Texts on Hélène Cixous

Eddie Yeghiayan

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• Abel, Lionel. "It Isn't True, & It Doesn't Rhyme: Our New Criticism." Encounter (July 1978), 51(1): 38.

• Adams, Carol J. The Sexual Politics of Meat: A Feminist-Vegetarian Critical Theory, p. 147. New York: Continuum, 1990.

• Adams, Hazard and Leroy Searle. "Hélène Cixous." In Hazard Adams and Leroy Searle, eds., Critical Theory Since 1965, p. 308. Tallahassee: University Pressses o f Florida/Florida State University Press, 1986.

• Adamson, Ginette." "Introduction." In Eunice Myers and Ginette Adamson, eds., Continental Latin-American and Francophone Women Writers, pp. xi, xii. Selected papers from the Wichita State Unive rsity Conference on Foreign Literature, 1984-85. New York & London: University Press of America, 1987.

• Aebischer, Verena. "Knowledge as a Result of Conflicting Intergroup Relations." In Mary McCanney Gergen, ed., Feminist Thought and the Structure of Knowledge, p. 146. New York & London: New York University Press, 1988.

• Agosin, Marjorie. "Whispers and Triumphs: Latin American Women Writers Today." (Cola Franzen, tr.) Women's Studies International Forum (1986), 9(4): 431, 433.

• Aiken, Susan Hardy. "Scripture and Poetic Discourse in The Subjection of Women." PMLA (May 1983), 98(3): 370n13, 372.

• _____. "Writing (in) Exile: Isak Dinesen and the Poetics of Displacement." In Mary Lynn Broe and Angela Ingram, ed., Women's Writing in Exile, pp. 121, 130. Chapel Hill & London: University of North Carolina Press, 1989.

• Aiken, Susan Hardy, et al. "Trying Transformations: Curriculum Integration and the Problem of Resistance." Signs (Winter 1987), 2(2): 268.

• Albérès, René- Marill. "Jeux de miroirs." Review of Hélène Cixous' Prénoms de personne (1974). Les Nouvelles Littéraires (November 25-December 1, 1974), 53(2461): 5.

• Alexander, Flora. Contemporary Women Writers, p. 9. Modern Fiction. London: Arnold, 1989.

• Allen Jeffner. "An Introduction to Patriarchal Existentialism: A Proposal for a Way Out of Existential Patriarchy." In Jeffner Allen and Iris Marion Young, eds., The Thinking Muse: Feminism and Modern French Ph ilosophy, pp. 81-82. Bloomington & Indianapolis: Indiana University Press, A Midland Book, 1989.

• _____. "Poetic Politics: How the Amazons Took the Acropolis." Hypatia (Summer 1988), 3(2): 107-122.

• _____. "Women Who Beget Women Must Thwart Major Sophisms." Philosophy & Social Criticism (1987), 13(4): 320, 324n10.

• Allen, Jeffner and Iris Marion Young. "Introduction." In Jeffner Allen and Iris Marion Young, eds., The Thinking Muse: Feminism and Modern French Philosophy, pp. 2, 5, 7-9, 15. Bloomington & ; Indianapolis: Indiana University Press, A Midland Book, 1989.

• Alonso, H. Review of Hélène Cixous' and Catherine Clément's The Newly Born Woman (1986). Choice (December 1986), 24(4): 619.

• Alonzo, Anne-Marie. "Écrire pivoine et penser fleur." La Nouvelle Barre du Jour (April 1973), 125: 77-80.

• _____. Review of Hélène Cixous' With, ou l'Art de l'innocence (1981). La Nouvelle Barre du Jour (January 1982), 109: 89-91.

• Andermatt, Verena. "Doll's Story: Autobiography." New Literary History (1977), 9(1): 181-188.

• _____. "Hélène Cixous and the Uncovery of a Feminine Language." Women & Litterature (Winter 1979), 7(1): 38-48.

• _____. "Writing the Letter: The Lower Case of Hélène Cixous." Visible Language (Summer 1978), 12(3): 305-318. See also Conley, Verena Andermatt.

• Andersen, Margaret. "La Jouissance--Principe d'écriture." L'Esprit Créateur (Summer 1979), 19(2): 3n3, 5, 6-7.

• Andersen, Marguerite. Review of Hélène Cixous' Entre l'Écriture (1986). Resources for Feminist Research/Documentation sur la Recherche Féministe (Toronto) (March 1988), 17(1) : 12-13.

• Anderson, Linda. "At the Threshold of the Self: Women and Autobiography." In Moira Monteith, ed., Women's Writing: A Challenge to Theory, pp. 56-57, 58, 70, 71nn9, 13, 30. Brighton, Sussex & ; New York: Harvester, 1986.

• "`Les Années de colères et de rêves': L'Indiade, d'Hélène Cixous et Ariane Mnouchkine." Le Monde (September 24, 1987), 13267: 21.

• Araújo, Helena. "Narrativa femenina latinoamericana." Hispamerica (1982), 11(32): 31n14, 34.

• Armbruster, Carol. "Hélène-Clarice: Nouvelle Voix." Contemporary Literature (Summer 1983), 24(2): 145-157. Special issue on "L'Écriture féminine. "< /p>

• Atherton, J.S. "Between Fact and Fiction." Review of Hélène Cixous' The Exile of James Joyce (1976). TLS [Times Literary Supplement] (August 13, 1976), 3883: 1015.

• Attridge, Derek and Daniel Ferrer. "Introduction: Highly Continental Evenements." In Derek Attridge and Daniel Ferrer, eds., Post-Structuralist Joyce: Essays from the French, p. 13n14. Cambridg e: Cambridge University Press, 1984.

• Auburtin, Graziella. Tendenzen der zeitgenössischen Frauenliteratur in Frankreich. Ein Beitrag zum literarischen Aspekt der weiblichen Identitätsfindung. Frankfurt: Haag und Herchen, 1 979.

• Babcock, Barbara A. "Taking Liberties, Writing from the Margins, and Doing It with a Difference." Journal of American Folklore (October-December 1987), 100(398): 394, 409.

• Backès-Clément, Catherine. Introduction to Hélène Cixous' "La Déroute du sujet, ou le voyage imaginaire de Dora." Littérature (October 1971), 1(3): 79-80.

• _____. "La Taupe et le phénix." Review of Hélène Cixous' Neutre (1972). Les Lettres Françaises (June 14-20, 1972), 1440: 4. See also Clément, Catherine.

• Bair, Deirdre. Simone de Beauvoir: A Biography, p. 552. New York: Summit Books, 1990.

• Barnet, Andrea. Review of Hélène Cixous' and Catherine Clément's The Newly Born Woman (1986). New York Times Book Review (August 24, 1986), 7: 19.

• Barr, Marleen. "Feminist Fabulation: The Feminist Anglo- American Critical Empire Strikes Back." Restant: Tijdschrift voor Recente Semiotische Teorievorming en de Analyse van Teksten (1987), 15(3): 105-119.

• _____. "Science Fiction and the Fact of Women's Repressed Creativity: Anne McCaffrey Portrays a Female Artist." Exrapolation (Spring 1982), 23(1): 75, 76n12.

• Barreca, Regina. "Introduction." Women's Studies International Forum (1988), 15(13): 14, 16, 17, 18, 21.

• _____. "Metaphor into Narrative: Being Very Careful with Words." Women's Studies (1988), 15(1- 3): 245, 254, 255.

• Bartkowski, Frances. "Feminism and Deconstruction: `A Union Forever Deferred'." Enclitic (Fall 1980), 4(2): 71, 74, 75, 76, 77n2.

• _____. Feminist Utopias, pp. 85, 92, 136, 162, 183. Lincoln & London: University of Nebraska Press, 1989.

• Barzilai, Shuli. "Unmasking the Words That Make Us: Doris Lessing's `How I Finally Lost My Heart'." Style (Winter 1988), 22(4): 595, 605, 607n1, 609n12.

• Bassnett, Susan. "Textuality/Sextuality." Essays in Poetics (April 1984), 9(1): 12, 13, 15n15.

• Bauer, Dale M. Feminist Dialogics: A Theory of Failed Community, pp. 3, 174n5. Albany: State University of New York Press, 1988.

• Baym, Nina. "The Madwoman and Her Languages: Why I Don't Do Feminist Literary Theory." Tulsa Studies in Women's Literature (Spring-Fall 1984), 3(1-2): 49, 50, 58n10.

• Beauvoir, Simone de. "Interview with Alice A. Jardine." Signs (Autumn 1979), 5(1): 224, 229-231.

