Judd D. Hubert

Publications by Judd D. Hubert

A Bibliography

Compiled by

Eddie Yeghiayan

• The Adventures of Telemachus. By Louis Aragon. Translated and with an introduction by Renée Riese Hubert and Judd D. Hubert. A French Modernist Library. Lincoln: University of Nebraska Press, 1988.
  Reviews:
  Mobilio, Albert. New York Times Book Review (August 14, 1988):16.
  Murphy, Jay. Red Bass (Spring 1989).
  Publisher's Weekly (February 5, 1988).

• The Adventures of Telemachus. Translated and with an introduction by Renée Riese Hubert and Judd D. Hubert. With a portrait of the author by R. Delaunay. Boston: Exact Change, 1997.

• "L'Analyse stylistique de la traduction." In Eva Kushner, Roman Struc, and Milan V. Dimic, eds., Actes du VIIe Congrès de l'Association Internationale de Littérature Comparée/Proceedings of the 7th Congress of the International Comparative Literature Association, II: La Littérature comparée aujourd'hui: Théorie et pratique/Comparative Literature Today: Theory and Practice, pp. 381-386. Bibliothèque de la Revue Canadienne de Littérature Comparée, 3. Stuttgart: Bieber, Kunst und Wissen, 1979.

• "André Breton et le paradis perdu." French Review (December 1963), 37(2):200-205.

• (with Renée Riese Hubert.) Anthologie de la poèsie française du vingtième siècle. New York: Appleton-Century-Crofts, 1971.

• "The Anti-Oedipus in Corneille." Dix-Septième Siècle (1985), 146:47-56.

• "Une appréciation inedité par Racine en 1764." Bulletin de la Liaison Racienienne (1957), 5:102-111.[32-41]

• "Une appréciation inedité par Racine en 1764." In Jean V. Dubu, ed., Jeunesse de Racine, pp. 118-139. Paris: Minard, 1969.

• (with Renée Riese Hubert.) "L'Art du livre: l'apport californien" /"Artists' Books by Californian Women." Pays-Paysage (Spring 2000), 1:20-31.

• "Art et connaissance: Variations sur une digression de Valery." In Regis Antoine, ed., Carrefour de Cultures: Mélanges offerts à Jacqueline Leiner, pp. 219-225. Études Littéraires Françaises, 55. Tubingen: Narr, 1993.

• "Baudelaire's Revolutionary Poetics." Romanic Review (October 1955), 46(3):164-177.
        Part of a conference of the English Institute held at Columbia University, September 13-17, 1954.

• (with Renée Riese Hubert.) "The Book, the Museum and Public Art." Sub-Stance: A Review of Theory and Literary Criticism (1997), 26(1) 82:69-92.
       Special issue entitled "Metamorphoses of the Book," edited by Renée Riese Hubert.

• La Cohérence intérieure. Études sur la littérature française du XVIIe siècle: presentées en hommage à Judd D. Hubert. Edited by Jacqueline van Baelen et David L. Rubin. Collection "Oeuvres et Critiques," 1. Paris: Jean-Michel Place, 1977.
  Contents:
  Avis au lecteur:7
  Bibliographie de J.-D. Hubert:9-10
  Marcel Gutwirth: Ontologie et théâtralité:11-21
  W.G. Moore: Coherence in Comedy:23-31
  Odette de Mourgues: Don Juan est-eil conique?33-45
  Anita Rosenblithe: Metaphor and Mask in la Critique de l'École des femmes: Molière's Aesthetic Congruity:47-60
  Herbert C. De Ley: Deux érotismes, deux modes de pensée dans les Galanteries du duc d'Ossonne:61-73
  David Lee Rubin: The Hierarchy of Illusions and the Structure of L'Illusion comique:75-93
  Robert J. Nelson: Night Unto Day Unto Night: Racinian Traagedy:95-112
  Alain Seznec: The Language of Space in Racine's Phèdre:113-133
  John C. Lapp: Tristan l'Hermite and the Secret Myths:135-144
  H. Gaston Hall: A Reading of Racan's "Ode à Bussy de Bourgogne":145-156
  Wolfgang Leiner: La Rêve de Francion: considérations sur la cohésion intérieure de L'Histoire comique de Sorel:157-175
  Jacqueline Van Baelen: Psyché: vers une esthétique de la liberté:177-186
  Jacques Barchillon: The Aesthetics of the Fairy Tale:187-201
  T.J. Reiss: The 'concevoir' Motif in Descartes:203-222
  Jule Brody: La métaphore érotique dans la critique de Boileau:223-233
  Tabula gratulatoria:235-236
  Reviews:
  Chantalat, C. Revue d'Histoire Littéraire de la France (March-April 1980), 80(2):287.

