Texts about Jean Baudrillard: Babich, Babette E. to Byron, Kristine A.

Compiled by

Eddie Yeghiayan

• Babich, Babette E. "From Nietzsche's Artist to Heidegger's World: The Post-Aesthetic Perspective." Man and World (March 1989), 22(1):9, 21n24.

• Bachand, Denis. "L'art de/dans la publicité: de la poésie à la prophétie." Études Françaises (1987), 22(3):30.

• Bachen, Christine M. and Eva Illouz. "Imaginary Romance: Young People's Cultural Models of Romance and Love." Critical Studies in Mass Communication (December 1996), 13(4):287, 307.

• Bachman, Laurence. "Têtes d'affiche: Jean Baudrillard, menacé de devenir une 'distance pure'." Libération (April 19, 1983), 595:5.

  Interview about Les Stratégies fatales (1983).

• Badham, Richard. "The Sociology of Industrial and Post-Industrial Societies." Current Sociology/La Sociologie Contemporaine (Spring 1984), 32(1):124.

• Baetens, Jan. "Autographe/allographe (A propos d'une distinction de Nelson Goodman) ." Revue Philosophique de Louvain (May 1988), 86(70):196n7, 198.

• Baetens, Jan. "Postérité littéraire des Anagrammes." Poétique (April 1986), 66:219-220, 222.

• Baier, Lothar. "Der Schwindel der Simulation. Versuch, dem Allerneusten und Jean Baudrillard auf der Spur zu bleiben." Merkur: Deutsche Zeitschrift für europaisches Denken (September-October 1986), 40(9-10) [451-452]:807-824.
        On Die göttliche Linke (1986).

• Baker, Patrick L. "Chaos, Order, and Sociological Theory." Sociological Inquiry (Spring 1993), 63(2):131, 144.

• Baker, Steve. "The Hell of Connotation." Word & Image (April-June 1985), 1(2):174n5, 164.
       If the possibility of denoting for visual images is removed, what is left? Is it what, as Baudrillard says, Bauhaus designers feared, "all the rest is coating, the hell of connotation: residue, superfluity, excrescence, eccentricity, ornamentation, uselessness"? (For a Critique of the Political Economy of the Sign (1981), p. 196.)

• Baker, Steve. "Semiologies and Design Theory." Review of David Sless' In Search of Semiotics. Art History (June 1987), 10(2):266, 269, 270, 271nn9, 20, 21.

• Bakewell, Liza. "Frida Kahlo: A Contemporary Feminist Reading." Frontiers (Spring 1993), 13(3):178-179, 188n41.
       Kahlo's What the Water Gave Me is described well, if unintentionally, by the following words of Baudrillard: "today the scene and the mirror no longer exist, instead there is a screen and a network. In place of the reflexive transcendence of mirror and scene, there is a nonreflecting surface, an immanent surface where operations unfold."

• Balandier, Georges. "Images, images, images." Cahiers Internationaux de Sociologie (January 1987), 82:16.
        This special issue is entitled "Nouvelles images, nouveau réel."

• Balbus, Isaac D. "Commodity Form and Legal Form: An Essay on the 'Relative Autonomy' of the Law." Law and Society Review (Winter 1977), 11(3):584n11, 587.
        Points out that Marx occasionally spoke of the 'language' of the commodity form.

• Balkin, J.M. "What is a Postmodern Constitutionalism?" Michigan Law Review (June 1992), 90(7):1968n5, 1979n29.

• Ball, Edward. "The Great Sideshow of the Situationist International." Yale French Studies (1987), 73:29, 33, 37.
        This issue , edited by Alice Kaplan and Kristin Ross, is on "Everyday Life " and this article is part of a section entitled "[Henri] Lefebvre and the Situationists."

• Ballard, J. G. "In Response to Jean Baudrillard: A Response to the Invitation to Respond." Science-Fiction Studies (November 1991), 18(3) [55]:329.
        See Baudrillard's "Two Essays: 1. Simulacra and Science Fiction. 2. Ballard's Crash" (1990).

• Ballif, Michelle. "Seducing Rhetoric: Gorgias, Nietzsche, Baudrillard, and the Woman with the Rhetorical Figure." Ph.D. Dissertation, 1994, University of Texas at Arlington.
        Abstract in Dissertation Abstracts International (September 1995), 56(3A):967-A.

• Ballion, Robert. "Sur la société de consommation (A propos de deux livres récents)." Revue Française de Sociologie (1971), 12(4):557-568.
       On Jean Baudrillard's La Société de consommation (1970) and Pierre Kende's L'Abondance est-elle possible? Essai sur les limites de l'économie.

• Banes, Sally. "Will the Real…Please Stand Up? An Introduction to the Issue." TDR: The Drama Review (Winter 1990), 34(4):21, 22, 27.
       The issue is entitled "Simulations."

• Barco, Pablo del "Muerte como naturaleza (Sobre tres narraciones de Julio Cortázar)." Cuadernos Hispanoamericanos (October-December 1980), 364-366:329.

• Barker, Stephen. "'Disorder of the lights perhaps an illusion'." Studies in the Literary Imagination (Fall 1991), 24(2):13, 14, 15, 21, 27.
       The issue is on "Performance Theory."

• Barnes, T., R.A. Beauregard, M.J. Dear and N.J.Thrift. "Society and Spatial History: Books in 1988." Environment and Planning D: Society and Space (1989), 7(4):486, 487, 489.

• Barr, Marleen. "Thelma and Louise: Driving Toward Feminist SF; Or, Yes, Women Do Dream of Not Being Electric Sheep." Foundation (Autumn 1991), 53:84-86.
       Applies Baudrillard's discussion of deserts and signs in America (1988).

• Bartos, Otomar J. "Postmodernism, Postindustrialism, and the Future." Sociological Quarterly (Spring 1996), 37(2):307, 317, 318, 320, 323, 325.

• Bassin, Mark. "Inventing Siberia: Visions of the Russian East in the Early Nineteenth Century." American Historical Review (June 1991), 96(3):765n5.