• _____. "Interview with Hélène V. Wenzel." (Hélène V. Wenzel, tr.) Yale French Studies (1986), 72: 11. Published earlier as "Interview with Simone de Beauvoir: Reflections and Recollections." (Hélène V. Wenzel and Linda Gardiner, trs.) Women's Review of Books (March 1986), 3(6): 11.

• Becker, Lucille Frackman. Twentieth-Century French Women Novelists, pp. 3, 14, 28, 32, 136, 157, 167-176, 204-206. Twayne's World Authors Series, 813. Boston: Twayne, 1989. See also "Chronology" at beginning of the book.

• Bédard, Nicole. "L'Oscillé(e)." La Barre du Jour (Quebec) (Winter 1975), 50: 105-122.

• Beer, Gillian. George Eliot, pp. 12, 15-16, 196, 197, 232. Key Women Writers. Bloomington: Indiana University Press, 1986.

• _____. "Representing Women: Re-Presenting the Past." In Catherine Belsey and Jane Moore, eds., The Feminist Reader: Essays in Gender and the Politics of Literary Criticism, pp. 65, 69, 223-224n1, 224n7. Houndmills, Basingstoke, Hamsphire: Macmillan Education; New York: Blackwell, 1989.

• Begnal, Michael H. Review of Hélène Cixous' The Exile of James Joyce (1972). ÉireIreland (Winter 1975), 10(4): 149-150.

• Beitchman, Philip. I am a Process with No Subject, pp. 266n9, 289. Gainesville: University of Florida Press, 1988.

• Beizer, Janet. "The Body in Question: Anatomy, Textuality, and Fetishism in Zola." L'Esprit Créateur (Spring 1989), 29(1): 59n3.

• Beja, Morris. "One Good Look at Themselves: Epiphanies in Dubliners." In Richard F. Peterson, Alan M. Cohn, and Edmund L. Epstein, eds., Work in Progress: Joyce Centenary Essays, p. 13n1. Ca rbondale: Southern Illinois University Press, 1983.

• Bell, A. Review of Hélène Cixous' The Exile of James Joyce (1972). Dublin Magazine (Summer 1973): 106.

• Belmans, Jacques. "Hélène Cixous: Limonade tout était si infini." Marginales (AprilMay-June 1983), 38(206): 48.

• Belsey, Catherine and Jane Moore. "Introduction: The Story So Far," and "Glossary." In Catherine Belsey and Jane Moore, eds., The Feminist Reader: Essays in Gender and the Politics of Literary Criticis m, pp. 13-14, 219n15, 248. Houndmills, Basingstoke, Hamsphire: Macmillan Education; New York: Blackwell, 1989.

• Benitez Rojo, Antonio and Hilda O. Benitez. "Eréndira liberada: la subversión del mito del macho occidental." Revista Iberoamericana (July- December 1984), 50(128129): 10 72n13.

• Ben-Merre, Diana Arbin. "Bloom and Milly: A Portrait of the Father and the `Jews Daughter'." James Joyce Quarterly (Summer 1981), 18(4): 440, 444nn8, 9.

• Benmussa, Simone. "Introduction: `Portrait of Dora': Stage Work and Dream Work." In Benmussa Directs: Portrait of Dora, by Hélène Cixous, pp. 9-19. London: Calder; Dall as: Riverrun Press, 1979.

• _____. "Présentation." Cahiers Renaud-Barrault (1974), 87: 1-2.

• Bennett, Donna. "Naming the Way Home." In Shirley Neuman and Smaro Kamboureli, eds., A Mazing Space: Writing Canadian Women Writing, p. 238. Edmonton: Longspoon/NeWest, 1986.

• Bensky, Roger-Daniel. "Avignon '77: A Spectator's Notebook." Sub-Stance (1977), 18-19: 36.

• Bensky, Roger-Daniel. Cixous/Mesguich: Reprises d'amour: Journal de bord de "L'Histoire (qu'on connaîtra jamais)," Théâtre de la Ville, mars-mai 1994. Preface by Robert Abirached. Paris: Librarie Nizet, 1994.

• Benstock, Shari. "Women's Literary History to be Continued: From the Editor's Perspective." Tulsa Studies in Women's Literature (Fall 1986), 5(2): 174, 182n9.

• Berger, Anne. "Let's Go to the Fountain: On George Sand and Writing." In Susan Sellers, ed., Writing Differences: Readings from the Seminar of Hélène Cixous, pp. 54-65. Gender in Writing. Milton Keynes: Open University Press, 1988.

• Bergonzi, Bernard. "Joyce without Laughs." Review of Hélène Cixous' The Exile of James Joyce (1976). Observer (London) (March 14, 1976), 9632: 31.

• Berliner, Bolette. "Kon og skrift i Varulven: En `forskelsfeministisk' Sandemoselaesning." Edda (Oslo) (1988), 2: 139-153.

• Bernheimer, Charles. "Introduction." In Charles Bernheimer and Claire Kahane, eds, In Dora's Case: Freud--Hysteria-- Feminism, pp. 1, 13, 31, 32n13. Gender and Culture. New York: Col umbia University Press, 1985.

• Bernheimer, Charles and Claire Kahane. "Preface," "Bibliography." In Charles Bernheimer and Claire Kahane, eds., In Dora's Case: Freud--Hysteria-- Feminism, pp. ix, 278. Gender and Cu lture. New York: Columbia University Press, 1985.

• Beshers, Olga Espejo. "Clarice Lispector: A Bibliography." Revista Interamericana de Bibliografia/Inter-American Review of Bibliography (1984), 34(3-4): 395.

• Birch, Dinah. "Ruskin's `Womanly-Mind'." Essays in Criticism (October 1988), 38(4): 321-322, 324nn10, 11.

• Birden, Lorene M. "Making English Clairielle: An Introduction and Translation for Hélène Cixous' Neutre." M. A. Thesis, University of Massachusetts, Amherst, 1988.

• Birn, Raymond. "Deconstructing Popular Culture: The Bibliothèque bleue and its Historians." Australian Journal of French Studies (January-April 1986), 23(1): 42, 47n28.

• Blashak, Faiza. "L'Écriture féminine dans Anankè d'Hélène Cixous." Ph.D. Dissertation, University of Pennyslvania, 1988. Abstract in Dissertation Abstracts Intern ational (March 1989), 49(9): 2677A.

• Blau, Herbert. The Audience, p. 326. Baltimore: Johns Hopkins University Press, 1990.

• _____. "Disseminating Sodom." Salmagundi (Fall 1982-Winter 1983), 58-59: 226n4, 244-245, 247n28.

• Blue, Denise E. "Joyce and Poetic Identity." Review of Hélène Cixous' The Exile of James Joyce (1972). Comparative Literature (Spring 1975), 27(2): 184-188.

• Body, Jacques. "Sur l'Idée et sur des projets de théâtre national." RLC: Revue de Litérature Comparée (October-December 1980), 54(2): 395n10.

• Böhmer, Ursula. "Se dire - s'écrire: Frauen, Literatur, Psychoanalyse in den siebziger Jahren in Frankreich." Lili: Zeitschrift für Literaturwissenschaft und Linguistik (1979), 9(35): 63, 64, 66, 67-69, 80.

• Bollard, Margaret Lloyd. "The `Newspaper Landscape' of Williams' Paterson." Contemporary Literature (Summer 1975), 16(3): 327.

• Bolli, Michèle. "L'Autre dans la dogmatique: Une incontourable figure?" Revue d'Histoire et de Philosophie Religieuses (April-June 1984), 64(2): 124n1, 128n4.

• Bonnefoy, Claude. "Les Aventures du texte." Review of Hélène Cixous' Neutre (1972) and Philippe Sollers' Lois. Les Nouvelles Littéraires (June 12-18, 1972), 50(2333): 5.

• _____. "Les Pouvoirs de l'écriture." Review of Hélène Cixous' Tombe (1973) and Dominique Rollin's Lettre au vieil homme. Les Nouvelles Littéraires (April 23-29, 7.

• Bordo, Susan. "Feminist Skepticism and the `Maleness' of Philosophy." Journal of Philosophy (November 1988), 85(11): 622, 623n10.

• Bosco, Monique. "Contrainte Manifeste." Études Françaises (Montreal) (1980), 16(34): 128.

• Bott, François. "Un Roman d'amour fou: Dedans d'Hélène Cixous." Le Monde (September 13, 1969), 7672:i-ii [in the section "Le Monde des Livres."]

• Boucourechliev, André. "Un Compositeur et `ses' écrivains: Entretien avec André Boucourechliev." Revue des Sciences Humaines (January-March 1987), 76(205): 131-14 4. Françoise Escal interviews André Boucourechliev. See Hélène Cixous' Le Nom d'Oedipe: Chant du corps interdit (1978).

