Discussions of Homi K. Bhabha's Works: Takemoto, Tina --- Ty, Eleanor

Compiled by

Eddie Yeghiayan

• Takemoto, Tina. "Performativity and Difference: The Politics of Illness and Collaboration." Journal of Arts Management, Law and Society (Spring 1997), 27(1):11, 20, 21-22n9, 22n21.

• Talahite, Anissa. "Representing the Invisible: Constructions: of the Margin in Farida Belghoul's Georgette! and Tassadit Imache's Une Fille sans histoire." AUMLA: Australasian Universities Language and Literature (2000), 93:81nn14, 15.

• Tambiah, Stanley J. "Transnational Movements, Diaspora, and Multiple Modernities." Daedalus (Winter 2000), 129(1):178, 193n29.

• Tanaka, Stefan. "Imaging History: Inscribing Belief in the Nation." Journal of Asian Studies (February 1994), 53(1):37, 43.

• Tandt, Catherine den. "Tracing Nation and Gender: Ana Lydia Vega." Revista de Estudios Hispánicos (January 1994), 28(1):3, 22.

• Tapping, Craig. "Literary Reflections of Orality – Colin Johnson’s Dr. Wooreddy’s Prescription for Enduring the Ending of the World." WLWE: World Literature Written in English (Fall 1990), 30(2):57, 60.

• Tatum, Stephen. "Topographies of transition in Western American Literature." Western American Literature (February 1998), 32(4):344, 351.

• Taylor, Carole Anne. "Humor, Subjectivity, Resistance: The Case of Laughter in The Color Purple." Texas Studies in Literature and Language (Winter 1994), 36(4):476n2, 477-478n9, 479n22, 480.

• Taylor, Carole Anne. "Positioning Subjects and Objects: Agency, Narration, Relationality." Hypatia (Winter 1993), 8(1):55, 65, 70, 74n1, 75n16, 78.
       A quotation from Homi K. Bhabha’s is one of epigraphs of this essay.

• Taylor, Carol Anne. "Tragedy Reborn(e): A Question of Power and the Soul-Journeys of Bessie Head." Genre: Forms of Discourse and Culture (Summer-Fall 1993), 26(2-3):346nn20, 21, 349.

• Taylor, David. "Bruce Chatwin: Connoisseur of Exile, Exile as Connoisseur." In Steve Clark, ed., Travel Writing and Empire: Postcolonial Theory in Transit, pp. 210-211. London & New York: Zed, 1999.

• Taylor, Diana. "Dancing with Diana: A Study in Hauntology." TDR: The Drama Review: A Journal of Performance Studies (Spring 1999), 43(1):74, 77.

• Taylor, Patrick. "Narrative, Pluralism, and Decolonization: Recent Caribbean Literature." College Literature (February 1993), 20(1):80, 88.

• Thomas, Brook. "Parts Related to Wholes and the Nature of Subaltern Opposition." Modern Language Quarterly (March 1994), 55(1):79-106.

• Thomas, Nicholas. "Colonial Conversions : Difference, Hierarchy, and History in Early Twentieth-Century Evangelical Propaganda." Comparative Studies in Society and History (April 1992), 34(2):368n6.

• Thomas, Sue. "Difference, Intersubjectivity, and Agency in the Colonial and Decolonizing Spaces of Hélène Cixous's ‘Sorties’." Hypatia (Winter 1994), 9(1):53, 66, 67.

• Thomas, Sue. "Killing the Hysteric in the Colonized’s House: Tsitsi Dangarembga’s Nervous Conditions." Journal of Commonwealth Literature (August 1992), 27(1):35, 36n15.

• Thomas, Sue. "Sexual Matter and Votes for Women. " Papers on Language and Literature: A Journal for Scholars and Critics of Language and Literature (Winter 1997), 33(1):65, 68.

• Thompson, Paul. "Between Identities: Homi Bhabha Interviewed by Paul Thompson." In Rina Benmayor and Andor Skotnes, eds., Migration and Identity, pp. 183-199. International Yearbook of Oral History and Life Stories, 3. Oxford & New York: Oxford University Press, 1994.