• Baudry, Pierre. "Économiques sur les media: Remarques sur la télévision, la radio et le cinéma." (I). Cahiers du Cinéma (March 1977), 274:49n1.

• Bauman, Zygmunt. "Disappearing into the Desert." Review of Jean Baudrillard's America (1988) and Selected-Writings (1988). TLS [The Times Literary Supplement ] (December 16-22, 1988), 4472:1391.

• Bauman, Zygmunt. "A Revolution in the Theory of Revolutions." International Political Science Review (January 1994), 15(1):18, 23.

• Bauman, Zygmunt. "The Second Disenchantment." Theory, Culture and Society (November 1988), 5(4):738-743.
       Review of Jean Baudrillard's La Gauche divine (1985), and Les Stratégies fatales (1983).

• Bauman, Zygmunt. "The Sweet of Decomposition." In Chris Rojek and Bryan S. Turner, eds., Forget Baudrillard? pp. 22-47. London & New York: Routledge, 1993.

• Bauman, Zygmunt. "The Sweet Scent of Decomposition." In Chris Rojek and Bryan S. Turner, eds., Forget Baudrillard? pp. 22-46. London & New York: Routledge, 1993.

• Bauman, Zygmunt. "Viewpoint: Sociology and Postmodernity." Sociological Review (November 1988), 36(4):795, 797, 813nn8. 12.
        Postmodern art, according to Baudrillard, is a culture of excess, polyvalent with an abundance of meanings, coupled with the scarcity of adjudicating authorities.

• Bauman, Zygmunt. "The World According to Jean Baudrillard." In his Intimations of Postmodernity, pp. 149-155. London & New York: Routledge, 1992.

• Bawin-Legros, Bernadette. "Belgique ou être Belge?" Cahiers Internationaux de Sociologie (January-June 1988), 84:160.

• Bayard, Caroline. "Epistemologie du corps et postmodernité: de l'apocalypse de Baudrillard à l'Einfuhlung de Maffesoli." Sociologie et Sociétés (Spring 1992), 24(1):19-32.

• Bayard, Caroline. "Post-modernisme et avant-garde au Canada, 1960-1984." Voix & Images (Autumn 1984), 10(1):39.

• Beard, Steve and Jim McClellan. "Watch Out Baudrillard's About." Face Magazine (January 1989):61-62.

• Beaudoin, Réjean. "À la recherche du lieu perdu." Liberté (October 1987), 29(5):25-28.

• Becher, Martin Roda. "Euphorie und Agonie. Die Postmoderne and das neue Weltbild." Merkur: Deutsche Zeitschrift für europaisches Denken (December 1983), 37(8) [422]:947-948.

• Bedient, Calvin. "There Are Lives that Desire Does Not Sustain: A Streetcar Named Desire." In Philip C. Kolin, ed., Confronting Tennesse Williams's 'A Streetcar Named Desire', pp. 53, 55, 57nn3, 4. Wesport, Conn.: Greenwood Press, 1993.
       Utilizes Baudrillard's discussion of seduction and poker to analyze the play and its characters.

• Bée, Michel. "Le spectacle de l'exécution dans la France d'Ancien Régime." Annales Économies Sociétés Civilisations (July-August 1983), 38(4):862n54.

• Beehler. Michael. "Surprise, Seduction. Or, Who Was That Woman?" In William Stearns and William Chaloupka, eds., Jean Baudrillard: The Disappearance of Art and Politics, pp. 202-208. London: Macmillan; New York: St. Martin's Press, 1992.

• Beer, C.S. de. "Michel Foucault en die politiek van kennis." South African Journal of Philosophy/Suid-Afrikaanse Tydskrif vir Wysbegeerte (February 1988), 7(1):48-49.
        In Afrikaans.
        Abstract in English.

• Beitchman, Philip. "The Fragmentary Word." Sub-Stance (1983), 12(39):74n20.
       L'expérience de la littérature et la philosophie du fragment dans l'oeuvre de Maurice Blanchot.

• Belk, Russell, Güliz Ger, and Soren Askegaard. "Metaphors of Consumer Desire." Advances in Consumer Research (1996), 23:368, 372.

• Belk, Russell, Melanie Wallendorf, and John F. Sherry, Jr.. "The Sacred and the Profane in Consumer-Behavior: Theodicy on the Odyssey." Journal of Consumer Research (June 1989), 16(1):18, 32.
       They refer to Baudrillard for the view that giving and getting, rather than the gift itself, is especially significant of the sanctity of domestic affiliations.

• Bell, David F. "'..ce soir à Samarcande': Baudrillard and Rosset on Chance." In Thomas M. Kavanagh, ed., Chance, Culture and the Literary Text, pp. 87-103. Michigan Romance Studies, 14. Ann Arbor: University of Michigan, 1994.

• Bell, D.F. "La Chandelle verte and the fait divers." L'Esprit Créateur (Winter 1984), 24(4):52.
       This issue is on Alfred Jarry.

• Bell, David F. Circumstances: Chance in the Literary Text, pp. 209n25, 221. Lincoln: University of Nebraska Press, 1993.

• Bell, David F. "Stendhal's Legacy: Baudrillard on Seduction." In Dominique D. Fisher and Lawrence R. Schehr, eds., Articulations of Difference: Gender Studies and Writing in French, pp. 18-33. Homosexualités. Stanford, Calif.: Stanford University Press, 1997.

• Beller, Jonathan L. " The Circulating Eye." Communication Research (April 1993), 20(2):309, 313.
        On Dziga Vertov's Man With a Movie Camera.
       Cites Baudrillard's remark that in America there is not going to be a revolution; however, the author refers to the many liberation movements of the past decades.

• Bellin, Marielle. "Les elections américaines." Esprit (January 1985), 1:83.

• Bender, Barbara. "Emergent Tribal Formations in the American Midcontinent." American Antiquity (January 1985), 50(1):54, 59.

