine (November 1984), 59:140-144.

• Ashton, Dore and Octavio Paz. Obsidian Butterfly = Mariposa de obsidiana. Translated by Eliot Weinberger. Barcelona: Ediciones Poligrafa, 1982.

• Ashton, Dore and Andrée Conrad. "Octavio Paz and Words and Words and Words and Images." Review [New York] (1976), 18:32-35.

• Ashton, Dore. "L'Oiseau lunaire et l'oiseau solaire ont traversé l'océan." XXe Siècle (June 1968), 30:97-99.

• Ashton, Dore. "On an Epoch of Paradox: Primitivism at the Museum of Modern Art." Arts Magazine (November 1984), 59:76-79.

• Ashton, Dore. "On Harold Rosenberg." Critical Inquiry (Summer 1980), 6:615-624.

• Ashton, Dore."On Motherwell." In Robert Motherwell, pp. 29-51. Buffalo & New York: Albert-Knox Art Gallery, (October 1-November 27, 1983).

• Ashton, Dore."One Hundred Contemporary American Drawings." Ann Arbor, MI: University of Michigan Museum of Art, 1965.

• Ashton, Dore. "Open and Shut Case: `Doors,' an Exhibition at the Cordier & Ekstrom Gallery." Arts Magazine (April 1968), 42:28-30.

• Ashton, Dore. "Oranges and Lemons, an Adjustment." Arts Magazine (February 1977), 51:142.

• Ashton, Dore."The Other Symbolist Inheritance in Painting." In Anna Balakian, ed., The Symbolist Movement in the Literature of European Languages, pp. 519-527. Budapest: Akademiai Kiado, 1982.

• Ashton, Dore. Out of the Whirlwind: Three Decades of Arts Commentary. Contemporary American Art Critics, 8. Ann Arbor, MI: UMI Research Press, 1987.

• Ashton, Dore. "Outmoderned." Studio International (October 1973), 186:118-119.

• Ashton, Dore et al. "Painting as Painting." Texas Quarterly (Summer 1969), 12(2):26-48.

• Ashton, Dore."Painting Endures." Boston, MA: Institute of Contemporary Art, (May 2-June 23, 1975).

• Ashton, Dore. "Painting Toward: The Art of John McLaughlin." Arts Magazine (November 1979), 54:120-121.

• Ashton, Dore. "Pandemonium at MOMA." Arts Magazine (September 1984), 59:108-111.

• Ashton, Dore. "Paris Publicized and Privatized: Daniel Buren in the Palais-Royal." Arts Magazine (September 1986), 61:18-20.

• Ashton, Dore. "Paris-Berlin: Rapports and Contrasts from 1900 to 1933." Arts Magazine (December 1978), 53:196-207.

• Ashton, Dore. "Paris: An Esthetic Behemoth: Thesis and Antithesis." Arts Digest (October 15, 1954), 29:14-15.

• Ashton, Dore. "Pastel Anthology." Arts Magazine (February 1966), 40:29-32.

• Ashton, Dore. "La Peinture italienne aux EtatsUnis." XXe Siècle (December 1959), 21:20-22.

• Ashton, Dore. "La Peinture optique à New York." XXe Siècle (June 1965), 27:13, 26-27.

• Ashton, Dore and M. Bader. "Perceiving the Clay Figure." American Craft (April-May 1981), 41:24-31.

• Ashton, Dore. "Perspective de la peinture américaine." Cahiers d'Art (1960), 3335:203-220.

• Ashton, Dore. "Peter Stroud's Relief Paintings." Studio International (September 1966), 172:124-127.

• Ashton, Dore. Philip Guston. New York: Grove Press, 1960.

• Ashton, Dore. "Philip Guston." Aujourd'hui (June 1962), 6:28-29.

• Ashton, Dore. "Philip Guston, the Painter as Metaphysician." Studio International (February 1965), 169:64-67.

• Ashton, Dore."Philip Guston: New Paintings." Boston, MA: School of Fine & Applied Arts Gallery, Boston University, (March 15-April 14, 1974).

• Ashton, Dore. "Philip Guston: Different Subjects." Flash Art (December 1981-January 1982), 105:20-25.

• Ashton, Dore. "Philosopher or Dog?: A Consideration of David Hare." Arts Magazine (May 1976), 50(9): 80-81.

• Ashton, Dore. Edited and Introduction. Picasso on Art: A Selection of Views. The Documents of 20th Century Art. New York: Viking; London: Thames and Hudson, 1972. New York: Penguin Books, 1977. Paperback reprint. New York: Da Capo, 1988.