• Bouraoui, H. A. "Le Vide enfin dépassé." Review of Hélène Cixous' Dedans (1969). Études Françaises (Montreal) (February 1971), 7(1): 79-84 .

• Boutin, Richard. "Le Courrier du coeur." Review of Hélène Cixous' Le Livre de Promethea (1983). La Nouvelle Barre du Jour (Quebec) (February 1984), 135: 66-74.

• Bowlby, Rachel. "The Feminine Female." Social Text (Spring-Summer 1983), 7: 55, 56, 57, 58, 62, 63, 64, 65, 67, 68.

• _____. "Flight Reservations: Cross-Cultural Positions in Contemporary Feminist Theory." Oxford Literary Review (1988), 10(1-2): 67, 71nn7, 10, 71-72n16.

• Boyle, Robert. "James Joyce." Review of Hélène Cixous' The Exile of James Joyce (1972). Contemporary Literature (Spring 1974), 15(2): 264-265.

• Brée, Germaine. "Foreword." Contemporary Literature (Summer 1983), 24(2): 115.

• _____. "Germaine Brée: Teacher, Scholar, Humanist." Contemporary French Civilization (Winter 1980), 4(2): 243, 257, 259-260. Yolanda Astarita Patterson and Carol V. Richards interview G er maine Brée.

• _____. Twentieth-Century French Literature, pp. 235, 308. Chicago & London: University of Chicago Press, 1983.

• Translation by Louise Guiney of Littérature Française, Vol. 2: Le XXe Siècle II: 1920-1970.

• _____. Le XXe siècle, II: 1920-1970, pp. 266, 336, 412. Littérature Française, 16. Paris: Arthaud, 1978.

• _____. Women Writers in France: Variations on a Theme, pp. 67, 81. New Brunswick, New Jersey: Rutgers University Press, 1973.

• Brée, Germaine and Edouard Morot-Sir. Littérature Française, Vol. 9, Du Surréalisme à l'Empire de la Critique, pp. 176, 295, 408. Collection Littérature Française/Po che. Paris: Les Éditions Arthaud, 1984.

• Brelin, Christa. "Cixous, Hélène." In Susan Trosky, ed., Contemporary Authors, Vol. 126, pp. 47-49. Detroit, Michigan: Gale Research, 1989.

• Brewer, Mária Minich. "A Loosening of Tongues: From Narrative Economy to Women Writing." MLN (December 1984), 99(5): 1146, 1147, 1160n16, 1161n28.

• Brinkemper, Peter. "Ingeborg Bachmanns Der Fall Franza als Paradigma weiblicher Ästhetik." Modern Austrian Literature (1985), 18(3-4): 179n11.

• Brivic, Sheldon. Joyce Between Freud and Jung, pp. 8, 9, 17, 18, 44, 92-93, 144, 217n12, Port Washington, N.Y. & London: Kennikat Press, 1980.

• _____. "Joyce in Progress: A Freudian View." James Joyce Quarterly (Spring 1976), 13(3): 317, 327n28.

• _____. Review of Hélène Cixous' The Exile of James Joyce (1972). Journal of Modern Literature (February 1974), 3(3): 678-679.

• Brooke-Rose, Christine. "Paris Letter: Dramatics." Spectator (February 28, 1976), 236(7705): 25.

• _____. "The Squirm of the True: A Structural Analysis of Henry James's The Turn of the Screw." PTL (October 1976), 1(3):, 516n5, 523n10, 545.

• . "Woman as a Semiotic Object." Poetics Today (1985), 6(1-2): 12, 20.

• Brown, Mary Ellen. "The Dialectic of the Feminine: Melodrama and Commodity in the Ferraro Pepsi Commercial." Communication (1987), 9(3- 4): 344, 350, 354.

• Brown, Richard. James Joyce and Sexuality, pp. 43, 94, 176n121, 183n18, 193. Cambridge & New York: Cambridge University Press, 1985.

• Bruckner, Pascal. "Wilhelm Reich et le contrat homosexuel de l'orgasme." Critique (April 1976), 32(347): 387n1.

• Brügmann, Margaret. "Weiblichkeit im Spiel der Sprache: Über das Verhältnis von Psychoanalyse und `écriture féminine'." In Hiltrud Gnüg and Renate Möhrmann, eds., Frauen--L iteratur--Geschichte: schreibende Frauen vom Mittelalter bis zur Gegenwart, pp. 396, 398-399, 409, 410-413, 414, 415. Stuttgart: Metzler, 1985.

• Bürger, Christa. "Ich und wir: Ingeborg Bachmanns Ludwig Austritt aus der ästhetischen moderne." In Heinz Ludwig Arnold, ed., Ingeborg Bachmann, pp. 21-23, 27nn40-49. Supplement to Te xt + Kritik. Munich: Text + Kritik, 1984.

• Burke, Carolyn Greenstein. "Report from Paris: Women's Writing and the Women's Movement." Signs (Summer 1978), 3(4): 848, 850-851, 853, 854.

• Burke, Helen M. "Wycherley's `Tendentious Joke': The Discourse of Alterity in The Country Wife." Eighteenth Century: Theory and Interpretation (Fall 1988), 29(3): 236, 24 1n 20.

• Burmeister, Brigitte. "Frauentexte und Weiblichkeitsmythos: Zum Postulat einer écriture féminine am Beispiel von Hélène Cixous's Anankè. Lendemains (Berlin) (1982), 7(25-26): 127-138.

• _____. "Weibliches Schreiben: Zu einigen Aspekten französischer Frauentexte der siebziger Jahre." Weimarer Beiträge (1985), 31(10): 1647n18, 1648nn28-30, 3538, 40-42, 1649nn44-54, 56-58.

• Butler, Judith P. Gender Trouble: Feminism and the Subversion of Identity, pp. 103, 165n23. New York & London: Routledge, 1989.

• Butler-Evans, Elliott. Race, Gender, and Desire: Narrative Strategies in the Fiction of Toni Cade Bambara, Toni Morrison, and Alice Walker, pp. 105, 202n15. Philadelphia: Temple University Press, 1989.

• Byers-Pevitts, Beverley. "Introduction: Imagining Women in Theatre: Departures from Dramatic Tradition." Theatre Annual (1985), 40: 6.

• C., G. "Un Roi et deux dames: Avec `Sihanouk' Hélène Cixous, auteur réputé difficile a joué la clarté: Un nouveau miracle signé Ariane Mnouchkine." Matin de Paris (October 29, 1985), 2692: 19. Review of Hélène Cixous' play L'Histoire terrible mais inachevée de Norodom Sihanouk, roi du Cambodge (1985), staged by Ariane Mnouchkine and the Théâtre du Soleil.

• Cafferty, Helen and Jeanette Clausen. "Who's Afraid of Feminist Theory?: A Postscript from the Editors." In Helen Cafferty and Jeanette Calusen, eds., Women in German Yearbook: Feminist Studies and German Culture, 5, p. 133. Lanham, MD: University Press of America, 1989.

• Calle-Gruber, Mireille, ed. Verena Andermatt Conley, et al. Du feminin. Trait d'union. Sainte-Foy, Quebec: Le Griffon d'argile, 1992.

• Calle-Gruber, Mireille, ed. Verena Andermatt Conley, et al. On the Feminine. Atlantic Highlands, N.J.: Humanities Press, 1996.

  Translation by Catherine McGann of Du femimin.

• Calle-Gruber, Mireille with Hélène Cixous. Hélène Cixous, photos de racines. Paris: Des femmes, 1994.

• Calle-Gruber, Mireille with Hélène Cixous. Hélène Cixous Rootprints: Memory and Life Writing. London & New York: Routledge, 1997.

  Translation by Eric Prenowitz of Hélène Cixous, photos de racines.

  Calle-Gruber, Mireille. "We are Already in the Jaws of the Book," (Interview with Cixous) "Portrait of the Writing," "Chronicle." In Hélène Cixous and Mireille Calle-Gruber's Hélène Cixous Rootprints: Memory and Life Writing, pp. 1-115, 137-161, 209-213. Translated by Eric Prenowitz. London & New York: Routledge, 1997.

  Camelin, Colette. "La `Scène de la fille' dans Illa d'Hélène Cixous." Littérature (October 1987), 67: 84-101.

  Cameron, Beatrice. "Letter to Hélène Cixous." Sub-Stance (1977), 6(17): 159-165.

  Camp, André. "Ouvrages de dames." L'Avant-Scène Theatre (November 15, 1987), 818: 43-44. On Hélène Cixous' L'Indiade (1987).