• Bendle, Mervyn Frederick. "Logics of Integration and Disintegration in Contemporary Social Theory." Australian and New Zealand Journal of Sociology (November 1996), 32(3):78, 83.

• Beneton, Phillipe. "Les frustrations de l'égalité. Contribution aux recherches sur la relativité des aspirations et la perception des inégalités." Archives Européennes de Sociologie/European Journal of Sociology/Europäisches Archiv für Soziologie (1978), 19(1):88n61.

• Bennahum, David S. "Just Gaming: Three Days in the Desert with Jean Baudrillard, DJ Spooky, and the Chance Band." Lingua Franca (February 1997), 7(2):59-63.
       See also below M. Corrigan, Andrew Hultkrans and Mark Swed's articles on this event.

• Benison, Jonathan. "In Default of a Poet of Space: J.G. Ballard and the Current State of Nihilism." In Luk Vos, ed., Just the Other Day: Essays on the Suture of the Future. Intrepid Reeks, 11. Antwerp: EXA, 1985.

• Benison, Jonathan. "Jean Baudrillard on the Current State of SF." Foundation (November 1984), 32:25-39.

• Benner, Dietrich and Karl-Franz Göstemeyer. "Postmodern Pädagogik: Analyse oder Affirmation eines gesellschaftlichen Wandels?" Zeitschrift für Padagogik (1987), 33(1): 71-73, 81.
       Section 2 of the paper is entitled "Foucaults, Lyotards und Baudrillards Konzepte zur Postmoderne."

• Bennington, Geoff. "Sade: Laying Down the Law." Oxford Literary Review (1984), 6(2):41, 55n7.
        Uses Baudrillard's analysis of the opposition between law and rule in De la Séduction (1979).

• Benoist, Jean-Marie. "Au-delà de l'échange…au-delà du marché..." Connaissance des Arts (February 1980), 336:19.

• Benot, Yves. Review of Jean Baudrillard's La Société de consommation (1970). La Pensée (March-April 1972), 162: 141.
       "Il reste que les problèmes soulevés dans cet essai brillant et bien documenté sont des problèmes fondamentaux de notre temps et de nos luttes, et que, de cet fait, ce livre don't on a trop peu parlé est de ceux qui peuvrent contribuer à les éclairer."

• Bensimon, Marc J. "Apocalypse Now or in the Magic Hole?" In Monique Chefdor, Ricardo Quinones and Albert Wachtel, eds., Modernism: Challenges and Perspectives, pp. 289-291, 292, 295, 301nn19, 20, 23, 24. Urbana & Chicago: University of Illinois Press, 1986.

• Beorlegui-Rodriguez, Carlos. "De la autonomía a la alteridad. Hacia una nueva racionalidad." Letras de Deusto (1987), 17(38):61n67.

• Beorlegui-Rodriguez, Carlos. "La Ilustración en la encrucijada." Letras de Deusto (1988), 18(41):22, 25.

• Bérard, Pierre. "Le Sexe entre tradition et modernité, XVIe-XVIIe siècles." Cahiers Internationaux de Sociologie (January-June 1984), 76:146, 157-158.
       Special number on "Le Sexuel," edited by Georges Balandier and André Béjin.

• Bergum, Christian. "Simulations." Oz / College of Architecture and Design Kansas State University (1990), 12:70-73.

• Berking, Helmut and Sighard Neckel. "Urban Marathon: The Staging of Individuality as an Urban Event." Theory, Culture & Society (November 1993), 10(4):76, 77.
       Translated by Mark Ritter.
       Touches on the fact that the sight of the New York Marathon even brought tears to the eyes of such a cool observer as Jean Baudrillard.

• Berko, Lili. "Baudrillard's America." Enclitic (Spring 1989), 11(2):63-66.

• Berko, Lili. "Simulation and High-Concept Imagery: The Case of Max-Headroom." Wide Angle (1988), 10(4):51, 54, 55, 56, 57, 59, 60nn1, 2, 4, 61nn15, 21-25, 27, 30, 31, 34.

• Berko, Lili. "Video: In Search of a Discourse." Quarterly Review of Film Studies(1989), 10( 4):290, 305n7.
       Hyperreality leads to the fragmentation of time into a series of perpetual present moments.

• Berman, Russell A. "Writing for the Book Industry: The Writer under Organized Capitalism." New German Critique (Spring/Summer 1983), 29:40n5.

• Bermúdez, José Luis. "Is the Postmodern World a Nietzschean World?" International Studies Philosophy (1995), 27(2):1, 3, 12nn7-9.

• Bernard, Michel. "Les paradoxes de la douleur ou la matrice cachée de la fiction corporelle." Esprit (February 1982), 2:152, 153.

• Berry, Ellen E. "Grief and Simulation in Kira Muratova's The Aesthenic Syndrome." Russian Review (July 1998), 57(3):446.
       Postmodernism in advanced capitalist cultures is characterized, as Baudrillard says, by entropy, inertia and loss of affect.

• Berry, Philippa. "Woman and Space According to Kristeva and Irigaray " In Philia Berry and Andrew Wernick, eds., Shadow of Spirit: Postmodernism and Religion. London & New York: Routledge, 1992.

• Bertelsen, Eve. "Selling Change: Advertisements for the 1994 South African Election." African Affairs (April 1996), 95(379):227.

• Berthelot, Jean-Michel. "Corps et société (Problèmes méthodologiques posés par une approche sociologique du corps)." Cahiers Internationaux de Sociologie (January-June 1983), 74(1): 124.

• Berthelot, J.M., M. Drulhe, S. Clément, J. Forné, and G. Mbodj. "Les Sociologies et le Corps." Current Sociology/La Sociologie Contemporaine (1985), 33(2):161.

• Berthoud, Gérald. "Comments on Barbara J. Price's 'Shifts in Production and Organization: A Cluster-Interaction Model'." Current Anthropology (June 1977), 18(2):222, 231.

• Berthoud, Gérard.. "Plaidoyer pour l'Autre: Essais d'anthropologie critique." Cahiers Vilfredo Pareto (1982) 20(60):85-86, 124, 127, 266.