• Ashton, Dore. "Picasso and Frenhofer: The Idea of Modern Art." Artscanada (September-October 1980), 236-237:1-16.

• Ashton, Dore. "Picasso Sketchbooks 1894 1967." Drawing (July-August 1986), 8:25-29.

  Ashton, Dore. "Pittsburgh International 1964." Studio International (December 1964), 168:234-241.

• Ashton, Dore. "Planned Coincidence." Art in America (September-October 1969), 57:36-47.

• Ashton, Dore, ed. Poets and the Past: An Anthology of Poems and Objects of Art of the Pre-Colombian Past. New York: Andre Emmerich Gallery, 1959.

• Ashton, Dore."Pol Bury." Paris: Maeght, 1970.

• Ashton, Dore. "Pollock: Le nouvel espace." XXe Siècle (December 1961), 23:75-80.

• Ashton, Dore. "PostWar Abstract Art in England." Arts & Architecture (October 1957), 74:4.

• Ashton, Dore. "Power Boothe's Gait." Arts Magazine (June 1981), 55:118-119.

• Ashton, Dore. "Principles of Transitoriness." Studio International (September 1973), 186:91-92.

• Ashton, Dore. "Prologue and Log." Arts & Architecture (May 1960), 77:18-19.

• Ashton, Dore. "Quality in Art." Arts & Architecture (October 1961), 78:14-15.

• Ashton, Dore. "Quid est? `...for an answer, only enigma.'." Arts Magazine (March 1968), 42:46-48.

• Ashton, Dore. "Radiance and Reserve: The Sculpture of Christopher Wilmarth." Arts Magazine (March 1971), 45:31-33.

• Ashton, Dore."Rauschenberg: XXXIV Drawings for Dante's Inferno." Geneva: Galerie Gerald Cramer/Abrams, (June 5-October 19, 1968).

• Ashton, Dore. A Reading of Modern Art. Cleveland, OH: Press of Case Western Reserve University, 1969. Revised edition. New York: Harper & Row, 1971.

• Ashton, Dore. "Reading Lists." Art News (November 1983), 82(9):58.

• Ashton, Dore. "Recent Book by Harold Rosenberg." Arts & Architecture (November 1962), 79:45.

• Ashton, Dore. "Repeatable Mysteries." Arts in Virginia (1987), 27(13):66-79.

• Ashton, Dore. "Report from Rome." Arts Digest (February 1, 1955), 29:14-15.

• Ashton, Dore. "Response to Crisis in American Art." Art in America (January 1969), 57:24-35.

• Ashton, Dore. "A Response to Philip Guston's New Paintings." Arts Magazine (December 1979), 54:130-131.

• Ashton, Dore. "RetrospectivePerspective 19611974." Arts Magazine (September 1974), 49:34-39.

• Ashton, Dore. Review of Ulrich Finke, ed., French 19th Century Painting and Literature: With Special Reference to the Relevance of Literary Subject-Matter to French Painting. Art Bulletin (September 1973), 55:469-470.

• Ashton, Dore. "Reviews." Art News (September 1974), 73:98-99.

• Ashton, Dore. "Richard Lindner, the Secret of the Inner Voice." Studio International (January 1964), 167:12-17.

• Ashton, Dore. Richard Lindner. New York: Abrams, 1969.

• Ashton, Dore. "Richard Lindner's Eternal Return." Arts Magazine (May 1969), 43:48-50.

• Ashton, Dore. "Richard Diebenkorn's Paintings." Arts Magazine (December 1971), 46:35-37.

• Ashton, Dore. "Richard Diebenkorn." Flash Art (March-April 1981), 102:8-13.

• Ashton, Dore."Richard Diebenkorn: Small Paintings from Ocean Park." (Exhibition held at the Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, May 10-Sept. 1, 1985, and at Brooklyn Museum, Brooklyn, NY, Sept. 26-Dec. 2, 1985.). San Francisco, CA; Houston, TX: Hine; Houston Fine Art Press, 1985.

• Ashton, Dore. "Robert Natkin." Studio International (November 1962), 164:190-192.

• Ashton, Dore. "Robert Motherwell, Passion and Transfiguration." Studio International (March 1964), 167:100-105.

• Ashton, Dore."Robert Israel: Design for Opera." Minneapolis, MN: Walker Art Center, (February 8March 16, 1975).

• Ashton, Dore. "Robert Motherwell." Flash Art (November 1980), 100:4-8.