  Campbell, Jill. "`The Exact Picture of His Mother': Recognizing Joseph Andrews." ELH (Fall 1988), 55(3): 659, 664n29.

  Caraher, Brian G. "A Question of Genre: Generic Experimentation, Self-Composition, and the Problem of Egoism in Ulysses." ELH (Spring 1987), 54(1): 214n38.

  Carapanos, Frosso. "Identité and identification dans la nouvelle de J. Joyce `Un petit nuage'." La Revue Française de Psychanalyse (March-April 1984), 48(2): 595, 599n11.

  Caravaca, Francisco. "Los Premios Literarios franceses de 1969: Hélène Cixous: Dedans. Arbor (Madrid) (April 1970), 75(292): 421-423. Review of Dedans (1969).

  Carpenter, Deborah W. "L'Autrebiographie: Translator's Note on Hélène Cixous' The Book of Promethea. Frank (Winter-Spring 1987), 6-7: 40-41.

  _____. "Hélène Cixous and North African Origin: Writing L'Orange." Revue Celfan= Celfan Review (November 1986), 6(1): 1-4.

  _____. "Translator's Introduction to `Her Presence through Writing', by Hélène Cixous." Literary Review ( (Spring 1987), 30(3): 441-444.

  Carton, Dana and Anthony Caprio. "Cixous, Hélène." In Columbia Dictionary of Modern European Literature, 2d ed., revised and enlarged, p. 164. New York: Columbia University Press, 1980.

  Casanova, Nicole. Review of Hélène Cixous' La (1976). Esprit (May 1976), 5: 1021-1023. In French.

  Case, Sue-Ellen and Jeanie K. Forte. "From Formalism to Feminism." Theater (Spring 1985), 16(2): 65.

  Caughie, Pamela L. "Women Reading, Reading Women: A Review of Some Recent Books on Gender and Reading." Papers on Language & Literature (Summer 1988), 24(3): 329-330n22.

  Cesbron, Georges. Review of Claudine Guégan Fisher's La Cosmogonie d'Hélène Cixous. Lettres Romanes (1989), 43(1-2): 130-131.

  Champroux, Huguette. "Dora Debout." Sorcières (July 1976), 4: 60. Review of Hélène Cixous' Portrait de Dora at the Théâtre d'Orsay.

  Chapsal, Madeleine. "Dora: Un rêve de Freud." L'Express (March 1-7, 1976), 1286: 20. A review of Hélène Cixous' play Portrait de Dora, staged by Simon e Benmussa at the Petit Théâtre d'Orsay.

  _____. "Hélène Cixous contre Freud." Review of Hélène Cixous' La (1976). L'Express (June 28-July 4, 1976), 1303: 64.

  _____. "Hélène Cixous: Noces de nymphes." Review of Hélène Cixous' Préparatifs de noces au delà de l'abïme (1978). L'Express (June 19-25, 1978), 1406: 85-86.

  Chatenoud-Guillon, Marie-France. "Cixous, Hélène." In Pierre de Boisdeffre, ed., Histoire de la Littérature de Langue Française des années 1930 aux années 1980, Vol. 2, p. 885. Paris: Librairie Académique Perrin, 1985.

  Christ, Ronald. Review of Hélène Cixous' The Exile of James Joyce (1972). Books Abroad (Summer 1973), 47(3): 564-565.

  Christensen, Bente. "Åkomme til skriften--fra begge sider." Vinduet (1986), 4: 29-32. In Danish.

  "Cixous, Hélène." Grand Dictionnaire Encyclopédique Larousse, Vol. 3, p. 2276. Paris: Librairie Larousse, 1982.

  "Cixous, Hélène." In Janet K. Boles and Diane Long Hoeveler, eds., From the Goddess to the Glass Ceiling: A Dictionary of Feminism, pp. 84-85. Lanham: Madison Books, 1996.

  "Cixous, Hélène." In Jennifer S. Uglow, ed., The Macmillan Dictionary of Women's Biography, p. 112. London: Macmillan, 1982.

  "Cixous, Hélène." In Jennifer S. Uglow, ed., The Continuum Dictionary of Women's Biography, New expanded ed., pp. 125-126. New York: Continuum, 1989.

  Clark, Suzanne. "The Unwarranted Discourse: Sentimental Community, Modernist Women, and the Case of Millay." Genre (Summer 1987), 20(2): 148, 151.

  Clarke, Danielle. "Cixous, Hél`ne." In Michael Payne, ed., A Dictionary of Cultural and Critical Theory, pp. 103-104. Oxford & Cambridge, Mass.: Blackwell Reference, 1996.

  Clédat, Françoise. "L'Écriture du corps." Magazine Littéraire (January 1982), 180: 2022. Special issue on "Femme, une autre écriture?"

  Clément, Catherine. "`Échange'. Dialogue entre Hélène Cixous et Catherine Clément." In their La Jeune née, pp. 247-296. Série "Féminin fu tur." Paris: Union Générale d'Éditions, Collection "10/18," 1975.

  _____. "`Exchange'. Dialogue between Hélène Cixous and Catherine Clément." In their The Newly Born Woman, pp. 135-160. Introduction by Sandra Gilbert. Theory and History of Literature, 24. Minneapolis: University of Minnesota Press; Manchester: Manchester University of Press, 1986. Translation by Betsy Wing of La Jeune née (1975).

  _____. "Le Temps pour vivre et la durée pour respirer." L'Art du Théâtre (Fall 1988), 9: 74, 76, 77. See also Backès-Clément, Catherine.

  Cliche, Élène. "Clarice Lispector: Débusquer l'intangible." Voix & Images (Autumn 1986), 12(1): 28, 37n3.

  Cohan, Steven. "Figures Beyond the Text: A Theory of Readable Character in the Novel." Novel (Fall 1983), 17(1): 7, 21

  Cohen, Danielle. Review of Hélène Cixous' and Catherine Clément's La Jeune née (1975). Sorcières (January 1976), 1: 57-58.

  Cohen, Keith. "Translator's Note: Prolegomania and Excerption." TriQuarterly (Winter 1977), 38: 95-98.

  Cohen, Ralph. "Introduction." In Ralph Cohen, ed., The Future of Literary Theory, pp. xix-xx. New York & London: Routledge, 1989.

  Cohn Ruby. "Benmussa's Planes." Theater (Fall-Winter 1981-82), 13(1): 51-54.

  Coldwell, Joan. "The Beauty of the Medusa: Twentieth Century." English Studies in Canada (December 1985), 11(4): 432, 437nn43, 44.

  Coleman, Patrick. "1976, 15 November: The Separatist Parti Québécois, Having Captured the Majority of Seats in the Principal National Assembly, Comes to Power in Quebec: `Hubert Aquin and Quebec Literature'." In D enis Hollier, ed., A New History of French Literature, p. 1053. Cambridge, Mass.: Harvard University Press, 1989.

  Collecott, Diana. "Mirror-Images: Images of Mirrors...in Poems by Sylvia Plath, Adrienne Rich, Denise Levertov and H.D." Revue Française d'Etudes Americaines (1986), 30: 451, 459. Issue i s on "Les Femmes écrivains aux États-Unis."

  "Colloques et débats." Le Monde (May 16, 1975), 9433: 20. "...Le PEN français organise le jeudi 22 mai, en hommage à ses confrères étrangers et a l'Anné ;e internationale de la femme, une journée littéraire consacrée à la femme créatrice de valeurs...Le public est invite à participer aux débats qu'ouvriront les témoignage de Mmes...Hélène Cixous et Gisèle Halimi ( France)."

  Collins, Michelle. "Translating Feminine Discourse: Mediating the Immediate." Translation Review (1985), 17: 21, 22, 23, 24nn4, 5, 11, 12.

  Colvile, Georgiana M.M. Review of Hélène Cixous' and Catherine Clément's La Jeune née (1975). French Review (March 1977), 50(4): 666-667. In French.

  _____. "Hélène Cixous: La." French Review (December 1977), 11(2): 325-326.

  Conley, Verena Andermatt. "Approaches." Boundary 2 (Winter 1984), 12(2): 1-7.

  _____. "Hélène Cixous." In Catharine Savage Brosman, ed., French Novelists Since 1960, pp. 52-61. Dictionary of Literary Biography, 83. Detroit, Michigan: Gale Resear ch, A Bruccoli Clark Layman Book, 1989.

  _____. Hélène Cixous: Writing the Feminine. Lincoln & London: University of Nebraska Press, 1984. Includes an appendix: "An Exchange with Hélène Cixous," pp. 129-161, and a bibliography, pp. 173-178. The exchange or interview took place in 1982.

