Discussions of Homi K. Bhabha's Works: Gabaccia, Donna --- Györgi, Péter

Eddie Yeghiayan

• Gabaccia, Donna. "Comment: Ins and Outs: Who is an Immigration Historian?" Journal of American Ethnic History (Summer 1999), 18(4):135n5.

• Gabriel, Barbara. "Performing Theory, Performing Gender: Critical Postscript." Essays on Canadian Writing (Winter 1994), 54:257.

• Gaerlan, Barbara S. "In the Court of the Sultan: Orientalism, Nationalism, and Modernity in Philippine and Filipino American Dance. " Journal of Asian American Studies (October 1999), 2(3):251, 280n4.

• Galchinsky, Michael. "The New Anglo-Jewish Literary Criticism." Prooftexts: A Journal of Jewish Literary History (September 1995), 15(3):274.

• Gandhi, Leela. Postcolonial Theory: A Critical Introduction, pp. 9, 10. New York: Columbia University Press; Edinburgh: Edingurgh University Press, 1998.

• Ganguly, Kenya. "Carnal Knowledge: Visuality and the Modern in `Charulata'." Camera Obscura: Feminism, Culture, and Media Studies (January 1996), 37:177n1, 178n5.

• Ganguly, Kenya. Review of Iain Chambers and Lidia Curti, eds., Post-Colonial Question: Common Skies, Divided Horizons (1996), and Susheila Nasta, ed., Motherlands: Black Women's Writing from Africa, the Carribbean and South Asia. Research in African Literatures (Winter 1998), 29(4):187-190.
       This issue is entitled "The African Diaspora and Its Origins," edited by Polly T. Rewt.

• Gant-Britton, Lisbeth. "African Women and Visual Culture: A Sample Syllabus." Camera Obscura: A Journal of Feminism, Culture, and Media Studies (September 1995), 36:90, 102, 112n19, 114n50.
       This issue is entitled "Black Women, Spectatorship, and Visual Culture," and is edited by Deborah R. Grayson.

• Garcia-Moreno, Laura. "Margins and Medallions: Rival Narrative Modes in José Donoso's El obsceno pájaro de la noche." Revista de Estudios Hispánicos (January 1998), 32(1):47-48, 54.
       Gives Homi K. Bhabha's account of the discourse of mimicry.

• García Calderón, Myrna. "El espacio intersticial y transitorio de la Nueva Crónica Puertorriqueña." Revista de Critica Literaria Latinoamericana (1997), 23(45):295, 305n2.

• Garloff, Katja. "Peter Weiss's Entry into the German Public Sphere: On Diaspora, Language, and the Uses of Distance." Colloquia Germanica: Internationale Zeitschrift für Germanistik (1997), 30(1):50, 66nn5, 9, 69.

• Garrigus, John D. "White Jacobins/Black Jacobins: Bringing the Haitian and French Revolutions Together in the Classroom." French Historical Studies (Spring 2000), 23(2):260n2.

• Gates, Henry Louis, Jr. "Critical Fanonism." Critical Inquiry (Spring 1991), 17(3):459-465, 470.

• Gelbin, Cathy. "In Quest for a Unified Self: Race, Hybridity, and Identity in Elisabeth Langgässer's Der gang durch das ried." New German Critique: An Interdisciplinary Journal of German Studies (Winter 1997), 70:143n7.
       Special issue on Germans and Jews.

• Gertz, Nurith. "The Medium that Mistook Itself for War: Cherry Season in Comparison with Ricochets and Cup Final." Israel Studies (Spring 1999), 4(1):174n40.

• George, Diana and Susan Sanders. "Reconstructing Tonto: Cultural Formations and American Indians in 1990s Television Fiction." Cultural Studies (October 1995), 9(3):428, 429, 431, 442, 443, 450.

• George, Olakunle. "Cultural Criticism in Wole Soyinka's Death and the King's Horseman." Representations (Summer 1999) , 67:70-71, 79-80, 89n8, 90nn17-19.

• George, Rosemary Marangoly. Review of Jenny Sharpe’s Allegories of Empire: The Figure of Woman in the Colonial Text. Victorian Studies (Spring 1995), 38(3):470.

• Geyer, Michael and Konrad H. Jarausch. "Great Men and Postmodern Ruptures: Overcoming the 'Belatedness' of German Historiography." German Studies Review (May 1995), 18(2):269, 273n47.
       A Response to Kenneth Barken.

• Gibbons, Luke. "Race Against Time: Racial Discourse and Irish History." In Gregory Castle, ed., Postcolonial Discourses: An Anthology, pp. 485, 497, 498n2. Oxford & Malden Mass.: Blackwell, 2001.