• (with Renée Riese Hubert.) "Une collaboration surréaliste, Les Malheurs des immortels." In P.A. Jannini, ed., Surrealismo, pp. 203-219. Quaderni del Novecento Francese, 2. Rome: Bulzoni; Paris: Nizet, 1974.

• "The Comedy of Incompatibility in Molière's Dom Garcie de Navarre." Modern Language Quarterly (September 1960), 21(3):228-234.

• "Command and Obedience: An Additional Performative Approach to Moliere's Theater." In Martine Debaisieux, ed., Le Labyrinthe de Versailles: Parcours critiques de Moliere a La Fontaine: A la memoire d'Alvin Eustis, pp. 53-62. Faux Titre, 147. Amsterdam & Atlanta: Rodopi, 1998.

• (with Judd D. Hubert.) "Comment Desnos s'est recyclé aux dépens de Rimbaud." Pleine Marge (June 2001), 33:63-71.

• (with Jacqueline Van Baelen and Buford Norman.) "Commentary, Remarks and Points for Discussion of 'L'Honnete Homme'." In Francis L. Lawrence, ed., Actes de New Orleans, pp. 173-182. Biblio 17, 5. Paris, Seattle, Tübingen: Papers on French Seventeenth Century Literature, 1982.

• "The Conflict Between Chance and Morality in Rodogune." MLN: Modern Language Notes (March 1959), 74(3):234-239.

• "Corneille et le mélange des genres." Papers on French Seventeenth Century Literature (1998), 25(48):225-231.

• Corneille's Performative Metaphors. EMF monographs. Charlottesville, Va.: Rookwood Press, 1997.
  Reviews:
  Clarke, D. Modern Language Review (April 1999), 94(2):539.
  Howarth, W.D. French Studies (January 2000), 54(1):80-81.
  Minel, E. Revue d'Histoire Litteraire de la France (September-October 1999), 99(5):1096-1097.

• (with Renée Riese Hubert.) The Cutting Edge of Reading: Artists' Books. New York: Granary Books, 1999.
  Reviews:
  Bohn, W. Sub-Stance (1999), 89:162-164.
  Gross, Margarete. Library Journal (November 1, 1999), 124(8):77.

• "De l'ecart historique a la plenitude theatrale: Pulcherie et Surena." In Claire Gaudiani and Jacqueline Van Baelen, eds., Creation et Recreation: Un Dialogue entre Litterature et Histoire: Melanges offerts a Marie-Odile Sweetser, pp. 55-65. Etudes Littéraires Françaises, 58. Tubingen: Narr, 1993.

• "Deux représentations romanesques: 'Le Conte d'hiver' et 'Laure persecutée'." In Wolfgang Leiner, ed., Horizons européens de la littérature française au XVIIe siècle: L'Europe: Lieu d'échanges culturels? La Circulation des oeuvres et des jugements au XVIIe siècle, pp. 81-86. Introduction by Roger Duchene. Études Littéraires Françaises, 41. Tübingen: Narr, 1988.

• "The Devaluation of Reality in the Chartreuse de Parme." In Victor H. Brombert, ed., Stendhal: A Collection of Critical Essays, pp. 95-100. Twentieth Century Views. Englewood Cliffs, NJ: Prentice-Hall, A Spectrum Book, 1962.

• "The Doctor's Curse." In Jacques Guicharnaud, ed., Molière: A Collection of Critical Essays, pp. 160-169. Twentieth Century Views. Englewood Cliffs, NJ: Prentice-Hall, A Spectrum Book, 1964.
       Excerpt from Moliere and the Comedy of Intellect (1962).

• "L'´Ecole des femmes: tragédie burlesque." Revue des Science Humaines (January-March 1960), 97:41-52.

• "Les Écarts de Trézène." In Richard L. Barnett, ed., Re-lectures raciniennes: Nouvelles approches du discours tragique, pp. 81-97. Biblio 17, 16. Paris, Seattle, Tübingen: Papers on French Seventeenth Century Literature, 1986.