  _____. "Missexual Misstery." Review of Hélène Cixous' and Catherine Clément's La Jeune née (1975). Diacritics (Summer 1977), 7(2): 70-82. See also Andermatt, Vere na.

  Cornell, Sarah. "Hélène Cixous' Le Livre de Promethea: Paradise Refound." In Susan Sellers, ed., Writing Differences: Readings from the Seminar of Hélène Cixous, p p. 126-140. Gender in Writing. Milton Keynes: Open University Press, 1988.

  Corredor, Eva L. "The Fantastic and the Problem of Re- presentation in Hélène Cixous's Feminist Fiction." Papers in Romance (Spring 1979), 1(1): 173-179.

  Costaz, Gilles. "Evènements: Soleil au Cambodge." Acteurs (October 1985): 13-15.

  Coste, Didier. "Rehearsal: An Alternative to Production/Reproduction in French Feminist Discourse." In Ihab Hassan and Sally Hassan, eds., Innovation/Renovation: New Perspectives on the Humanities, pp. < !-- PG-->249, 257, 258, 259-260, 261, 262nn15, 18 Madison: University of Wisconsin Press, 1983.

  Cotnoir, Louise. "Woman/Women on Stage." (A.J. Holden Verburg, tr.) In Shirley Neuman and Smaro Kamboureli, eds., A Mazing Space: Writing Canadian Women Writing, p. 309. Edmonton: Longspoon/NeWest, 1986.

  Cottenet-Hage, Madeleine. "Magnetic Fields II: From Breton to Duras." French Review (March 1985), 58(4): 540n5, 547.

  Courtivron, Isabelle de. "Le Repos du guerrier: New Perspectives on Rochefort's Warrior." L'Esprit Créateur (Summer 1979), 19(2): 29-32, 34.

  _____. Review of Verena Andermatt Conley's Hélène Cixous: Writing the Feminine. French Review (April 1986), 59(5): 800-801.

  _____. "Weak Men and Fatal Women: The Sand Image." In George Stambolian and Elaine Marks, eds., Homosexualities and French Literature: Cultural Contexts/Critical Texts, pp. 224-225. Ithaca & Cornell University Press, 1979.

  _____. "Women and Mouvement(s): 1968-1978." In A. Maynor Hardee and Freeman G. Henry, eds., Manifestoes and Movements, pp. 79-80, 84-86. French Literature Series, 7. Columbia: University of So uth Carolina, Department of Foreign Languages & Literatures, 1980.

  Cousineau, Diane. "Division and Difference in A Lost Lady." Women's Studies (1984), 11: 319, 322n14.

  Crépu, Michel. "Pour Joyce: Dans les corridors de Babel." Esprit (July-August 1981), 55-56: 11n15, 13, 21.

  Crisman, William. "E.T.A. Hoffmann's `Einsiedler Serapion' and `Rat Krespel' as Models of Reading." JEGP (January 1986), 85(1): 50n2.

  Crowder, Diane Griffin. "Amazons and Mothers? Monique Wittig, Hélène Cixous and Theories of Women's Writing." Contemporary Literature (Summer 1983), 24(2): 117-144.

  _____. Review of Verena Andermatt Conley's Hélène Cixous: Writing the Feminine. Tulsa Studies in Women's Literature (Spring 1985), 4(1): 147-149.

  Cudjoe, Selwyn R. "Apartheid's Prisoner." Review of Jacques Derrida and Mustapha Tlili, ed., For Nelson Mandela (1987). New York Times Book Review (November 1, 1987), 7: 35.

  Cunningham, Lucía. See Guerra-Cunningham, Lucía.

  Curb, Rosemary K. "R/cognition, Re/presentation, Re/creation in Woman-Conscious Drama: The Seer, The Seen, The Scene, The Obscene." Theatre Journal (October 1985), 37(3): 311.

• Dallery, Arleen B. "Sexual Embodiment: Beauvoir and French Feminism (Écriture féminine)." Women's Studies International Forum (1985), 8(3): 197-202.

• Daly, Pierrette. "De Sand à Cixous: La "Venue à l'écriture" au féminin." In Simone Vierne. ed., George Sand, pp. 149-157. Colloquium held in July, 1981 at Centre Culturel International de Cerisy-la-Salle. Paris: CDU & SEDES, 1983.

• Dameron, J. Lasley, Thomas E. Carlson and John E. Reilly. "Current Poe Bibliography." Poe Studies (June 1975), 8(1): 16.

• Danahy, Michael. "Marceline Desbordes-Valmore and the Engendered Canon." Yale French Studies (1988), 75: 130.

• Daubenton, Annie. "L'Ovale du portrait: La fonction de l'écriture chez Edgar Poe." Poétique (February 1979), 37: 108.

• _____. "Le Sang et l'essence." Review of Hélène Cixous' Portrait du soleil (1973). Les Nouvelles Littéraires (April 8-14, 1974), 52(2428): 7.

• David, Deirdre. Intellectual Women and Victorian Patriarchy: Harriet Martineau, Elizabeth Barrett Browning, George Eliot, pp. 248n1, 257. London: Macmillan, 1987.

• Davis, Robert Con. "Woman as Oppositional Reader: Cixous on Discourse." Papers on Language & Literature (Summer 1988), 24(3): 265-282.

• Davis, Robert Con and Ronald Schliefer. "Feminism," and "Hélène Cixous." In their Contemporary Literary Criticism: Literary and Cultural Studies, pp. 450-452, 454, and 479. New Yo rk & London: Longman, 1989.

• Davis-Floyd, Robbie E. "The Technological Model of Birth." Journal of American Folklore (October-December 1987), 100(398): 489, 494.

• Day, Robert Adams. "James Joyce à la mode." Review of Hélène Cixous' The Exile of James Joyce (1972). Sewanee Review (January- March 1974), 82(1);130-138.

• _____. "Joyce, Stoom, King Mark: `Glorious Name of Irish Goose'." James Joyce Quarterly (Spring 1975), 12(3): 249n62.

• De Lauretis, Teresa. Alice Doesn't: Feminism, Semiotics, Cinema, pp. 110-135-136, 201n12. Bloomington: Indiana University Press, 1984.

• Dean, John. "The Use of Wilderness in American Science Fiction." Science-Fiction Studies (March 1982), 9(1)[26]:81n38.

• Defromont, Françoise. "Faire la femme: Différence sexuelle et énonciation." Fabula (1985), 5: 95-112.

• _____. "Le Jardin des délices ou Limonade tout était si infini." Fruits (December 1983), 1: 49-59. Review of Hélène Cixous' Limonade tout é ;t ait si infini (1982).

• Deibe, Carlos Feal. "La voz femenina en Los pazos de Ulloa." Hispania (May 1987), 70(2): 221n4.

• DeJean, Joan. Fictions of Sappho, 1546-1937, pp. 6-7, 25-26, 361. Chicago & London: University of Chicago Press, 1989.

• _____. "Lafayette's Ellipses: The Privileges of Anonymity." PMLA (October 1984), 99(5): 884, 902.

• _____. "Staël's Corinne: The Novel's Other Dilemma." Stanford French Review (Spring 1987), 11(1): 79, 80, 81, 82.

• Dekoven, Marianne. "Gertrude Stein and Modern Painting: Beyond Literary Cubism." Contemporary Literature (Winter 1981), 22(1): 89.

• Deleuze, Gilles. "Hélène Cixous ou l'écriture stroboscopique." Le Monde (August 11, 1972), 8576: 10. On Hélène Cixous' Neutre (1972).< /p >

• _____. "Littérasophie et Philosofiture." Interview with Hélène Cixous. Dialogues (November 13, 1973), 30. Text transcribed from a radio broadcast of Roger Pillaudin on FranceCulture.

• Denis, Marie. "Des espaces dilatés." Review of Hélène Cixous' Illa (1980). Revue Nouvelle (November 1980), 72(11): 502-505.

• Derrida, Jacques. "Deux mots pour Joyce." In Jacques Aubert and Fritz Senn, eds., James Joyce, p. 203. Cahiers de l'Herne, 50. Paris: Éditions de l'Herne, 1985. "Ce texte est la transcription d'une intervention, pour une large part improvisée, présentée lors de l'hommage à James Joyce organisé au Centre national d'Art et de Culture Georges Pompidou, dans le cadre de la Revue parlée, le 15 novembre 1982." See Hélène Cixous' "Devant le pome" (1985) in the same publication.

• _____. "Sendoffs." (Thomas Pepper, tr.) Yale French Studies (1990), 77: 25.