• Ashton, Dore. Foreword to H. Harvard Arnason's Robert Motherwell. 2d ed. New York: Abrams, 1982.

• Ashton, Dore and J. D. Flam. Robert Motherwell. New York: Abbeville, 1983.

• Ashton, Dore."Robert Slutzky: 15 Paintings, 1980-1984." San Francisco, CA: Modernism Gallery, (November 16December 22, 1984).

• Ashton, Dore."Robert Mason, Paintings." New Haven, CT: Yale Center for British Art, (April 15June 15, 1986).

• Ashton, Dore. "Romare Bearden: Projections." Quadrum (1964), 17:99-110, 185.

• Ashton, Dore, et al."Romare Bearden, 1970-1980." Charlotte, NC: Mint Musuem of Art, (October 12-January 4, 1981).

• Ashton, Dore. Rosa Bonheur: A Life and a Legend. Captions by Denise Browne Hare. New York: Viking; London: Secker & Warburg, 1981.

• Ashton, Dore. "Rothko Chapel in Houston." Studio International (June 1971), 181:272-275.

• Ashton, Dore. "Rothko's Passion." Art International (February 1979), 22(9):6-13.

• Ashton, Dore. "Sand Sculpture by Costantino Nivola." Architectural Record (October 1956), 120:201-204.

• Ashton, Dore. "Say Uncle: The Opening of the National Collection of Fine Arts." Arts Magazine (June 1968), 42:48-50.

• Ashton, Dore. "Sculptor-Reformers of the Twentieth Century." Arts & Architecture (June 1959), 76:10-11.

• Ashton, Dore. "Sculpture of José de Rivera." Arts (April 1956), 30:38-41.

• Ashton, Dore. "La Sculpture américaine." XXe Siècle (December 1960), 22:85-91.

• Ashton, Dore. "Sculptures du Congo au Museum of Primitive Art." XXe Siècle (May 1966), 28:54-56.

• Ashton, Dore. "Sculptures de Picasso." XXe Siècle (June 1968), 30:25-40.

• Ashton, Dore. "Search for Whom?" Arts Magazine (November 1980), 55:96-97.

• Ashton, Dore. "La Section américaine à la Biennale de Venise." XXe Siècle (June 1960), 22:34-35.

• Ashton, Dore. "Die seltsame maschine des Monsieur Tinguely." Baukunst und Werkform (February 1961), 14:90-92.

• Ashton, Dore."Sensoria." In Suzanne Delehanty, ed., Soundings, pp. 15-19. Purchase, NY: Roy R. Neuberger Museum, (September 20-December 23, 1981).

• Ashton, Dore. "Seven American Decades." Studio International (April 1963), 165:148-153.

• Ashton, Dore. "Shades of Feeling: The Sculpture of Micheal Lekakis." Arts Magazine (January 1985), 59:140-141.

• Ashton, Dore. "The Shape's the Thing: Paintings by John Walker." Studio International (April 1971), 181: 170-172.

• Ashton, Dore. "Situation in Printmaking: 1955." Arts (October 1955), 30:15-17.

• Ashton, Dore. "Software-Everywhere: Jewish Museum." Studio International (November 1970), 180:200-202.

• Ashton, Dore. "Soltanto un caso?" Comunita [Milan] (1978), 179:179-195.

• Ashton, Dore."Stamos." New York: Camillos Kouros Gallery, (January 22-February 16, 1985).

• Ashton, Dore. "Stephen Greene." Arts Magazine (May 1978), 52:14.

• Ashton, Dore."Stephen Greene: A Decade of Painting." Akron, OH: Akron Art Institute, (May 7-June 18, 1978).
  An exhibition held: Akron Art Institute, May 7-June 18, 1978.--Columbus Gallery of Fine Arts, July 1-August 15, 1978.--North Carolina Museum of Art, Raleigh, Sept. 17-Oct. 15, 1978 and others.

• Ashton, Dore. "Stephen Posen and the Mixed Metaphor." Arts Magazine (October 1978), 53:134-137.

• Ashton, Dore."Stripping Down to Cosmos." In Patricia Kaplan and Susan Manso, eds., Major European Art Movements, 1900-1945: A Critical Anthology, pp. 337-352. New York: Dutton, 1977.

• Ashton, Dore. "Sweeney Revisited." Studio International (September 1963), 166:110-113.

• Ashton, Dore. "Symbolist Legacy." Arts & Architecture (September 1964), 81:10.

• Ashton, Dore. "Symposium on Pop Art." Arts Magazine (April 1963), 37:39.