• "L'Emprisonnement: point de mire des Plaideurs." Francographies, Bulletin de la SPFFA [Nouvelle série] (1999), No. Spécial 2: 21-28, 75.
       Actes du quatrième colloque "Création et Réalité d'Expression Française."

• "Esbozo de une critica ontologica de la poesia." La Moradas (June-July 1948:43-55.

• "L'érotisme et la solution burlesque." Papers on French Seventeenth Century Literature (1978), 10(1):112-120.

• Essai d'exégèse racinienne: les secrets témoins. Paris: Nizet, 1956.
  Reviews:
  Knight, R.C. French Studies (1958), 12:159-160.
  Lapp, John C. Romanic Review (December 1957), 48(4):302-304.
  Mersch, E. Bulletin de Liaison Racinienne (1957), 1:112-113.
  Nelson, R.J. MLN (1958), 73:537-541.
  Pouilliart, R. Les Lettres Romanes (1959), 13:337-339.
  Vanuxem, J. 17 Siècle (1958):229-231.

• Essai d'exégèse racinienne: 'Bérénice', 'Bajazet', 'Athalie'. New and expanded edition. Paris: Nizet, 1985-6.
  Reviews:
  Dubu, J. Revue d'Histoire Littéraire de la France (September-October 1987), 87(5):947-948.

• L'Esthétique des "Fleurs du mal": essai sur l'ambiguité poétique. Collection d'études et de documents littéraire, 9. Geneva: Cailler, 1953. Reprinted in 1972.
  Reviews:
  Breunig, LeRoy C. Romanic Review (February 1954), 45(1):64-67.
  Chapman, H. Jr. Comparative Literature (1955), 7:73-74.
  Leakey, F. W. French Studies (1958), 12:171-176.

• "Les Fausses confidences et 'L'Intendant de qualité'." Kentucky Romance Quarterly (1973), 20(2):153-161.

• "The Frame as Metaphor." In Laurie Edson, ed., Conjunctions: Verbal-Visual Relations Essays in Honor of Renée Riese Hubert, pp. 9-28. San Diego: San Diego State University Press, 1996.

• "From Corneille to Molière: The Metaphor of Value." In French and English Drama of the Seventeenth Century, pp. 23-51. With an introduction by Henry Goodman. William Andrews Clark Memorial Library Seminar Papers. Los Angeles: William Andrews Clark Memorial Library, University of California, 1972.

• "From Folklore to Hyperbole in the French Fairy Tale." In Sylvie Romanowski and Monique Bilezikian, eds. Homage to Paul Benichou, pp. 275-290. Birmingham, Ala: Summa, 1994.

• "From Folklore to Hyperbole in the French Fairy Tale." Marvels and Tales: Journal of Fairy Tale Studies (December 1996), 10(2):185-206.

• "The Function of Performative Narrative in Corneille's La Mort de Pompée." Semiotica (1984), 51(1-3):115-131.
       Special issue on "The Classical Sign," edited by Susan Tiefenbrun.

• "Les funestes amours de Belcar et Méliane." Revue d'Histoire Littéraire de la France (January-March 1958), 58(1):16-34.

• "Futility and Self-Deception in Le Misanthrope." In Jean-Jacques Demorest, ed., Studies in Seventeenth-Century French Literature Presented to Morris Bishop, pp. 165-184. Ithaca, NY: Cornell University Press, 1962.

• "The Greatest Roman of Them All: Corneille's Sertorius." L'Esprit Créateur (1964), 4(3):161-168.

• "Hamlet: Student Prince and Actor." In John D. Lyons and Nancy J. Vickers, eds., The Dialectic of Discovery: Essays on the Teaching and Interpretation of Literature Presented to Lawrence E. Harvey, pp. 132-144. French Forum Monographs, 50. Lexington, Ky.: French Forum, 1984.

• "Identite et ecart theatral dans 'Sylvie'." In Le Reve et la vie: 'Aurelia', 'Sylvie', 'Les chimères de Gerard de Nerval: Actes du colloque du 19 janvier 1986, pp. 131-136. Colloques de la "Sociét&é des études romantiques". Paris: CDU; SEDES reunis, 1986.

• "Le Jeu de l'amour et de l'honnêté." L'Esprit Créateur (Sprung-Summer 1975), 15(1-2):49-58.
       Issue is on "From Humanism to Classicism," edited by Jules Brody.