• _____. "Two Words for Joyce." In Derek Attridge and Daniel Ferrer, eds., PostStructuralist Joyce: Essays from the French, p. 145. Cambridge & New York: Cambridge University Press, 1984. Translation by Geoff Bennington of "Deux mots pour Joyce" (1985).

• _____. Ulysse gramaphone: Deux mots pour Joyce, pp. 11, 16. Collection "La philosophie en effet." Paris: Éditions Galilée, 1987. A reprint of "Deux mots pour Joyce" (1985) and "Ulysse gramaphone: L'oui-dire de Joyce" (1985) from Claude Jacquet, ed., Genèse de Babel: Joyce et la création, pp. 227-264. Paris: CNRS, 1985.

• De Sà, Olga. "Instants: Notes sur l'oeuvre de Clarice Lispector." Europe (AugustSeptember 1982), 60(640-641): 101, 106n8.

• Deschamps, Nicole. "Histoire d'E: Lecture politique de La Fille de Christophe Colomb." Études Françaises (Montreal) (October 1975), 11(3-4): 327n4.

• Dezon-Jones, Elyane. "Marie de Gournay/le je/u/ palimpseste." L'Esprit Créateur (Summer 1983), 23(2): 30n8.

• Diamond, Elin. "(In)Visible Bodies in Churchill's Theatre." Theatre Journal (May 1988), 40(2): 188, 189, 203.

• Didier, Béatrice. "La Chambre et la mère." Review of Hélène Cixous' Limonade, tout était si infini (1982). Corps Écrit (December 1983), 8: 164-165.

• Doane, Mary Ann. "Film and the Masquerade: Theorising the Female Spectator." Screen (September-October 1982), 23(3-4): 79.

• Dobrian, Susan Lucas. "La autorizacion de lo femenino: Discursos de deseo y subversion en la narrativa femenina." Ph.D. Dissertation, University of Iowa, 1988.
  (Abstract in Dissertation Abstracts International (1988), 50(4A):959.)

• Donovan, Josephine. "Silence or Capitulation: Prepatriarchal `Mothers' Gardens' in Jewett and Freeman." Studies in Short Fiction (Winter 1986), 23(1): 44.

• _____. "Toward a Women's Poetics." Tulsa Studies in Women's Literature (Spring-Fall 1984), 3(1-2): 109n9.

• Doubrovsky, Serge. "Une Écriture tragique." Poetique (September 1981), 47: 351-352, 354.

• Doyle, Laura Anne. "The Body Poetic: Language and Materiality in Modern Women's Narrative." Ph.D. Dissertation, pp. 2, 21-22, 55, 181n53, 184n10, 190. Brandeis University, 1987.

• Duchen, Claire. Feminism in France: From May '68 to Mitterand, pp. 24, 71, 84, 87, 90, 91-93, 95-96, 137, 155nn14-22, 24, 161. London, Boston & Henley: Routledge & Kegan Paul, 1986.

• _____. Review of Hélène Cixous' Angst (1985). Modern Language Review (January 1987), 82(1): 214-215.

• Dumais, Monique. "Voyage vers les sources: Quelques discours féministes sur la nature." Studies in Religion/Sciences Religieuses (Summer 1984), 13(3): 345, 347-349.

• Dumur, Guy. "Les Ambiguïtés du sexe: Un Shakespeare libre comme l'air avec ses personnages et un Freud ligoté par un des ses `patientes'." Review of Shakespeare's Twelfth Night and Hél&egr ave;ne Cixous' Portrait de Dora. Le Nouvel Obervateur (March 8-14, 1976), 591: 74-75. Reviews the Hélène Cixous text and the play as staged by Simone Benmussa at the Petit d'Orsay.

• _____. "De l'ombre de Brecht au soleil de Gandhi: `Baal', `Dans la jungle des villes' et `l'Indiade'. Georges Lavaudant et Ariane Mnouchkine élèvent le niveau de la rentrée théâtrale." L e Nouvel Observateur (October 16-22, 1987), 1197: 54.

• Dumur, Guy. See also Mnouchkine, Ariane.

• Duperray, Françoise. "Approche de Cixous." In Jacques Plessen and A.J.A. Van Zoest, eds., Analyses de textes, pp. 146-159. C.R.I.N. [Cahiers de recherches interuniversitaires néer landaises], 4/5. Groningen: Institut de Langues Romanes [Instituut voor Romanse Talen], 1982. On La Jeune née (1975).

• DuPlessis, Rachel Blau and Members of Workshop 9. "For the Etruscans: Sexual Difference and Artistic Production--The Debate over a Female Aesthetic." In Hester Eisenstein and Alice Jardine, eds., The Future of D ifference, p. 151. Boston: G.K. Hall, 1980. Reprinted in The Douglas Series on Women's Lives and the Meaning of Gender. New Brunswick & London: Rutgers University Press, 1985.

• Duportail, Guy-Félix. "Une Ouïe multiforme." Review of Hélène Cixous' With ou l'Art de l'innocence (1981). La Quinzaine Littéraire (November 16-30, 1981), 359 : 14.

• Durand, Régis. "La Voix et le dispositif théâtral." Études Littéraires (December 1980), 13(3): 387, 395n2.

• Duras, Marguerite. "An Interview with Susan Husserl-Kapit." Signs (Winter 1975), 1(2): 425ff.

• Duren, Brian. "Cixous' Exorbitant Texts." Sub-Stance (1981), 10(32): 39-51.

• Durr-Chamley, Monique. "Vers une étude de Voss: Quelques Jalons." Études Anglaises (October-December 1976), 29(4): 571.

• "Écrits de femmes." La Nouvelle Revue Française (November 1976), 48(287): 106-107.

• Eggers, Tilly. "Darling Milly Bloom." James Joyce Quarterly (Summer 1975), 12(4): 387, 395nn12-14.

• _____. "What Is A Woman...a Symbol of?" James Joyce Quarterly (Summer 1981), 18(4): 394n1.

• Ego, Ariane. "L'Exil au fond de soi." Review of Hélène Cixous' Dedans (1969). L'Express (November 24-30, 1969), 959: 56.

• Eisenstein, Hester. "Introduction." In Hester Eisenstein and Alice Jardine, eds., The Future of Difference, p. xxi. Boston: G.K. Hall, 1970. Reprinted in The Douglas Series on Women's Lives and the Meaning of Gender. New Brunswick & London: Rutgers University Press, 1985.

• Elbaz, André. "Dedans, ou l'exil intérieur de Hélène Cixous." Liberté (Montreal) (March-April 1970), 12(2): 136-141.

• Epstein, Julia L. Review of Verena Andermatt Conley's Hélène Cixous: Writing the Feminine. Library Journal (October 15, 1984), 109(17): 1947.

• Eribon, Didier. Michel Foucault (1926-1984), pp. 216, 244, 247, 387. Paris: Flammarion, 1989.

• Ertel, Evelyne. "Entre l'imitation et la transposition." Théâtre/Public (March-April 1986), 68: 25-29. On Hélène Cixous' L'Histoire terrible mais ina ch evée de Norodom Sihanouk, roi du Cambodge (1985).

• Eslin, Jean-Claude. "La Chute de la Maison Cambodge." Esprit (February 1986), 2: 97-98. Review of L'Histoire terrible mais inachevée de Norodom Sihanouk, roi d u Cambodge by Hélène Cixous, staged by Arian Mnouchkine at the Théâtre du Soleil in Cartoucherie de Vincennes.

• Evans, Martha Noël. "Hélène Cixous: The Hysteric." In her Masks of Tradition: Women and the Politics of Writing in Twentieth-Century France, pp. 157-184. Ithaca & London: Cornell University Press, 1987. See also pp. 5, 10-11, 16n14, 20, 23, 25, 29, 185, 197, 210, 221-222, 224, 225.

• _____. "Portrait of Dora: Freud's Case History as Reviewed by Hélène Cixous." SubStance (1982), 11(36): 64-71.

• _____. Review of Jane Gallop's The Daughter's Seduction: Feminism and Psychoanalysis. French Review (April 1984), 57(5): 703.

• Ezergailis, Inta. "Vizma Belsevica--A Soviet Latvian Poet's Imagery of Woman and the House." Journal of Baltic Studies (Summer 1986), 17(2): 145, 155nn7, 8.

• Fabre-Luce, Anne. "L'Aventure du texte." Review of Hélène Cixous' Neutre (1972). La Quinzaine Littéraire (May 1-15, 1972), 140: 5-6.

• Faris, Wendy B. "Desyoización: Joyce, Cixous, Fuentes and the Multi-Vocal Text." Latin American Review (Fall- Winter 1981), 10(19): 31-39.