• Gibbs, Virginia. "Latin American Film." Latin American Research Review (Summer 1992), 27(3):203-215.
       Review of Jim Pines and Paul Willemen, eds., Questions of Third Cinema (1989), Roy Armes' Third World Film Making and the West, Julianne Burton's Cinema and Social Change in Latin America: Conversations with Filmakers, Michael Chanan's The Cuban Image, John King's Magical Reels: A History of Cinema in Latin America, Carl J. Mora's Mexican Cinema: Reflections of a Society, 1896-1988, and Robert Stam's Subversive Pleasures: Bakhtin, Cultural Criticism, and Film.

• Gibson, Nigel. "Thoughts about Doing Fanonism in the 1990s." College Literature (Spring 1999), 26(2):97, 98, 106-107, 108, 115.

• Gikandi, Simon. "In the Shadow of Hegel: Cultural Theory in an Age of Displacement." Review of Homi K. Bhabha’s The Location of Culture (1994), Paul Gilroy’s The Black Atlantic: Modernity and Double Consciousness, and Lewis R. Gordon’s Fanon and the Crisis of European Man: An Essay on Philoosphy and the Human Sciences. Research in African Literatures (Summer 1996), 27(2):139-150.

• Gilbert, Helen. "The Boomerang Effect: Canonical Counter-discourse and David Malouf’s Blood Relations as an Oppositional Reworking of The Tempest." WLWE: World Literature Written in English (Fall 1991), 31(2):61, 63n8, 63.

• Gilbert, Helen and Jacqueline Lo. "Performing Hybridity in Post-Colonial Monodrama." Journal of Commonwealth Literature (1997), 32(1):7, 13, 18nn12, 13, 24.

• Gilbert, Paula Ruth. "All Roads Pass through Jubilee: Gabrielle Roy’s La Route d’Altamont and Alice Munro’s Lives of Girls and Women." Colby Quarterly (June 1993), 29(2):142, 145.

• Gilbert, Rob. Review of Rey Chow’s Writing Diaspora: Tactics of Intervention in Contemporary Cultural Studies. Discourse & Society (October 1995), 6(4):547, 548.

• Giles, Paul. "Virtual Americas: The Internationalization of American Studies and the Ideology of Exchange." American Quarterly (September 1998), 50(3):547n37.

• Gillespie, Michael Patrick. Review of Lance Pettit’s Screening Ireland: Film and Television Representation. New Hibernia Review: A Quarterly Review of Irish Studies (Spring 2001), 5(1):153.

• Gilmore, Paul. "’De genewin artekil': William Wells Brown, Blackface Minstrelsy, and Abolitionism." American Literature (December 1997), 69(4):775n48.

• Gilroy, Paul. "Route Work: The Black Atlantic and the Politics of Exile." In Iain Chambers and Lidia Curti, eds., The Post-Colonial Question: Common Skies, Divided Horizons, pp. 23, 29n13. London & New York: Routledge, 1996.

• Gilroy, Paul, Stuart Hall, and Homi Bhabha. "Threatening Pleasures." Sight and Sound (August 1991), 1(4):17-19.
       Music, sexuality and politics in Young Soul Rebels.

• Giroux, Henry A. "Democracy and the Discourse of Cultural Difference: Towards a Politics of Border Pedagogy." British Journal of Sociology of Education (1991), 12(4):506, 518.
       Special issue on "Democracy & Education."

• Giroux, Henry A. "Living Dangerously: Identity Politics and the New Cultural Racism: Towards a Critical Pedagogy of Representation." Cultural Studies (January 1993), 7(1):14, 25.

• Giroux, Henry A. "Post-Colonial Ruptures and Democratic Possibilities: Multiculturalism as Anti-Racist Pedagogy." Cultural Critique (Spring 1992), 21:13, 35n12, 36.

• Giroux, Susan-Searls and Henry A. Giroux. "Making the Political More Pedagogical: Reading Homi Bhabha." JAC: A Journal of Composition Theory (1999), 19(1):139-148.

• Gittings, Christopher E. "Constructing a Scots-Canadian Ground: Family History and Cultural Translation in Alice Munro." Studies in Short Fiction (Winter 1997), 34(1):28, 36.

• Glage, Liselotte. "Strategien der Differenz. Was oder wie ist der postkoloniale Roman?" Zeitschrift für Anglistik und Amerikanistik: A Quarterly of Language, Literature and Culture (1995), 43(1):82n24.

• Godard, Barbara. "Une littérature en devenir: la réécriture textuelle et le dynamisme du champ littéraire. Les écrivaines québécoises au Canada anglais." Voix & Images: Littérature Québécoise (Spring 1999), 24(3) [72]:526n58.
       Issue is entitled "La littérature Québécoise sous le regard de l'autre"

• Goebel, R.J "Postkoloniale Kritik und kulturelle Authentizität . Zur Rezeption Walter Benjamins in der amerikanischen Kulturtheorie" Weimarer Beiträge (1999), 45(4):533-534, 545n5.