• Berthier. Jean-Charles. "The Socialization of the Gypsy Child." Inernational Social Science Journal (1979), 31(3):388, 392n18.
       Translation from the French.

• Besnard, Philippe. "Pour une étude empirique du phénomène de mode dans la consommation des biens symboliques: le cas des prénoms." Archives Européennes de Sociologie/European Journal of Sociology/Europäisches Archiv für Soziologie (1979), 20(2):343, 350.

• Bess, Michael D. "Ecology and Artifice: Shifting Perceptions of Nature and High Technology in Postwar France." Technology and Culture (October 1995), 36(4):837n19.

• Best, Steven. "Baudrillard, Jean." In Irina R. Makaryk, ed., Encyclopedia of Contemporary Literary Theory: Approaches, Scholars, Terms, pp. 246-248. Toronto: University of Toronto Press, 1993.

• Best, Steven. "The Commodification of Reality and the Reality of Commodification: Jean Baudrillard and Postmodernism." Current Perspectives in Social Theory (1989), 9:23-51.
        Reprinted in a revised form in Douglas M. Kellner, ed., Baudrillard: A Critical Reader, pp. 41-67. Oxford & Cambridge, Mass.: Blackwell, 1994.

• Best, Steven. "Foucault, Postmodernism, and Social Theory." In David R. Dickens and Andrea Fontana, eds., Postmodernism and Social Inquiry. Foreword by Fred Dallmayr. Critical Perspectives. New York: Guilford, 1994.

• Best, Steven. The Politics of Historical Vision: Marx, Foucault, Habermas, pp. xi, xiii, 19, 23, 25, 26, 27, 28, 69, 70, 71, 104, 150, 177, 178, 181, 192, 195, 202, 204, 212, 244, 251, 274. Critical Perspectives. New York: Guilford Press, 1995.

• Best, Steven. Theory, Culture and Society (November 1988), 5(4):743-749.
        Review of Arthur Kroker and David Cook's The Postmodern Scene: Excremental Culture and Hyper-Aesthetics.
       "In many ways, The Postmodern Scene is an attempt to out-Baudrillard Baudrillard. It accepts Baudrillard's major categories -- semiurgy, simulation, hyper-reality, and implosion -- as axiomatic and raises his more obscure and marginal metaphors -- dead power, aestheticization, excremental culture and panic culture -- to major analytic categories."

• Best, Steven and Douglas M. Kellner. "Baudrillard en Route to Modernity." In their Postmodern Theory: Critical Interrogations, pp. 111-114, 144-145. Communications and Culture. New York: Guilford; Houndmills, Basingstoke, Hampshire: Macmillan, 1991.

• Best, Steven and Douglas Kellner. "(Re)watching Television: Notes toward a Political Criticism." Diacritics (Summer 1987), 17(2):98, 99, 103, 104, 112, 113.
       Review of Todd Gitlin, ed. Watching Television.

• Best, Steven and Douglas Kellner. "Watching Television: Limitations of Postmodernism." Science as Culture (1988), 4:46, 50, 53, 58, 69.
       Compares McLuhan and Baudrillard on implosion. Television produces meaning, and extends simulation throughout the culture, absorbing politics and reality itself, producing irreality. Irreality is a hyperreality, rather than reality itself. However, this postmodern theory leads to technological determinism.

• Bewes, Timothy R. T. "Cynicism and Postmodernity." D.Phil., 1997, University of Sussex.
        Abstract in Dissertation Abstracts International (Spring 1997), 58(1C):24C.

• Bezzel, Chris. "Philosophisches Wissen und poetische Gewissheit. Wittgensteins Fragmente 'Über Gewissheit' und Heissenbüttels Gedicht 'Alles was ich weiss'." Kodikas/Code Ars Semeiotica (July-December 1985), 8(3-4):298-300, 301, 310nn58, 59, 62, 310.

• Bezzel, Chris. "Lyrik vor Tshernobyl." Text + Kritik (October 1986), 92:33, 37nn7, 11.

• Bidaud, Anne-Marie. Revue Française d' Études Américaines (July 1987), 33:447-449.
        Review of Jean Baudrillard's Amérique (1986).
       Issue is on "Visions des Etats-Unis."

• Biddick, Kathleen. "Decolonizing the English Past: Readings in Medieval Archaeology and History." Journal of British Studies (January 1993), 32(1):12.

• Bih, Herng-Dar. "The Meaning of Objects in Environmental Transitions: Experiences of Chinese Students in the United States." Journal of Environmental Psychology (June 1992), 12(2):135, 146.

• Billig, Michael. "Sod Baudrillard! Or Ideology Critique in Disney World." In Herbert W. Simons and Michael Billig, eds., After Postmodernism: Reconstructing Ideology Critique, pp. 150-171. Inquiries in Social Construction. London & Thousand Oaks: Park: Sage, 1994.

• Bindé, Jérôme. "Caserma o padiglione?" Domus (July-August 1982), 630:2, 3.
        Asserts that the strategy which collectively assigns consumers to a code, without however (conversely) arousing collective solidarity was not invented -- whatever Baudrillard may think -- by the market and by advertising, although it suits perfectly their purposes; it was invented in the army, at school, in the factories and at the Court of Versailles.
        Text in Italian and English.

• Binkley, Timothy. "Camera Fantasia: Computed Visions of Virtual Realities." Millennium Film Journal (Fall-Winter 1988-1989), 20-21:12, 42n11.
        The meta-visual substance moulded by a computer artist is at the same time imaginary and real -- it is hyperreal.

• Birch, Thomas H. "The Incarceration of Wildness: Wilderness Areas as Prisons." Environmental Ethics (Spring 1990), 12(1):3.

• Birken, Lawrence. "From Macroeconomics to Microeconomics: The Marginalist Revolution in Sociocultural Perspective." History of Political Economy (Summer 1988), 20(2):253n5.
        John Stuart Mill and not just Karl Marx was unable to transcend the productivist ideology of their era.