• "Le jeu de l'histoire et de la théatrâlité dans Othon." In Ulrich Döring, Antiopy Lyroudias, and Rainer Zaiser, eds., Ouverture et dialogue: Mélanges offerts à Wolfgang Leiner à l'occasion de son soixantième anniversaire, pp. 231-246. Tübingen: Narr, 1988.

• "Les jeux de la bordure dans 'Enfance'." In "Minute d'eveil": Rimbaud maintenant, pp. 131-136. Colloques de la "Société des études romantiques." Paris: SEDES; CDU, 1984.

• (with Renée Riese Hubert.) "John Eric Broaddus: A Fashioner of Books." JAB (Journal of Artists' Books) (1997), 7:12-21.

• (with Renée Riese Hubert.) "John Eric Broaddus as a Fashioner of Books." In John Eric Broaddus: April 25, 2001-June 25, 2001. New Haven: Yale University Library, Arts of the Book Collection, 2001.

• "La Fontaine et Pelisson ou le mystère des deux Acante." Revue d' Histoire Littéraire de la France (1966), 2:223-237.

• La Rochefoucauld's La Justification de l'amour. Édition critique. Texte présente par J.D. Hubert. Paris: Nizet, 1971.
  Reviews:
  Moore, W. G. French Studies (July 1976), 30(3).

• Edited (with others.) "Literature and its Others" issue of Sub-Stance: A Review of Theory and Literary Criticism (1978), 21.

• "Love as Fancy: A Study of an Anonymous Baroque Poet." L'Esprit Créateur (1961), 1(2):56-66.

• "Malherbe à l'assaut du Parnasse." L'Esprit Créateur (Summer 1976), 16(2):105-115.

• "Mallarmé and Critic-Friendly Translators." In Robert Greer Cohn and Gerald Gillespie, eds., Mallarme in the Twentieth Century, pp. 159-166. Madison: Fairleigh Dickinson University Press; London: Associated University Press, 1998.

• (with Renée Riese Hubert.) "Masson's and Mallarmé's Un Coup de dé;s: An Esthetic Comparison." Nineteenth-Century French Studies (Spring-Summer 1990), 18(3-4):508-523.
       Issue is entitled "Le Siècle inépuisable: Melanges offerts &agarve; Fernande Bassan," edited by Richard Vernier.

• "The Merchant of Venice: A Triumph of Discrepancy and Mirth." In Anna-Teresa Tymieniecka, ed., Enjoyment: From Laughter to Delight in Philosophy, Literature, the Fine Arts, and Aesthetics, pp. 33-41. Analecta Husserliana, 56. Dordrecht & Boston: Kluwer Academic, 1998.

• Metatheater: The Example of Shakespeare. Lincoln: University of Nebraska Press, 1991.
  Reviews:
  Burkhart, R.E. Choice (February 1992), 29(6):894-895.
  Carmody, J. Sub-Stance (1994), 73:133-135.
  Cox, J.D. Philosophy and Literature (October 1992), 16(2):419-421.
  Perricone, Christopher. Clio (Spring 1992), 21(3):319-321.
  Watermeier Daniel J. Theatre Research International (Summer 1993), 18(2):144.
  Worthen, W.B. Shakespeare Quarterly (Summer 1993), 44(2):231-232.

• "Les Missions burlesques de Mercure." In William Driver Howarth and Merlin Thomas, eds., Molière: Stage and Study: Essays in Honour of W.G. Moore, pp. 149-162. Oxford: Clarendon Press, 1973.

• Moliere and the Comedy of Intellect. Berkeley: University of California Press, 1962.
  Reviews:
  Bensimon, Marc. Studi Francesi (1963), 7:106-110.
  Bradbrook, M.C. New Statesman (March 8, 1963), 65:344.
  Cahiers de Tunisie (1963), 43(3).
  Guicharnaud, Jacques. Romanic Review (April 1964), 55(2):126-127.
  Harvey, Lawrence E. L'Esprit Créateur (1963), 3(1):46-48.
  Howarth, W.D. French Studies (January 1965), 19(1):60-61.
  Mélèse, Pierre. Revue d'Histoire du Théâtre (October-December 1962), 14(4):379-380.
  Moore, W.G. Modern Philology (February 1964), 61(3):245-246.
  Morel. J. Revue des Sciences Humaines (1964):602-603.
  Nelson, Robert J. French Review (May 1963), 36(6):653-654.
  Stykes, L.C. Modern Language Review (April 1964), 59(2):251.
  TLS. Times Literary Supplement (February 15, 1963).