• Faure, Christiane. "The Twilight of the Goddesses, or The Intellectual Crisis of French Feminism." In New French Feminisms, pp. 81-86. In Elaine Marks and Isabelle de Courtivron, eds., Ne w French Feminisms, pp. 81-86. Amherst: University of Massachusetts, 1980. Reprinted, New York: Schocken, 1981.

• "Feminität, Schreiben-- Veränderung?: Leserzuschriften." Alternative (OctoberDecember 1976), 19(110-111): 236-249. Letters to the editor on the previous issue, entitled "Das Lachen der Medusa," to which Hélène Cixous contributed 3 articles.

• Féral, Josette. "Du texte au sujet: Condition pour une écriture et un discours au féminin." Revue de l'Université d'Ottawa/University of Ottawa Quarterly (January-March 39-46.

• _____. "Ecriture et déplacement: La femme au théâtre." French Review (December 1982), 56(2): 281-292.

• _____. "The Powers of Difference." In Hester Eisenstein and Alice Jardine, eds., The Future of Difference, pp. 90-94. Boston: G.K. Hall, 1970. Reprinted in The Douglas Seri es on Women's Lives and the Meaning of Gender. New Brunswick & London: Rutgers University Press, 1985.

• _____. "Towards a Theory of Displacement." (Kristina Dragaitis, tr.) Sub-Stance (1981), 10(32): 52-64.

• _____. "Writing and Displacement: Women in Theatre." Modern Drama (December 1984), 27(4): 549-563.

• Ferrer, Olga Prjevalinskaya. Review of Hélène Cixous' Illa (1980). World Literature Today (Spring 1981), 55: 268-269.

• _____. Review of Hélène Cixous' Partie (1976). World Literature Today (Summer 1977), 51: 404-405.

• Finas, Lucette. "Le Critique exilé." Review of Hélène Cixous' L'Exil de James Joyce ou l'art du remplacement (1968). Critique (November 1969), 25(270): 992-999.

• _____. "`L'Etrange traversée d'Hélène Cixous': Le nouveau livre d'Hélène Cixous, Angst, relate une étrange traversée. Lucette Finas tente, avec l'auteur, d'en relever l'itin&e acute;raire." Le Monde (May 13, 1977), 10042: 21.

• _____. "Hélène Cixous." Encyclopaedia Universalis: Universalia 1977: Les Evénements, les hommes, les problèmes en 1976, pp. 432-433. Paris: Encyclopaedia Universalis, 1977.

• . "Introduction" In Hélène Cixous' Les Commencements: Roman, pp. 9-15. Paris: Éditions Grasset, 1970.

• . "Introduction." In Hélène Cixous' Le Troisième Corps: Roman, pp. i-xii. Paris: Éditions Grasset, 1970.

• _____. "`Le Pourpre du neutre'. Artefact en trois actes et douze scènes." Review of Hélène Cixous' Neutre (1972). Critique (October 1972), 28(305): 876-891. Reprinted in her Le Bruit d'Iris, pp. 303-323. Essais - Digraphe. Paris: Flammarion, 1978.

• Finke, Laurie A. "Painting Women: Images of Femininity in Jacobean Tragedy." Theatre Journal (October 1984), 36(3): 366

• Finucci, Valeria. "Between Acquiescence and Madness: Neera's Teresa." Stanford Italian Review (1987), 7(1-2): 223, 234, 238.

• Fisher, Claudine Guégan. La Cosmogonie d'Hélène Cixous. Faux Titre, 35. Amsterdam: Rodopi, 1988.

• _____. "Hélène Cixous' Window of Daring Through Clarice Lispector's Voice." In Eunice Myers, Ginette Adamson, eds., Continental Latin-American and Francophone Women Writers, pp. 21-27. Sele cted papers from the Wichita State University Conference on Foreign Literature, 1984-85. New York & London: University Press of America, 1987.

• _____. "Refractions Shakespeariennes et Humour noir chez Hélène Cixous." Thalia: Studies in Literary Humor (Spring-Summer 1988), 10(1): 30-34.

• _____. "Le Vivant de la mort chez Hélène Cixous." Bérénice (Rome), (March 1984), 5(10): 345-351.

• Fitz, Earl E. "Bibliografía de y sobre Clarice Lispector." Revista Iberoamericana (January- March 1984), 50(126): 297.

• _____. "A Discourse of Silence: The Postmodernism of Clarice Lispector." Contemporary Literature (Winter 1987), 28(4): 433.

• Flammang, Janet A. "Feminist Theory: The Question of Power." In Scott G. McNall, ed., Current Perspectives in Social Theory: A Research Annual, Vol. 4, pp. 52, 77. Greenwich, Connecticut: JAI Press, 1983.

• Flannigan, Arthur. "Mme de Villedieu's Les Désordres de l'Amour: The Feminization of History." L'Esprit Créateur (Summer 1983), 23(2): 100n7, 106.

• Flax, Jane. "Postmodernism and Gender Relations in Feminist Theory." Signs (Summer 1987), 12(4): 638n31.

• _____. "Re-Membering the Selves: Is the Repressed Gendered?" Michigan Quarterly Review (Winter 1987), 26(1): 102, 108.

• Fletcher, John. "The Difficult Dialogue: Conflicting Attitudes to the Contemporary Novel." Journal of European Studies (September 1974), 4(3): 286n12.

• _____. Review of Hélène Cixous' Un Vrai jardin (1971). French Review (March 1973), 46(4): 851-852.

• Fleuret, Maurice. "Oedipe en Avignon: Un opéra au plein sens du terme où une large place est laisée au théâtre." Le Nouvel Observateur (August 12-18, 1978), 71 8: 54. Review of Hélène Cixous' Le Nom d'Oedipe (1978).

• Flinn, Carol. "The `Problem' of Femininity in Theories of Film Music." Screen (November-December 1986), 27(6): 61, 67.

• Forte, Jeanie. "Women's Performance Art: Feminism and Postmodernism." Theatre Journal (May 1988), 40(2): 225-227, 230.

• Forrester, Viviane. "Les Relectures d'Hélène Cixous." Review of Prénoms de personne (1974). La Quinzaine Littéraire (January 16- 31, 1975), 202: Fournier, Danielle. "Jouir auprès des femmes." Spirale (Quebec) (June 1983), 35: 22. On Hélène Cixous' Limonade tout était si infini (1982).

• _____. "L'Oeil louche, L'amour. Oh, l'amour." Spirale (May 1984), 43: 12. On Hélène Cixous' Le Livre de Promethea (1983).

• Fournier, Hannah S. "La Voix textuelle des Sonets Spirituels d'Anne de Marquets." Études Littéraires (Autumn 1987), 20(2): 82, 92n13.

• Fox-Genovese, Elizabeth. "Women's Rights, Affirmative Action, and the Myth of Individualism." George Washington Law Review (January-March 1986), 54(23): 351n42.

• Franck, Martine. "Le Théâtre du Soleil: L'Indiade. Hélène Cixous." Double Page (France) (1987), 49: 1-48. Color photographs by Martine Franck taken duri ng the performance of L'Indiade. The scenario of the play is included.

• Franko, Mark. "Repeatability, Reconstruction and Beyond." Theatre Journal (March 1989), 41(1): 65n25.

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• _____. Surrealism and the Book, p. 180. Berkeley: University of California Press, 1988.

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• Huston, Nancy. Review of Les Cahiers du GRIF 12 et 13. Sorcières (October 1976), 6: 53.

• _____. Review of Hélène Cixous' Angst (1977). Sorcières (January 1978), 11: 54.

• _____. Review of Hélène Cixous' Souffles (1975). Sorcières (January 1976), 1: 52.

• Hutcheon, Linda. "Modes et formes du narcissisme littéraire." (Jean-Pierre Richard, tr.) Poétique (February 1977), 29: 105.

• _____. "The Outer Limits of the Novel: Italy and France." Contemporary Literature (Spring 1977), 18(2): 209n21.

• Ingram, Julia Simon. "The Feminized Other of Philosophical Dialogue: Critical Studies in the French Englightenment." Ph.D., Dissertation, pp. ix, 209nn12, 13, 210n18. University of California, San Diego, 19 88.

• Irving, Nicole. "The Explosive Turn." Review of Hélène Cixous' Angst (1985). TLS [Times Literary Supplement] (March 21, 1986), 4329: 306.

• Jacobs, Gabriel. Review of Verena Andermatt Conley's Hélène Cixous: Writing the Feminine. Romance Quarterly (May 1987), 34(2): 242-243.