• Birken, Lawrence. "The Political Economy of Adolf Hitler: Power, Plenty, and Ideology." History of Political Economy (1991), Supplement to vol. 23:187, 189.
        Refers to Baudrillard's discussion of the worship of labor replacing the worship of God in classical political economy.

• Birringer, Johannes. "`Invisible Cities'/Transcultural Images." Performing Arts Journal (Fall-Winter 1989), 11(3) [33-34]:129.

• Birringer, Johannes. "Postmodern Performance and Technology ." Performing Arts Journal (1985), 9(2-3) [26-27]:222, 233n1.

• Bishop, P. "Rhetoric, Memory, and Power: Depth Psychology and Postmodern Geography." Enviornment and Planning D: Society and Space (February 1992), 10(1):17, 19.
        Quotes Baudrillard to the effect that the psychological dimension has in a sense vanished and that history has also disappeared.

• Blackman, Lisa M. "What is Doing History? The Use of History to Understand the Constitution of Contemporary Psychological Objects." Theory & Psychology (November 1994), 4(4):490, 502.
        Mentions Baudrillard's views on signs, reality, simulation and hyperreality.

• Bladel, Louis van. Christelijk geloof en maatschappijkritiek. Evangelie, Marx, Marcuse, Baudrillard, Girard. Antwerpen: De Nederlandsche Boekhandel, 1980.

• Bladel, Louis van. "De Marx-kritiek van Jean Baudrillard." Politica. Tijdschrift voor Sociale Wetenschappen en Beleid [Leuven] (1979), 29(4).

• Blair, Sarah Boyd, Mick Diener, Steven Lewis, and Maria St. John. "Mudpeople in Providence." TDR: The Drama Review (Winter 1987), 31(4):27, 29.

• Blake, Nancy. "Psychoanalysis and Femininity." Structuralist Review (1978), 1(2):96.
        Refers to Baudrillard's remark that there is no room for desire in Foucault's universe; the slot is filled by power.

• Blanchard, Marc E. "Le désir de prédire." L' Esprit Créateur (Fall 1987), 27(3):37n15.
        This issue is entitled "The Preface (Ouvertures, Prolégomènes, Préludes, Avis, Avant-propos…)"

• Blask, Falko. Baudrillard zur Einführung. Hamburg: Junius, 1995.

• Blau, Herbert. "Comedy since the Absurd." Modern Drama (December 1982), 25(4):559, 568n28.

• Blau, Herbert. "Ideology and Performance." Theatre Journal (December 1983). 35(4): 454.n24.

• Bleiker, Roland. "Forget IR Theory." Alternatives (January-March 1997), 22(1):81n6.
        IR stands for International Relations.

• Bloch, Charlotte. "Everyday Life, Sensuality, and Body Culture." Women's Studies International Forum (1987) 10(4):441, 442.
        Discusses Baudrillard's notion of hyper-visibility: the fascination with the visible.

• Blum, Alan. "Panic and Fear: On the Phonemenology of Desperation." Sociological Quarterly (Fall 1996), 37(4):673, 674, 697.

• Boeve, Lieven P. J. "Spreken over God In 'Open Verhalen'. De Theologie Uitgedaagd door het Postmoderne Denken." [Naming God In 'Open Stories': Theology Challenged by Postmodern Thinking]." S.T.D. Dissertation, 1995, Katholieke Universiteit Leuven, Belgium.
        Abstract in Dissertation Abstracts International (Winter 1995), 56(4C):840-C.

• Bogard, William. "Baudrillard, Time, and the End." In Douglas M. Kellner, ed., Baudrillard: A Critical Reader, pp. 313-333. Oxford & Cambridge, Mass.: Blackwell, 1994.

• Bogard, William. "Closing Down the Social: Baudrillard's Challenge to Contemporary Sociology." Sociological Theory (Spring 1990), 8(1):1-15.

• Bogard, William. "Discipline and Deterrence: Rethinking Foucault on the Question of Power in Contemporary Society." Social Science Journal (July 1991), 28(3):335-337, 343n5, 344n44, 345nn45, 49, 50, 60, 62, 346n65.
        Notes criticism of Foucault's work by Baudrillard, in particular that in contemporary society the exercise of power involves not only mechanisms of discipline but of deterrence as well, which ultimately signals a dissipation of disciplinary power.

• Bogard, William. "Sociology in the Absence of the Social: The Significance of Baudrillard for Contemporary Thought." Philosophy & Social Criticism (1987), 13(3):227-242.

• Boggs, Carl. "The Intellectuals and Social Movements: Some Reflections on Academic Marxism." Humanities in Society (Spring & Summer 1983), 6(2-3):231, 239n18.
        Issue is on "Marxists and the University," edited by Robert M. Maniquis.

• Bogue, Ronald L. "Pasta, Barthes, and Baudrillard." Bucknell Review (1982), 27(1):124-139.
        Special issue is on "Literature and Ideology," edited by Harry R. Garvin and James M. Heath.

• Bohman, James F. "Formal Pragmatics and Social Criticism: The Philosophy of Language and the Critique of Ideology in Habermas's Theory of Communicative Action." Philosophy & Social Criticism (Fall 1986), 11(4):332, 351n3.

• Boltanski, Luc. "Les Usages sociaux de l'automobile: Concurrence pour l'espace et accidents." Actes de la Recherche en Sciences Sociales (March 1975), 2:25.

• Bondebjerg, I. "Postmodernism and the Media." Kosmorama (1989), 35(189):42-45.

• Bondolfi, Alberto. "Lecture épistémologique et éthique des sociologies du quotidien." Social Compass (1981), 28(4):432, 438.

• Bonnefis, Philippe. "Clair-obscur." Littérature (May 1977), 26:23.
        This issue is entitled "Imaginaire et idéologique: Questions de lecture."

• Bonnett, A. "Art, Ideology, and Everyday Space: Subversive Tendencies from Dada to Postmodernism." Environment and Planning D: Society and Space (February 1992), 10(1):82, 84.