• Göbel, Walter. "Cultural Studies: From Intracultural to Intercultural Approaches and the Disintegration of British Cultural Studies." Anglia: Zeitschrift für Englische Philologie (1998), 116(1):69.

• Göbel, Walter. Review of Homi K. Bhaba’s The Location of Culture (1994). Anglia: Zeitschrift für Englische Philologie (1997), 115(2):259-263.

• Goetsch, Paul. "Die Macht des Buches in kolonialer und postkolonialer Literatur." In Rüdiger Ahrens and Fritz-Wilhelm Neumann, eds, Fiktion und Geschichte in der anglo-amerikanischen Literatur, pp. 516, 531. Festschrift für Heinz-Joachim Müllenbrock zum 60. Geburtstag. Anglistische Forschungen Heidelberg: Winter Universitätsverlag, 1998.

• GoGwilt, Christopher. "Conrad's Alien Genealogies: Joseph Conrad's `Karain, A Memory', Pramoedya Ananta Toer, and Postcolonial Perspectives." Western Humanities Review (Summer 1998), 52(2):99, 107n12.

• Goldberg, David Theo. "Introduction." In David Theo Goldberg, ed., The Anatomy of Racism, pp. xix-xx. Minneapolis & London: University of Minnesota Press, 1990.

• Goldie, Terry. "Introduction: Queerly Postcolonial." Ariel: A Review of International English Litearture (April 1999), 30(2):15, 18, 24.
       Issue is on "Postcolonial and Queer Theory and Praxis."

• Golumbia, David. "Quine's Ambivalence." Cultural Critique (Winter 1997-98), 38:7-8, 30, 33n1, 35n17, 35-36.
       One of the epigraphs of the article is a quotation from Homi K. Bhabha’s "Of Mimicry and Man" (1985).

• Goodman, Robin Truth. "Conrad's Closet." Conradiana: A Journal of Joseph Conrad Studies (Summer 1998), 30(2):98-99, 101, 123nn46-49, 54.

• Gordadze, Thorniké. "La Réforme du passé: L’effort historiographique de construction de la nation géorgienne." Revue d’Etudes Comparatives Est-Ouest (March 1999), 30(1):56, 78.

• Gordon, Avery. "Feminism, Writing, and Ghosts." Social Problems (November 1990), 37(4):495n7, 499.

• Gordon, Deborah. "Feminism and Cultural Studies." Review of Lawrence Grossberg, Cary Nelson, and Paul A. Treichler, eds., Cultural Studies (1992), Sara Franklin, Celia Lurg, and Jackie Stacey, eds., Off-Centre: Feminism and Cultural Studies, Simon During, ed., Cultural Studies Reader, and Elspeth Probyn, ed., Sexing the Self: Gendered Positions in Cultural Studies. Feminist Studies (Summer 1995), 21(2):363-377.

• Goss, Jasper. "Postcolonialism: Subverting whose Empire?" Third World Quarterly: Journal of Emerging Areas (June 1996), 17(2):241, 249nn8, 10, 12.

• Gouda, Frances. "Mimicry and Projection in the Colonial Encounter: The Dutch East Indies/Indonesia as Experimental Laboratory, 1900-1942 ." Journal of Colonialism and Colonial History (Fall 2000), 1(2).
       http://muse.jhu.edu/journals/journal_of_colonialism_and_colonial_history/v001/1.2gouda.html

• Goudie, S.X. "’Leavin' a Mark on the Wor(l)d: Marksmen and Marked Men in Middle Passage." African American Review (Spring 1995), 29(1):111, 114, 119n16.
       This issue is on Charles Johnson.

• Gould, Eliga H. "A Virtual Nation: Greater Britain and the Imperial Legacy of the American Revolution." American Historical Review (April 1999), 104(2):488n52.

• Gould, Philip. Review of Julie Ellison’s Cato's Tears and the Making of Anglo-American Emotion. Early American Literature (2000), 35(3):345.

• Gould, Philip. "The Words of War." American Quarterly (1999), 51(2):460n4.
       Review of Jill Lepore’s The Name of War: King Philip's War and the Origins of American Identity.

• Govinden, Devarakshanam. "’Memory is a Weapon’: Reading Under Apartheid." Ariel: A Review of International English Literature (January 1996), 27(1):225, 229.
       "Homi Bhabha points out that a fundamental aspect of 'culture and imperialism' is that nations themselves are narrations, that those who had power, had the power to block out other narratives from forming and emerging, of screening the way representations of colonized took place."