• Jacobus, Mary. "The Buried Letter: Feminism and Romanticism in Villette." In Mary Jacobus, ed., Women Writing and Writing about Women, p. 59n1. The Oxford Women's Series. London: < !-- PB-->Croom Helm; New York: Barnes & Noble, 1979.

• _____. "The Difference of View." In Mary Jacobus, ed., Women Writing and Writing about Women, p. 21n3. The Oxford Women's Series. London: Croom Helm; New York: Barnes & Noble, 1979. Reprinted in Catherine Belsey and Jane Moore, eds., The Feminist Reader: Essays in Gender and the Politics of Literary Criticism, p. 222n3. Houndmills, Basingstoke, Hamsphire: Macmillan Education; New York: Blackwell, 1989.

• _____. "Introduction." Yale French Studies (1981), 62: 10.

• _____. "Is There a Woman in This Text?" New Literary History (Autumn 1982), 14(1): 139, 141n29.

• _____. "The Question of Language : Men of Maxims and The Mill on the Floss." Critical Inquiry (Winter 1981), 8(2): 207. Reprinted in Elizabeth Abel, ed., Writing and Sexual Di fference, p. 37. Chicago: University of Chicago Press, 1982.

• _____. "Villette's Buried Letter." Essays in Criticism (July 1978), 28(3): 244n1.

• Jameson, Fredric. "The Ideology of Form: Partial Systems in La Vieille Fille." Sub-Stance (1976), 15: 49n17.

• Jansen, Sue Carry. "A Collective Intervention." Review of Cary Nelson and Lawrence Grossberg, eds., Marxism and the Interpretation of Culture. Journal of Communication (Winter 1989) , 39(1): 189n1.

• Jardine, Alice A. "Death Sentences: Writing Couples and Ideology." Poetics Today (1985), 6(1-2): 120, 124-125, 130. Reprinted in Susan Rubin Suleiman, ed., The Female Body in We st ern Culture: Contemporary Perspectives. Cambridge, Mass.: Harvard University Press, 1986.

• _____. "Gynesis." Diacritics (Summer 1982), 12(2): 55, 59, 64.

• _____. Gynesis: Configurations of Woman and Modernity, pp. 20, 62, 72, 261-262, 263, 267. Ithaca, New York & London: Cornell University Press, 1985.

• _____. "Interview with Simone de Beauvoir." Signs (Autumn 1979), 5(1): 224, 229231.

• _____. "Pre-texts for the Translantic Feminist." Yale French Studies (1981), 62: 220, 223n10, 233.

• _____. Review of Verena Andermatt Conley's Hélène Cixous: Writing the Feminine. Romanic Review (November 1985), 76(4): 450-452.

• _____. "Theories of the Feminine: Kristeva." Enclitic (Fall 1980), 4(2): 13.

• _____. "Woman in Limbo: Deleuze and His Br(others)." Sub-Stance (1984), 13(34)[44- 45]:51-52, 60n18.

• Jardine, Alice A. and Anne M. Menke. "Exploding the Issue: `French' `Women' `Writers' and `The Canon'?: Fourteen Interviews." Yale French Studies (1988), 75: 232.

• Jay, Gregory S. "Freud: The Death of Autobiography." Genre (Summer 1986), 19(2): 121, 127.

• Jean, Raymond. "L'Incantation d'Hélène Cixous." Review of Hélène Cixous' Préparatifs de noces au delà de l'abîme (1978). Le Monde (August 4, 19 78), 10423: 12.

• _____. "Les Mythologies d'Hélène Cixous: Une ethnographie imaginaire." Review of Hélène Cixous' Tombe (1973). Le Monde (May 10, 1973), 8808: 19. Reprinted in his Pratique de la littérature--see next item.

• _____. "Le Texte-amant de Cixous [Tombe]." In his Pratique de la littérature: Roman/poésie, pp.115-119. Paris: Éditions du Seuil, 1978.

• _____. "La Voix d'Hélène Cixous." Matin de Paris (April 15, 1977).

• Johnson, Barbara. "Writing." In Frank Lentricchia and Thomas McLaughlin, eds., Critical Terms for Literary Study, p. 47. Chicago & London: University of Chicago Press, 19 90.

• Jones, Ann Rosalind. "Inscribing Femininity: French Theories of the Feminine." In Gayle Green and Coppélia Kahn, eds., Making a Difference: Feminist Literary Criticism, pp. 80-112. New A ccents. London & New York: Methuen, 1985.

• _____. "Writing the Body: Toward an Understanding of L'Écriture féminine." Feminist Studies (Summer 1981), 7(2): 247-263.

  Reprinted in Elaine Showalter, ed., The New Feminist Criticism: Essays on Women, Literature and Theory, pp. 361-377. New York: Pantheon Books, 1985.
  Also in Judith Newton and Deborah Rosenfelt, eds., Feminist Criticism and Social Change: Sex, Class and R ace in Literature and Culture, pp. 86-101. New York & London: Methuen, 1985.

  Jones, Ann Rosalind and Nancy J. Vickers. "Canon, Rule and the Restoration Renaissance." Yale French Studies (1988), 75: 17n10.

  Jones, Ellen Carol. "The Letter Selfpenned to One's Other: Joyce's Writing, Deconstruction, Feminism." In Morris Beja and Shari Benstock, eds., Coping with Joyce: Essays from the Copenhagen Symposium, pp. 181, 193. Columbus: Ohio State University Press, 1989.

  Jordan, Elaine. "Women's History/Feminist Criticism." Review of Hélène Cixous' and Catherine Clément's The Newly Born Woman (1986). Literature and History (Autumn 1988) , 14(2): 220-221.

  Jordis, Christine. "Katherine Mansfield." La Nouvelle Revue Française (April 1984), 375: 85n1.

  _____. Review of William Golding's Parade sauvage. La Nouvelle Revue Française (February 1982), 59(349): 155n1.

  Jourlait, Daniel F. Review of Hélène Cixous' Dedans (1969). French Review (October 1970), 44(1): 174. In French.

  Jouve, Dominique and Françoise Clédat. Review of Hélène Cixous' La (1976). Sorcières (July 1976), 4: 55-56.

  Jouve, Nicole Ward. "`Her Legs Bestrid the Channel': Writing in Two Languages." In Moira Monteith, ed., Women's Writing: A Challenge to Theory, pp. 41, 52, 53n3. Brighton, Sussex & Harvester, 1986.

  "Joyce in Exile." Review of Hélène Cixous' L'Exil de James Joyce (1968). TLS [Times Literary Supplement] (April 24, 1969), 3504: 430.

  Juin, Hubert. "Des Livres hantés." Review of Hélène Cixous' Le Troisème corps (1970) and Les Commencements (1970). Les Lettres Françaises (October 7-13, 1970), 1354: 5-6.

  _____. "Note de lecture." Review of Hélène Cixous Un Vrai Jardin (1971). Les Lettres Françaises (November 17- 23, 1971), 1410: 7.

  Juncker, Clara. "Clara Juncker Responds." College English (November 1988), 50(7): 825-827. Responds to Debrah Raschke's comments on her paper in College English.

  _____. "Grace King: Woman as Artist." Southern Literary Journal (Fall 1987), 20(1): 43, 44.

  _____. "The Mother's Balcony: Grace King's Discourse of Femininity." New Orleans Review (Spring 1988), 15(1): 39, 45.

  _____. "Writing (with) Cixous." College English (April 1988), 50(4): 424-436.

• Kahane, Claire. "Introduction." In Charles Bernheimer and Claire Kahane, eds., In Dora's Case: Freud--Hysteria-- Feminism, p. 30. Gender and Culture. New York: Columbia University Pre ss, 1985.

• Kain, Richard M. "The Significance of Stephen's Meeting Bloom: A Survey of Interpretations." James Joyce Quarterly (Fall 1972), 10(1): 159, 160n21.

• Kamboureli, Smaro. "The Body as Audience and Performance in the Writing of Alice Munro." In Shirley Neuman and Smaro Kamboureli, eds., A Mazing Space: Writing Canadian Women Writing, p. 33. Edmonton: Long spoon/NeWest, 1986.

• Kanters, Robert. "Au Nom du père." Review of Hélène Cixous' Le Prénom de Dieu (1967). Le Figaro (June 25, 1967), 22(1105): 17-18 [in section II Le Figaro Littéraire.]

• _____. "Un Déchiffrement provisoire." Review of Hélène Cixous' Neutre (1972). Le Figaro (April 29, 1972), 1354: 14 [in section II Le Figaro Littéraire.] Reprinted in his L'Air des lettres ou tableau raisonnable des Lettres françaises d'aujourd'hui, pp. 468-470. Paris: Gr