• Bonnet, Jean-Marie. "American-Studies in France." American Studies International (October 1987), 25 (2):31, 37.

• Bonetti, Jose Andres. "Jean Baudrillard y la desaparicion de la historia." Logos [Mexico] (September-December (1995), 23(69):49-61.

• Boone, Charles. "Has Modernist Music Lost Power?" In Ingeborg Hoesterey, ed., Zeitgeist in Babel: The Postmodernist Controversy, p. 208. Bloomington: Indiana University Press, 1991.

• Borghini, Albaerto. "'Elogia puerorum': testi, immagini e modelli antropologici." Prospettiva: Rivista di Storia dell Arte Antica e Moderna (July 1980), 22:10n9.

• Borgman, Patricia Dawn. "Función del espacio en Jose Trigo de Fernando del Paso." Ph.D. Dissertation, 1991, University of California, Santa Barbara.
        Abstract in Dissertation Abstracts International (May 1992), 52(11A):3948-A.

• Borgmann, Albert. "The Artificial and the Real: Reflections on Baudrillard's America." In William Stearns and William Chaloupka, eds., Jean Baudrillard: The Disappearance of Art and Politics, pp. 160-176. New York: St. Martin's Press, 1992.

• Borgmann, Albert. Review of C.A. Bowers' The Cultural Dimensions of Educational Computing: Understanding the Non-Neutrality of Technology. Journal of Educational Computing Research (1990) 6(1):116, 121n7.

• Bortner, M.A. "The Necessity and Inadequacy of the Reproductive Rights Discourse." Social Justice (Fall 1990), 17(3):107, 109.
        Echoes Baudrillard's warning about the dangers of participating in a discourse defined by the capitalist order, in this instance to speak a language of rights that forecloses the complexity of human lives.
        This issue is on "Feminism and the Social Control of Gender."

• Boss, Pete. "Vile Bodies and Bad Medicine." Screen (January-February 1986), 27(1):23, 24.

• Botting, Fred. "Signs of Evil: Bataille, Baudrillard and Postmodern Gothic." Southern Review [Adelaide] (December 1994), 27(4):510.

• Botting, Fred and Scott Wilson. "Automatic Lover." Screen (Summer 1998), 39(2):186n.
        On David Cronenberg's Crash.

• Botton, Alain de "Why Students Prefer Plato."[Plato Rules, OK?] New Statesman (December 11, 1998), 11(534):13.
        "Alain de Botton argues that in our self-help age, the ancient philosophers are inevitably more popular that Derrida, Baudrillard and the deconstructionists."

• Boudreau, Françoise. "Partisanship as a New Strategy in Mental Health Policy: The Case of Québec." Journal of Health Politics, Policy and Law (Summer 1991), 16(2):318, 326.

• Bourdin, Alain. "Le dépot sacré." Cahiers Internationaux de Sociologie (July-December 1986), 81:200.

• Burgoyne, Patrick. "Jean Wasn't Here." Creative Review (April 1998), 18(4):57-59.
        On Baudrillard's photography.

• Boutinet, J.P. "Human Sciences and Social Practices." International Social Science Journal (1982), 34(2) [92]:325, 327n29.
        Translated from the French.

• Bouza, Fermín. "Quién fascina a quién?" Revista de Occidente (January 1989), 92:104.
        Issue is on "La Publicidad."

• Bovaird, Tony. "Analyzing Urban Economic Development." Urban Studies (May 1993), 30(4-5):650, 655.
        Quotes Baudrillard to the effect that theory itself has evolved into a total system of mythological interpretation, a closed system of signification.

• Bowe, Richard, Stephen Ball, and Sharon Gewirtz. "'Parental Choice', Consumption and Social Theory: The Operation of Micro-Markets in Education." British Journal of Educational Studies (March 1994), 42(1):42, 43, 51.

• Boyarin, Jonathan. "Death and the Minyan." Cultural Anthropology (February 1994), 9(1):15, 20.

• Boyd, Todd. "Check Yo Self, Before You Wreck Yo Self: Variations on a Political Theme in Rap Music and Popular Culture." Public Culture (Fall 1994), 7(1) [15]:307, 311.
        This special issue is devoted to "The Black Public Sphere."

• Boyle, Mark and George Hughes. "The Politics of Representation of 'The Real': Discourses from the Left on Glasgow's Role as European City of Culture, 1990." Area (September 1991), 23(3):217, 218, 228.
        See below David B. Clarke 's response: "Reality, Representation and Simulation: A Comment on Theory and Politics in Boyle and Hughes."

• Boyne, Roy. Review of John Sturrock's Structuralism and Since. Sociology (February 1981), 15(1):143, 146n13.

• Brabander, Richard de. "Het zwijgen van de sirenen. Baudrillard en Derrida over de verleiding en de leegte." Lier en Boog [Amsterdam] (1993), 9(1-2):77-96.

• Brace, Eric. "William Innes Homer: Rethinking the Present." ARTnews (May 1995), 94(5):84.

• Brack, J.-Paul. "Ces Communications de masse qui n'existent pas." Analyse et Prévision (July-August 1972), 14(1-2):977-996.
        A critical analysis of the main ideas in Baudrillard's Pour une Critique de l'économie politique du signe (1972).

• Bradley, Dale. "History to Hysteria: Fellini's Casanova Meets Baudrillard." Canadian Journal of Political and Social Theory/Revue Canadienne de Théorie Politique et Sociale (1989), 13(1-2):129-139.
        This issue is entitled "The Hysterical Male--one libido?"
        Reprinted in Peter Bondanella and Cristina Degli-Esposti, eds., Perspectives on Federico Fellini, pp. 249-259. Perspectives on Film. New York: G. Hall, 1993.

• Brady, Veronica. Review of Robert Drewe's Fortune. Westerly (1988), 33(1):86, 89n1.
        "The context of the novel being reviewed is a post-modernist world well-described by Baudrillard's view of hyperreality in which maps are more important than territories, reputations than actions, words and sketches than facts."