• Moliere and the Comedy of Intellect. New York: Russell & Russell, 1971.

• Moliere & the Comedy of Intellect. California Library Reprint Series. Berkeley: University of California Press, 1973.

• "Molière et les deux styles burlesques." Cahiers de l'Association Internationale des Études Françaises (March 1964), 16:235-248, 299-300.

• "Molière et les deux styles burlesques." In Renate Baader, ed., Molière, pp. 151-154. Wege der Forschung, 261. Darmstadt: Wissenschaftliche Buchgesellschaft, 1980.

• "Molière: The Playwright as Protagonist." Theatre Journal (October 1982), 34(3):361-371.

• "Myth and Status: Malherbe's Swan Song." Yale French Studies (1973), 49:132-142.
       Issue is entitled "Science, Language, and the Perspective Mind: Studies in Literature and Thought from Campanella to Bayle."

• "Note malicieuse sur le jardin de Candide." Studies on Voltaire and the Eighteenth Century (1970), 70:11-13.

• "Notes sur la dévaluation du réel dans La Chartreuse de Parme."Stendhal Club (1959), 2(5):47-53.

• "Notes sur la 'fausse attribution'." Langue et Littérature (1961):389.

• "Les Nouvelles Françaises de Sorel et de Segrais." Cahiers de l'Association Internationale des Études Françaises (March 1966), 18:31-40[44].
       Followed by "Discussion," pp. 246-249.

• "Othello ou les récits de la traîtrise." Silex [Grenoble] (1984):47-57.
       Special issue on "La Trahison."

• "Perharite et la nouveau critique." Kentucky Romance Quarterly (1967), 14(1):17-23.

• "Pierre Brébiette, illustrateur de Pibrac." Bulletin du Bibliophile (1976), 1(2):162-167.

• "Plenitude et théâtralité dans l'oeuvre de Corneille." Papers on French Seventeenth-Century Literature (1990), 17(32):63-73.

• "Un poème burlesque au temps de Malherbe." L'Esprit Créateur (Winter 1966), 6(4):282-291.

• "The Poetics of Silence in XVIIth Century French Drama." Sub-Stance: Areview of Theory and Criticism (Winter 1971-72), 2:15-26.

• "A Post-Mortem on 'The Penultimate'." SubStance: A Review of Theory and Literary Criticism (1988), 17(2) [56]:78-86.
       Issue is entitled "Reading In And Around."

• "Preface" to Thierry Boucquey, Six Medieval French Farces. Lewiston, NY: Mellen, 1999.

• "Les Premiers Tableaux parisiens." Kentucky Romance Quarterly (1968), 15(2):195-207.

• (with Renée Riese Hubert.) "La Prose du transsibérien et de la petite Jehane de France." In Jean Khalfa, ed., The Dialogue between Painting and Poetry: livres d'artistes, 1874-1999, pp. 59-82. Cambridge: Black Apollo Press, 2001.
        Catalogue for an exhibition held at the Adeane Gallery of the Fitzwilliam Museum, Cambridge in 24 April-24 June 2001.

• "Quatre poèmes, peut-être de Baudelaire: Commentaire par J.D. Hubert." Kentucky Romance Quarterly (1968), 15:209-219.

• "Random Reflections on Literary History and Textual Criticism." New Literary History (Autumn 1970), 2(1):163-171.

• "A Reactionary Feminist Novelist: Gabrielle de Villeneuve." L'Esprit Créateur (Fall 1989), 29(3):65-75.

• "Le réel et l'illusoire dans le théâtre de Corneille et celui de Retrou." Revue des Sciences Humaines (July-September 1958):333-350.

• "Representations of Decapitation: Mallarmé's 'Hériodiade' and Flaubert's 'Hérodias'. French Forum (September 1982), 7(3):245-251.

• Review of Emmanuel Mounier's Be Not Afraid. Review of Religion (March 1956), 29(3-4):218+.

• Review of Gardner Davies' Les 'Tombeaux' de Mallarmé, essai d'exégèse raisonnée. Romanic Review (December 1952), 43(4):300-302.

• Review of Henri Lemaître, ed., Charles Baudelaire, Petits poèmes en prose. MLN: Modern Language Notes (November 1960), 75(7):629-632.