• Ashton, Dore. "Synoptic Loft: U.S. Commentary." Studio International (November 1971), 192:199-201.

• Ashton, Dore. "Synthesists: Modern Italian Art." Arts & Architecture (September 1955), 72:6.

• Ashton, Dore. "Les Systèmes de Hans Haackle." Opus International (April 1970), 17:42-44.

• Ashton, Dore, et al. Tenth Street Days: The Co-Ops of the 50's. New York: Education, Art & Service, 1977.

• Ashton, Dore. "Thinking about Gandy Brodie." Arts Magazine (October 1983), 58:138-141.

• Ashton, Dore. "This Silent Theater: The Portrait Photographs of Richard Avedon's `In the American West'." Arts Magazine (September 1985), 60:136-144.

• Ashton, Dore. "A to B: Dore Ashton Answers Leonard Baskin on the Question of Originality in Art." Studio International (November 1963), 166:194-197.

• Ashton, Dore. "To Travel through the Paintings: The New Work of Terrence La Noue." Arts Magazine (April 1985), 59:119-121.

• Ashton, Dore, ed. Twentieth-Century Artists on Art. New York: Pantheon Books, 1985.

• Ashton, Dore, et al."Two Decades of American Painting 1920-1940." Dusseldorf, G. F. R.: Städtische Kunsthalle, (June 10-August 12, 1979).

• Ashton, Dore. "Two Part Connection: Vera Klement's Painting." Arts Magazine (March 1984), 58:78-79.

• Ashton, Dore. "U.S.A. Nouvelles explorations de l'espace." XXe Siècle (June 1967), 29:7-10.

• Ashton, Dore. The Unknown Shore: A View of Contemporary Art. Boston, MA: Little, Brown, 1962.

• Ashton, Dore."Using Walls (Outdoors)." New York: Jewish Museum, (May 13-June 21, 1970).

• Ashton, Dore. "Valerio Adami: dolce stil nuovo." Arts Magazine (February 1984), 58:130-134.

• Ashton, Dore. "Varujan Boghosian, Portrait of the Artist as Litterateur." Studio International (April 1965), 169:168171.

• Ashton, Dore. "Vatican's Exhibition of Fra Angelico." Arts Digest (August 1955), 29:24-25.

• Ashton, Dore. "Vision as Sound: Today's Art at Buffalo." Studio International (May 1965), 169:210-213.

• Ashton, Dore. "La Voix du tourbillon dans l'Amérique de Kafka." XXe Siècle (May 1964), 26:92-96.

• Ashton, Dore and J. Schevill."Walter Feldman." Providence, RI: Bell Gallery, Brown University, (November 426, 1978).

• Ashton, Dore. "Warning: The Road to Culture is Paved with Profits." Arts Nagazine (September 1976), 51:126.

• Ashton, Dore. "What is Avant Garde?" Arts Digest (September 1955), 29:6-8.

• Ashton, Dore. "What's New (and What's Old) in Mexico." Arts Magazine (April 1980), 54:136-138.

• Ashton, Dore. "Willem De Kooning." Arts & Architecture (July 1959), 76:5.

• Ashton, Dore and Willem De Kooning."Willem De Kooning." (Exhibition: Smith College Museum of Art, April 8-May 2, 1965. The Hayden Gallery, MIT, May 10-June 16, 1965). Louise Lindner Eastman Memorial Lectures, 3. Northampton, MA: Smith College Museum of Art, 1965.

• Ashton, Dore. "Willem De Kooning: Homo Faber." Arts Magazine (January 1976), 50(5):58-61.

• Ashton, Dore. "William Tucker's Gyre." Arts Magazine (June 1979), 53:128-129.

• Ashton, Dore. "William Tucker: New Sculpture." Arts Magazine (June 1987), 61:84-85.

• Ashton, Dore."William Tucker: Gods-Five Recent Sculptures." London: Tate Gallery, (July 8August 23, 1987).

• Ashton, Dore."Wolf Kahn: Paintings and Pastels." New York: Grace Borgenicht Gallery, (March 5-April 2, 1983).
  An interview with Wolf Kahn by Dore Ashton.

• Ashton, Dore. Yes, but ... : A Critical Study of Philip Guston. New York; Canada: Viking Press; Macmillan, 1976.

• Ashton, Dore. "Young Abstract Painters." Arts Magazine (February 1970), 44:31-35.

• Ashton, Dore. "Young Painters in Rome." Arts Digest (June 1955), 29:67.

• Ashton, Dore. "Yves Gaucher at the New York Cultural Center." Artscanada (June 1975), 32:81.

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