• Braman, Sandra. "Policy for the Net and the Internet." Annual Review of Information Science and Technology (1995), 30:17, 34.
        Asserts that Baudrillard gives a negative account of the possibility of an automated citizen carrying out political activities through the Net.

• Brandsma, Bart and Ben Kuiken, eds., Denkers van deze tijd. Gesprekken met filosofen Kampen: Kok Agora; Kappellen: Pelckmans, 1996.

• Brandt, Per Aage. "Ironie et subjectivité." Revue Romane (1981), 16(1-2):47.
        Uses Baudrillard's distinction between production and seduction to discuss pedagogic seduction and Socratic irony.

• Brantlinger, Patrick. "Apocalypse 2001, or, What Happens after Posthistory?" Cultural Critique (Spring 1998), 39:59-83 , especially 71-77.

• Brass, Tom. "Moral Economists, Subalterns, New Social Movements and the (Re-)Emergence of a (Post-) Modernised (Middle) Peasant." Journal of Peasant Studies (January 1991), 18(2):197n17, 202.

• Brass, Tom. "Permanent Transition or Permanent Revolution: Peasants, Proletarians, and Politics. Review of David Goodman and Michael Redclift's From Peasant to Proletarian: Capitalist Development and Agrarian Transitions. Journal of Peasant Studies (April 1984), 11(3):110, 116.
        States that Baudrillard and Clastres reject historical materialism in favor of of an idealist model of a politically and economically autonomous "primitive society" where exchange possesses a symbolic function only.

• Brass, Tom. "Post-Script: Populism, Peasants and Intellectuals, or What's Left of the Future?" Journal of Peasant Studies (April-July 1994), 21(3-4), 21:256, 275n42, 279.

• Braun, Bernhard. "'Wer Versletzt die ungebrocheme Zeit?' zu J. Baudrillards fatalen strategien." In Otto Muck, ed., Sinngestalten . Metaphysik in der Vielfalt menschichen Fragens. Festschrift für Emerich Coreth, pp. 305-319. Innsbruck & Vienna: Tyrolia, 1989.

• Braun, Luzia and Klaus Ruch. "Das Würfeln mit der Wörtern. Geschichte und Bedeutung des Anagramms." Merkur: Deutsche Zeitschrift für europaisches Denken (March 1988), 42(3) [469]:231-232.

• Brea, José Luis. "De la catástrophe a nuevos órdenes." Cuadernos del Norte (July-August 1984), 5(26):20, 25n1.

• Breuer, Stefan. "Strukturales Wertgesetz und Todesrevolte. Sketische Anmerkungen zu Baudrillard." Merkur: Deutsche Zeitschrift für europaisches Denken (June 1984), 38(4) [426]:477-482.

• Breur, Ingeborg, Peter Leusch, and Dieter Mersch. Welten im Kopf: Profile der Gegenwartsphilosophie. Bd. II: Frankreich/Italien. Hamburg: Rotbuch-Verlag, 1996.

• Bridge, Gavin. Review of Neil Evernden's The Social Creation of Nature. Economic Geography (1995), 71(2):235, 236.

• Brigham, Linda Carol. "Revolutionary Icons: Romanticism, Shelley, and Technologies of Reference." Ph.D. Dissertation, 1991, University of Maryland College Park.
        Abstract in Dissertation Abstracts International (October 1992), 53(4A):1164-A.

• Bromberg, Christian. "Technologie et analyse sémantique des objets: Pour une sémio-technologie." L'Homme: Revue Française d'Anthropologie (January-March 1979), 19:106-107, 136.

• Brophy, Cynthia "Loathing the Golden Arches: Ian Wedde and Postmodernism." Landfall (March 1988) 42(1):64, 72.

• Brough, Andrew Mark. "A Generation Called 'X': Douglas Coupland's Vision and Reworking of Postmodern Society." M.A. Thesis, 1998, Utah State University.
        Abstract in Masters Abstracts International (1999), 37(1):68.

• Brown, Bill . "How to Do Things with Things." Critical Inquiry (Summer 1998), 24(4):948, 960n61, 962.
        On material culture, semiotics and imagery.

• Brown, Bill. "The Look We Look at T.J. Clark's Walk Back to the Situationist International." Arts Magazine (January 1989), 63(5):61, 64n3.
        Baudrillard's writings in the '70's say that we are no longer living in the society of the spectacle which the situationists talked about, nor in the implied specific types of alienation and repression which frames T.J. Clark's revisionary history of Impressionism.

• Brown, Chris. "'Turtles All the Way Down': Anti-Foundationalism, Critical Theory and International Relations." Millenium: Journal of International Studies (Summer 1994), 23(2):225, 235-236.

• Brown, Richard Harvey. "Personal Identity and Political-Economy: Western Grammars of the Self in Historical-Perspective." Current Perspectives in Social Theory (1987), 8:139, 154.
        By marketing products that are designed to sell on the basis of a continuous substitution of attractive images of the self, production of things is transformed into production of signs.

• Brown, Richard Harvey. "Reconstructing Social Theory after the Postmodern Critique." In Herbert W. Simons and Michael Billig, eds., After Postmodernism: Reconstructing Ideology Critique, pp. 22, 24, 35. Inquiries in Social Construction. London & Thousand Oaks: Sage, 1994.

• Brown, Wendy. States of Injury: Power and Freedom in Late Modernity, pp. 84-85, 86-87, 88, 90. Princeton, N.J.: Princeton University Press, 1995.

• Bruckner, Pascal and Alain Finkielkraut. "Passions de l'indifférence." Critique (May 1975), 31(336):465-488.

• Bruckmuller-Genlot, Danielle . "La mur dans la peinture preraphaelite." Cahiers Victoriens & Edouardiens (October 1982), 16:8, 26n49.
        Review of Jean Baudrillard's La Société de consommation (1970) and Charles Fourier's Le nouveau monde amoureux (Oeuvres complètes, tome VII).