• Grace, Sherrill. "Going North on Judith Thompsons's Sled." Essays in Theatre/Études Théâtrales (May 1998), 16(2):163n9, 163.
       Refers to Homi K. Bhabha’s notion of "nation-space."

• Grace, Sherrill E. "Re-Inventing Franklin." Canadian Review of Comparative Literature/Revue Canadienne de Littérature Comparée (September-December 1995), 22(3-4):719n16, 722.
       Special Issue on "Postcolonial Litteratures: Theory and Practice/ Les Littératures post-coloniales. Théories et réalisations."

• Graham, Brian and Mark Hart. "Cohesion and Diversity in the European Union: Irreconcilable Forces?" Regional Studies (May 1999), 33(3):265, 268.

• Grandjeat, Yves-Charles. "’These Strange Dizzy Pauses’: Silence as Common Ground in J.E. Wideman's Texts." Callaloo (Summer 1999), 22(3):687, 689, 691, 692, 694.

• Gray, Jeffrey. "Essence and the Mulatto Traveler: Europe as Embodiment in Nella Larsen’s Quicksand." Novel: A Forum on Fiction (Spring 1994), 27(3):267, 269.

• Greenhouse, Carol J. "Tuning to a Key of Gladness." Law & Society Review (1998), 32(1):14, 18.
       Asserts that Homi K. Bhabha distinguishes several meanings of "difference": as singularization, victimage, association, creativity, and commitment.

• Greenlee, James G. Review of Julie F. Codell and Dianne Sachko Macleod, eds., Orientalism Transposed: The Impact of the Colonies on British Culture. Canadian Journal of History/Annales Canadiennes d’Histoire (December 2000), 35(3):579.

• Greeson, Jennifer Rae. "The Figure of the South and the Nationalizing Imperatives of Early United States Literature." Yale Journal of Criticism (Fall 1999), 12(2):246n56.

• Gregg, Robert. "Class, Culture and Empire: E.P. Thompson and the Making of Social History." Journal of Historical Sociology (December 1998), 11(4):448, 460n118.

• Grieveson, Lee. "Fighting Films: Race, Morality and the Governing of Cinema, 1912-1915." Cinema Journal (Fall 1998), 38(1):45, 66n34.

• Grigsby, Darcy Grimaldo. "Rumor, Contagion, and Colonization in Gros’s Plague Stricken of Jaffa (1804)." Representations (Summer 1995), 51:37n2.

• Grindstaff, L.A. "Double Exposure, Double Erasure: On the Frontline with Anita Hill." Cultural Critique (Spring 1994), 27:43-44, 57.

• Gross, Joan. "Popular Culture as Contested Terrain: The Case of Tchantchès." Anthropological Quarterly (April 1994), 67(2):62, 70.
       Issue is entitled "Symbols of Contention," edited by Diane O. Bennett.

• Grossberg, Lawrence. "Cultural Studies and/in New Worlds." Critical Studies in Mass Communication (March 1993), 10(1):11, 21.
       Asserts that mimicry is the misappropriation of the dominant discourse.

• Gruesz, Kirsten Silva. "El Gran Poeta Longfellow and a Psalm of Exile." American Literary History (Fall 1998), 10(3):414, 425.

• Guha-Thakurta, Tapati. "The Museumised Relic: Archaeology and the First Museum of Colonial India." Indian Economic and Social History Review (January-March 1997), 34(1):22n3.

• Gumbrecht, Hans Ulrich. "The Future of Literary Studies?" New Literary History (Summer 1995), 26(3):513.

• Gunew, Sneja. "Multicultural Multiplicities: US, Canada, Australia." Meanjin (Spring 1993), 52(3):459n10.
       This issue is entitled "Cultural Difference and its Enemies."

• Gunew, Sneja. "Postmodern Tensions: Reading for (Multi)Cultural Difference." Meanjin (Fall 1990), 49 (1):22, 23, 31nn7, 8, 32n24.
       Refers to Homi K. Bhabha’s self-description as "an anglicized postcolonial migrant who happens to be a slightly Frenchified literary critic."
       This issue is entitled "Postmodern Tensions."

• Gutiérrez, David G. "Migration, Emergent Ethnicity, and the ‘Third Space’: The Shifting Politics of Nationalism in Greater Mexico." Journal of American History (September 1999), 86(2):488n13.

• Gutjahr, Paul C. Review of Robert Blair St. George’s Possible Pasts: Becoming Colonial in Early America. American Literature (2001), 73(1):185.

• György, Péter. "Between and after Essentialism and Institutionalism." Journal of Aesthetics and Art Criticsim (Fall 1999), 57(4):432n3.