• Review of Lacy Lockert's Studies in French-classical Tragedy. Romanic Review (December 1959), 50(4):287-289.

• Review of Luci Thur Horner's Baudelaire, critique de Delacroix. MLN: Modern Language Notes (1957), 72:635-657.

• Review of Madame de La Fayette's The Princesse de Clèves, translated by Nancy Mitford. Yearbook of Comparative and General Literature (1964), 13:74.

• Review of Robert Chasles' Les Illustres Françoises, edited by Frédéric Deloffre. Romanic Review (October 1960), 51(3):226+.

• Review of Robert Creer Cohn's The Writer's Way in France. MLN: Modern Language Notes (March 1963), 78(2):211-214.

• Review of Warren Ramsey's Jules Laforgue and the Ironic Inheritance. Romanic Review (February 1954), 45(1):71-72.

• "Saint-Amant aux heures de pointe." Papers on French Seventeenth Century Literature (1981), 15(1) [8]:11-12.

• "Les Sonnets mystiques de Zacharie de Vitré." Les Amis de Saint François (January-March 1961):22-31.

• "Une source romanesque du Sicilien." Revue d'Histoire Littéraire de la France [du Théâtre] (1970), 22(2):157-159.

• (with Jean-Charles Seigneuret, Germaine Brée, Gérard Brault, and Richard Brooks.) "Survey of Research Tool Needs in French Language and Literature." French Review: Journal of the American Association of Teachers of French (1979), 52:894-910.

• "Symbolism, Correspondence, and Memory." Yale French Studies (1952), 9:46-55.
       Issue is on "Symbol and Symbolism."

• "Text as Theatricality in King Lear and Macbeth." In Pierre Gravel and Timothy J. Reiss, eds., Tragique et tragédie dans la tradition occidentale = Tragedy and the Tragic in Western Culture, pp. 85-102. Montréal: Déterminations, 1983.

• Text on Arnal reprinted from The Cutting Edge of Reading together with a translation in French. In André-Pierre Arnal, Chemins dans la Couleur, pp. 61-63. Arles: Actes Sud, 1999.

• "The Textual Presence of Staging and Acting in Measure for Measure." New Literary History: A Journal of Theory and Interpretation (Spring 1987), 18(3):583-596.

• "A Theatrical Reading of Cinna." In David Lee Rubin and Mary B. McKinley, eds., Convergences: Rhetoric and Poetic in Seventeenth-Century France: Essays for Hugh M. Davidson, pp. 101-109. Columbus: Ohio State University Press, 1989.

• (with Franco Tonelli.) "Theatricality: The Burden of the Text." Sub-Stance: A Review of Theory and Literary Criticism (1978), 21:79-102.
       Issue is entitled "Literature and its Others."

• "Theme and Structure in L'Avare." PMLA: Publications of the Modern Language Association of America (March 1960), 75(1):31-36.

• "Theoretical Aspects of Fête and Theatricality in Seventeenth-Century France." In David Lee Rubin, ed., Sun King. The Ascendancy of French Culture during the Reign of Louis XIV. Washington, DC: Folger Books; London: Associated University Presses, 1992.

• "The Timeless Temple in Athalie." French Studies (April 1956), 10:(2)140-153.

• "Une tragédie de la sensibilité: La Méde´e de Longepierre." Romanische Forschungen (1957), 69(1-2):28-48.

• "Le Triomphe symbolique d'Hector." French Review (1954), 27(6):446-454.

• "Upstaging in The Devil's Disciple." Theatre Journal (March 1983), 35(1):51-57.

• "Using Translation in Explicating Les Fleurs du Mal: 'La Cloche felee'." In Laurence M. Porter, ed., Approaches to Teaching Baudelaire's Flowers of Evil, pp. 72-77. Approaches to Teaching World Literature, 64. New York: Modern Language Association of America, 2000.

• "La Vue à l'interieur du cadre." In Richard Conte and Jean-Claude Le Gouic, eds., Le Mode mineur de la création: Actes du troisième Colloque international de poïétique & catalogue de "Carnets d'artistes", pp. 119-128. Colloque international de poïétique (3rd: 1993: Aix-en-Provence, France). Lyon: Aléas, 1996.
  Le colloque sur "le mode mineur de la création" et l'exposition 'Carnets d'artistes,' [ont été] organisés par la Société internationale de poïétique (S.I.P.)"