• Bruner, Edward M. "Abraham Lincoln as Authentic Reproduction: A Critique of Postmodernism." American Anthropologist (June 1994), 96(2):397-398, 406-407, 409, 413.
        Examines critically Baudrillard and the postmodern perspective of others, and concludes that despite arguments against origins, there is an implicit original, and that there is a judgmental bias that regards one side of the dichotomy as better. It usually implies that originals are better than copies or, with the postmodernists, the exact opposite, which is still the inverse of the same binary logic.

• Bruno, Giuliana. "Ramble City: Postmodernism and Blade Runner." October (Summer 1987), 41:67, 68-69.
        Takes Baudrillard characterisation of our industrial age as schizophrenic and says this is true of the replicants in the movie Blade Runner.

• Bruston, A. "Entendre ou voir?" Musique en Jeu (September 1976), 24:65, 67n3.

• Brym, Robert J. "The End of Sociology? A Note on Post-modernism." Canadian Journal of Sociology/Cahiers Canadiens de Sociologie (Summer 1990), 15(3):330, 331, 333.

• Bryson, Norman. "Chardin and the Text of Still-Life." Critical Inquiry (Winter 1989), 15(2):230.
        Hyperreal trompe l'oeil casts doubt on the human subject's place in the world and on whether it has in fact a place in the world.

• Buchloh, Benjamin.H.D. "Hans Haacke: Memory and Instrumental Reason." Art in America (February 1988), 76(2):159nn28, 29.

• Buck-Morss, Susan. "Fashion in Ruins: History after the Cold War." Radical Philosophy (Autumn 1994), 68:14, 17n17.
        Criticises Baudrillard for making the claim that we are at the end of labor, the end of production.

• Bühl, Walter L. "Musiksoziologie an der postmodernen Wende." Soziale Welt (1994), 45(3):338, 359.

• Buisine, Alain. "Tel Orphée..." Revue des Sciences Humaines (1988), 210:141n38, 142.
        The literary act in photography as evidenced by certain photographers.

• Bukatman, Scott. "Coda: Baudrillard in the Zone." In his Terminal Identity: The Virtual Subject in Postmodern Science Fiction, pp. 180-182. Durham & London: Duke University Press, 1993.

• Bukatman, Scott Richard. "Terminal Identity: The Virtual Subject In Postmodern Science Fiction." Ph.D. Dissertation, 1992, New York University.
        Abstract in Dissertation Abstracts International (February 1993), 53(8A):2579-A.

• Burchill, Louise. "Either/or: Peripeteia of an Alternative on Jean Baudrillard's De la Séduction." In André Frankovits, ed., Seduced and Abandoned: The Baudrillard Scene, pp. 28-44. Semiotext(e). Autonomedia. Glebe, NSW, Australia & New York: Stonemoss Services & Semiotexte(e), 1984.

• Bürger, Peter. "Aporias of Modern Aesthetics." New Left Review (November-December 1990), 184:48.
        Translated by Ben Morgan.
        Quotes Baudrillard to the effect that art has totally penetrated reality and that the border between art and reality has vanished as the two collapse into the realm of the universal simulacrum.

• Bürger, Peter. "Der Alltag, die Allegorie und die Avantgarde. Bemerkungen mit Rücksicht auf Joseph Beuys." Merku: Deutsche Zeitschrift für europaisches Denken (December 1986), 40(12) [454]:1016-1017n1.

• Burgin, Victor. The End of Art Theory: Criticism and Postmodernity, pp. 166, 169-170, 172, 173, 213nn27, 36. Communications and Culture. Houndmills, Basingstoke: Macmillan, 1986.

• Burgoyne, R. "The Last Emperor: The Stages of History." Sub-Stance (1989), 59: 93-101.
        Film by Bernardo Bertolucci.

• Burke, Carolyn. "Romancing the Philosophers: Luce Irigaray." Minnesota Review (Fall 1987), 29:113n7.
        This special issue is on "Feminism, Psychoanalysis and Cultural Critique."
        Reprinted in Diane Hunter, ed., Seduction and Theory: Readings of Gender, Representation, and Rhetoric, pp. 229, 237n11, 240n40. Urbana & Chicago: University of Illinois Press, 1989.
        States that Baudrillard gives a reductive reading of This Sex Which Is Not One. Suggests it would be instructive to compare Irigaray's idea of feminine masquerade with Baudrillard's very different interpretation in De la Séducation (1979).

• Burton, Julianne Burton and Jean Franco. "Culture and Imperialism." Latin American Perspectives (Winter 1978), 5(1):5, 11.

• Bush, Clive. "Cultural Reflections on American Linguists from Whitney to Sapir." Journal of American Studies (August 1988), 22(2):186, 205.

• Butler, Rex. "Jean Baudrillard's Defence of the Real: Reading In the Shadow of the Silent Majorities as an Allegory of Representation." In Nicholas Zurbrugg, ed., Jean Baudrillard: Art and Artefact, pp. 51-63. London & Thousand Oaks, Calif.: Sage, 1997.

• Butterfield, Bradley James. "Adorno, Baudrillard, and Postmodern Negative Realism." Ph.D. Dissertation, 1998, University of Oregon.
        Abstract in Dissertation Abstracts International (January 1999), 59(7A):2485-A.

• Butterfield, Bradley. "Ethical Value and Negative Aesthetics: Reconsidering the Baudrillard-Ballard Connection." PMLA (January 1999), 114(1):64-77.

• Byerly, Carolyn M. and Catherine A. Warren. "At the Margins of Center: Organized Protest in the Newsroom." Critical Studies in Mass Communication (March 1996), 13(1):4, 18.

• Byrne, Peter John Rooney. "Fafafafastfade." M.F.A. Thesis, 1996, York University.
        Abstract in Masters Abstracts International (1996), 34(6):2100.

• Byron, Kristine A. "El extasis de la communicacion: La imagen en Tres tristes tigres." Torre de Papel (Spring 1994), 4(1):43-52.