Discussions of Homi K. Bhabha's Works: O'Brien, Anthony --- Ortíz, Ricardo L.

Compiled by

Eddie Yeghiayan

• O’Brien, Anthony. "Literature in Another South Africa Njabulo Ndebele’s Theory of Emergent Culture." Diacritics: A Review of Contemporary Criticism (Spring 1992), 22 (1):69, 70, 83.

• O’Brien, Susie. "New Postnational Narratives, Old American Dreams; or, The Problem with Coming-of-Age Stories." In C. Richard King, ed., Postcolonial Africa, pp. 74, 79n5, 79. Urbana & Chicago: University of Illinois Press, 2000.

• O’Brien, Susie. "’Please Eunice Don’t Be Ignorant’: The White Reader as Trickster in Lee Maracle’s Fiction." Canadian Literature (Spring 1995), 144:95n5, 95.

• O’Brien, Susie. "Serving a New World Order: Postcolonial Politics in Kazuo Ishiguro's The Remains of the Day." Modern Fiction Studies (Winter 1996), 42(4):801, 802, 803n5, 804n12, 804.

• Odin, Jaishree K. "The Edge of Difference: Negotiations between the Hypertextual and the Postcolonial." Modern Fiction Studies (Fall 1997), 43(3):615, 616, 618, 628.

• Oesmann, Astrid. "The Theatrical Destruction of Subjectivity and History: Brecht's Trommeln in der Nacht." German Quarterly (Spring 1997), 70(2):150nn23, 24.

• Ogunsanwo, Olatubosun. Review of Brenda Cooper’s Magical Realism in West African Fiction: Seeing with a Third Eye." Research in African Literatures (Summer 2000), 31(2):226, 227.

• Oha, Obododimma. "Inter/art/iculations of Violence in Contemporary Nigerian Poetry and Graphic Art." Mosaic: A Journal for the Interdisciplinary Study of Literature (June 1998), 31(2):179, 181.

• Oksiloff, Assenka. Review of Homi K. Bhabha’s Nation and Narration (1990). Das Argument: Zeitschrift für Philosophie und Sozialwissenschaften (March-April 1992), 34(2) [192]:295-297.

• Olick, Jeffrey K. and Joyce Robbins. "Social Memory Studies: From ’Collective Memory' to the Historical Sociology of Mnemonic Practices." Annual Review of Sociology (1998), 24(1):135.

• Olin, Margaret. "Nationalism, the Jews, and Art History." Judaism: A Quarterly Journal of Jewish Life and Thought (Fall 1996), 45(4):478n30.

• Olson, Gary A. and Lynn Worsham. "Staging the Politics of Difference: Homi Bhabha's Critical Literacy ." JAC: A Journal of Composition Theory. (1998), 18(3) 361-391.

• Olson, Gary A. and Lynn Worsham. "Staging the Politics of Difference: Homi Bhabha's Critical Literacy." In Gary A. Olson and Lynn Worsham, eds. , Race, Rhetoric, and the Postcolonial, pp. 3-39. Albany: State University of New York Press, 1999.

• Olster, Stacey Michelle. "Remakes, Outtakes, and Updates in Susan Sontag's The Volcano Lover." Modern Fiction Studies (Spring 1995), 41(1):134.

• Ono, Kent A. and John M. Sloop. "The Critique of Vernacular Discourse." Communication Monographs (March 1995), 62(1):43n17, 44.

• Orkin, Martin. "A Sad Tale's Best for South Africa? " Textual Practice (Spring 1997), 11(1):21n19.

• Orlove, Benjamin S. "Putting Race in Its Place: Order in Colonial and Postcolonial Peruvian Geography." Social Research (Summer 1993), 60(2):324n30.

• Orr, Bridget. "Reading with the Taint of the Pioneer: Katherine Mansfield and Settler Criticism." In Rhoda B. Nathan, ed., Critical Essays on Katherine Mansfield, pp. 49, 55, 59n3, 60n23. .Critical Essays on British Literature. New York: G. K. Hall, 1993.

• Ortíz, Ricardo L. "Café, Culpa and Capital: Nostalgic Addictions of Cuban Exile." Yale Journal of Criticism: Interpretation in the Humanities (Spring 1997), 10(1):82n36.