• Tiffin, Helen. "Introduction." In Ian Adam and Helen Tiffin, eds. Past the Last Post: Theorizing Post-Colonialism and Post-Modernism, pp. xiv-xv. Calgary: University of Calgary Press, 1990.

• Tiffin, Helen. "Post-Colonialism, Post-Modernism and the Rehabilitation of Post-Colonial History." Journal of Commonwealth Literature (1988), 23(1):180n16.

• Till, Karen E. "Staging the Past: Landscape Designs, Cultural Identity and Erinnerungs Politik at Berlin's Neue Wache." Ecumene (July 1999), 6(3):277n5.

• Toll, Katherine. "Making Roman-ness and the Aeneid." Classical Antiquity (April 1997), 16(1):41n31, 54.

• Tompkins Joanne. "Breaching the Body’s Boundaries: Abjected Subject Positions in Postcolonial Drama." Modern Drama (Winter 1997), 40(4):502-503, 512nn6-8.

• Tompkins, Joanne. "’Spectacular Resistance': Metatheatre in Post-Colonial Drama." Modern Drama (Spring 1995), 38(1):47, 49, 49n1, 50n15, 51nn21, 22.
       The title is taken from Homi K. Bhabha's "Signs Taken for Wonders" (1985).
       Special issue on "Postcolonialism," edited by Ann Wilson.

• Tompkins, Joanne. "’The Story of Rehearsal Never Ends’: Rehearsal, Performance, Identity in Settler Culture Drama." Canadian Literature (Spring 1995), 144:159, 160.

• Trigo, Abril. "De la transculturación (a/en) lo transnacional." In Mabel Moraña, ed. , Angel Rama y los estudios latinoamericanos, pp. 156, 168. Serie-Criticas. Pittsburgh, PA: Instituto Internacional de Literatura Iberoamericana, 1997.

• Trigo, Abril. "Lumpenpoesía y neomodernidad periférica: el caso uruguayo." Revista de Critica Literaria Latinoamericana (1994), 20(39):255, 258, 259, 262n9, 263.

• Trigo, Abril. "On Transculturation: Toward a Political-Economy of Culture in the Periphery." Studies in Latin American Popular Culture (1996), 15:100, 111, 112-113, 114n8, 116nn53, 57, 117n60.
       Says that hybridity is best theorized by Homi K. Bhabha.

• Trigo, Abril. "Rockeros y grafiteros: La construcción al Sesgo de una antimemoria." Hispamerica: Revista de Literatura (April 1995), 24(70):28n34, 32n43, 40n55.

• Trigo, Abril. "El teatro gauchesco primitivo y los límites de la gauchesca." Latin American Theatre Review: A Journal devoted to the Theatre and Drama of Spanish and Portuguese America (Fall 1992), 26(1):57, 66.
       Cites Homi K. Bhabha's "Of Mimicry and Man" (1984).

• Tucker, Bruce. "Oral History: An Interview with Sherrill Grace." Canadian Review of American Studies/Revue Canadienne d'Études Américaines (1998), 28(3):9, 13n2.

• Turk, Horst. "Kulturkonflikte im Spiegel der Literatur?" Arcadia: Zeitschrift für Vergleichende Literaturwissenschaft (1996), 31(1-2):11n17, 12n18.

• Turner, Katherine S.H. "From Classical to Imperial: Changing Visions of Turkey in the Eighteenth Century." In Steve Clark, ed.,Travel Writing and Empire: Postcolonial Theory in Transit, p. 114n5. London & New York: Zed, 1999.

• Tweedie, James. "Caliban's Books: The Hybrid Text in Peter Greenaway's Prospero's Books." Cinema Journal (Fall 200), 40(1):106-107, 123n4.
       Cites Homi K. Bhabha’s "Signs Taken for Wonders" (1985).

• Ty, Eleanor. "’Welcome to Dreamland’: Power, Gender, and Post-Colonial Politics in Miss Saigon." Essays in Theatre/Etudes Théâtrales (November 1994), 13(1):19, 21, 26.